Originally posted October 25th 2013
Remember when superhero movies were just becoming a thing? They usually fell into the same pattern: someone gets powers and saves the world. Fairly straight forward, right? Sure, there were different approaches to the idea: X-Men drew on themes of discrimination and Spider-Man was about a hero trying to balance life and superheroing. The Dark Knight, Watchmen, and The Incredibles deconstructed several tropes associated with the genre, and Iron Man and The Incredibles reconstructed a deal of them (yep, The Incredibles did both). But at the end of the day, all of them were, for the most part, variations on a theme.
Then Thor rolled around. While, yes, it was still about a superhero saving the world, the film and character were approached like a fantasy film in the vein of The Lord of the Rings rather than an out-and-out ‘superhero film.’ The result was a movie that felt very different from, say, Iron Man. Suddenly the superhero genre had expanded. Thor wasn’t just about a normal guy getting powers; it was about a fantastical superhuman progressing through the hero’s journey in a blend of fantasy and reality.
A few months later Captain America: The First Avenger came out, transplanting a superhero movie into a period piece (like The Incredibles!). Unlike The Incredibles, though, The First Avenger fully embraced its time period: World War II. Just as Thor crossed into fantasy, this film blended the a war movie with superhero tropes. Yes, The First Avenger still has all the hallmarks of the superhero film, but it’s hardly a strict superhero movie. We have a superhero who’s more like a commando (or is it the other way round?). Similarly, X-Men: First Class (also released in the Summer of 2011) took place in the ‘60s, keeping its discrimination subtext and mixing it with Cold War imagery.
Which brings me to The Winter Soldier, the trailer of which just dropped (if you haven’t seen it, go now!). The new Captain America movie seems to be, like The First Avenger before it, dispensing with a lot of ‘classic’ superhero tropes. If anything, The Winter Soldier is shaping up to be more like a political thriller in the vein of Patriot Games or The Bourne Identity rather than Iron Man. Yes, it’s still a movie about Captain America and there is an evil looking villain; but Blade Runner has androids and it’s not Star Wars. It’s not solely a film of one genre.
As a genre, superhero movies, like science fiction and fantasy before it, are rapidly becoming far more diverse with their subject matter. The Avengers drew some aspects from war movies, Man Of Steel focused its central theme not on Superman vs Zod but on the question of Superman’s identity. Of course, this doesn’t always go so well; Green Lantern tried to create a space opera and, well, failed miserably. So what did Green Lantern do wrong? Does space opera simply not work with superheroes? No, Green Lantern was a reminder that blending genres isn’t enough: you always need a good story.
Fun thing is, this trend shows no sign of stopping. Upcoming Thor: The Dark World is still a fantasy (directed by some Game of Thrones alum, no less), Guardians of the Galaxy is looking to be Marvel’s attempt at a space opera, and Ant-Man is gonna be an Edgar Wright film. Why is this so important? Folks, we’re watching a genre develop.
Short post? Yes. Why? I’m working on a short film this weekend. I’m busy. Heck, I hardly have time to go out and watch movies.