I had the pleasure of attending an advance screening of The LEGO Movie on Thursday at my university. Now, you have to realize, I’ve been into Legos as long as I can remember, have a couple models on my desk, and have been making Lego movies in one form or another since I was ten.
In a nutshell: The LEGO Movie is fantastic. It’s beautifully animated, superbly cast, downright hilarious, and has a great plot. Now, the plot’s not anything groundbreaking, in fact it follows John Campbell’s monomyth to a tee.
Wait. The LEGO Movie makes use of Joseph Campbell’s Hero’s Journey?
First, it serves to outline what exactly The Hero’s Journey is. Joseph Campbell postulated that myths and legends from around the world followed a similar structure. One where “a hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man” (Campbell). Translated, it’s a mythic arc that stems from a lot of ancient myths. It’s also been used in more modern media; George Lucas consciously set out to create a myth when he created Star Wars. The Wachowskis used it in The Matrix and thatgamecompany followed in closely enough in Journey that much of the soundtrack’s titles match individual steps of the monomyth.
With that, it bears mentioning that Campbell’s monomyth is hardly the only structure out there and a quick google search brings up several different takes on it. My favorite is the one on, go figure, TV Tropes, mostly because theirs allows for some leeway in the steps and rearrangements.
Now, this is hardly new. I’ve mentioned before how Aristotle talked about this in his Poetics and also how formulas exist for a reason. It’s also not bad. To do something like this doesn’t so necessarily mean a laziness of storytelling so much as, when executed well, displaying a mastery of it.
So how does this work with The LEGO Movie? The film adopts the monomyth and puts it to use for its story. All the key players are there: we have the very normal Emmet who wants very little to do with adventure until along comes Wyldstyle, who drags him out of normalcy and gives him the Call to Adventure. There’s the evil President Business with his right hand minifig Bad Cop. Vitruvius is the Obi Wan to Emmet’s Luke, with Batman (yes, the Batman), Uni-Kitty, and Benny the 1980-something Space Guy filling out the rest of the team.
But then, those are the characters, what about the plot?
Emmet is an ordinary minifig, one who receives his Call To Action to leave his town and help save the world. After his initial Refusal of the Call he must Cross the First Threshold, meet The Mentor, enter the Land of Adventure, and, well I’d love to say more but the movie’s not out ‘till this coming Friday and I really don’t want to spoil the movie. There’s a second
Is this post then just a big introduction? Sort of. But I will tell you this: The LEGO Movie is a magnificent piece of storytelling that you should really go see. There’s an earnestness to it seldom seen these days that makes it pure joy to watch. Plus, it really puts The Hero’s Journey to work, lending it an instantly classical feel that adds to it’s very, well, Lego-y feeling.
Go watch it when it comes out, then come back here in a few weeks for my monomythical breakdown.
Get it, because it’s Lego? And I’m breaking it down?
...I’ll see myself out.