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Wakanda Forever


Ta-metru_defender

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Essays, Not Rants! 308: Wakanda Forever

 

So. Black Panther.

 

Right now, I want nothing more than to geek the crud out about this movie. It’s, wow. Ryan Coogler’s quickly become one of my favorite directors (courtesy of Creed and Fruitvale Station), and this movie is the icing on the cake.

 

There’s so much to love about it. The plot moves along at a clip pace, so much so that I found myself wanting more when it ended. Its supporting cast is as interesting as its leads, with everyone getting their due and characters like Okoye, Nakia, and Shuri stealing the show (and seriously, Okoye is the coolest). The conflict between T’challa and Killmonger is surprisingly nuanced, one where there is no real easy answer. Does a super advanced African nation have an obligation to other Africans, both those within the continent and part of the diaspora? Or should Wakanda remain isolationist, able to remain free of colonialist influence?

 

And these are all well and good facets of the movie (Okoye is so stinking cool), but there is, of course, the obvious one: Black Panther is the first movie in the Marvel Cinematic Universe to feature not only a black protagonist, but a predominately black cast as well. On top of that, these characters are from Wakanda, a fictional, utopian country in Africa. They’re cool; they get to do the superhero schtick.

 

That’s a big part of what makes the movie so interesting (on top of that it’s an excellently crafted film): its representation. This is a movie where a bunch of people who don’t usually get to be these sorts of heroes gets to be these sorts of heroes. Not only that, but Wakanda is a science-fiction style setting that doesn’t draw on Western influences, but rather celebrates Africa. Wakanda is Afrofuturism put up on the big screen, and believe you me, it’s refreshing. Characters wear traditional African outfits that, guess what, generate force fields and also look really cool.

 

That Black Panther is succeeding is excellent news for genre fiction. It proves that blockbuster science fiction and action don’t have to be about white people with decidedly western influences. If we can get this Afrofuturistic fantasy, maybe now an East Asian inspired science fiction story is viable, and one outside of anime at that. Or an anime that’s been adapted and now stars a white actor in the lead. Now there’s room for a Mesoamerican-inspired fantasy world where Spanish conquistadors don’t even enter into the equation.

 

For better or worse, media (that is, movies, television, books, games, etc) is predominately dominated by the West (and, in particular, the US). As such, most of the stories that Big Movies and blockbusters draw on are Americentric; we’re used to stories with characters who look like Tony Stark and Steve Rogers 'cuz those are the stories that get told. Black Panther is a shift, it’s a movie that says "Hey, you don’t have to look like Ryan Gosling to be the superhero." You can look like Chadwick Boseman.

 

So does this mean there’s gonna be a scifi epic coming out soon starting a Chinese dude in a Changshan kicking butt but not in an orientalized kung fu way? God, I hope so. It’s hard for me to find words to describe exactly what it was like watching Black Panther, getting to see this dope futuristic world that celebrated a culture that wasn’t, well, white. It was different, it was cool; in Wakanda it showed a country that’s as much an ideal as it is a fantasy.

 

And throughout it all, I couldn’t help but to ask when was my turn. When am I gonna get to see people who look like me in a big blockbuster, when am I gonna get to see the culture I’ve spent so much of my life a part of celebrated in a science fiction film featuring the people who actually live it? Sure, I’m only half-Asian, but that’s a half that doesn’t usually get seen.

 

In the meantime, Black Panther’s freaking awesome, go watch it, and celebrate what it does.

 

There’s gotta be more to come.

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:kaukau: I don't necessarily think too much about what a character looks like, but I do take interest in increasing the diversity of the cultures that they come from.  Having more cultures in cinema gives us more stories to tell.  When everything is set in the same American cities, things get a bit flat.  And don't get me wrong, in just one American city, there are still billions of unique stories you could tell.  But I remember watching the movie Slumdog Millionaire and I found it so fascinating to see perspectives and real experiences that I wouldn't normally have thought to understand.

 

That, and it makes life a little bit more of an adventure.  Have you noticed that all of the superhero movies are labeled as being in the action/adventure genre, and yet so few of them actually include any real adventure settings?  C'mon.  Adventure!  I've craved it since I first watched Indiana Jones as a kid, to become savvy in new cultures and take part in the opportunities and challenges that each one provides.

 

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:kaukau: I don't necessarily think too much about what a character looks like, but...

 

<snip>

Yeah, see, you might not, but I do. When I watch movies or tv, play video games, or read comics, four times outta five I'm gonna see folk who look more like my mom than my dad, and consequently not a lot who look much like me. It's cool than you don't have to think too much about what a character looks like, but believe you me I do, especially when I see a character who looks like me or has a similar background (shout out to Big Hero 6!).

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:kaukau: I notice it and I appreciate it.  I just don't necessarily think that it's as significant for diversity as cultural diversity is.  My outlook is that a person can have a different ethnicity, but that kind of diversity is only skin deep.  I see plenty of movies with African American protagonists, but the emphasis is on American for me and I tend to notice those things a bit more.  Which is a good thing, of course.  It means that people of all different races in the American melting pot are equally part of our national identity.

 

With that having been said, I do notice when a character looks like me.  Not necessarily when they share my same race.  As in, I don't think, "That person is white, and I relate to this person more!"  It's more like when Matt Smith was the Doctor, and everyone said that he looked and dressed just like me.  They were right, and consequently, I really enjoyed his first two seasons on Doctor Who.  Psychologists have performed studies that we emotionally connect with people more when we're reminded of ourselves looking at them.  So yes, physical appearance does matter.  I just come from a position where I don't necessarily think too much about race, and I understand that a large part of that come on account of me being part of the West's majority race.  Now, I can't necessarily say from experience what it's like to relate to be in the minority, and not be targeted with the same consistency.  Statistically, if I was African American, seeing someone of the same race as myself would probably be the closest that I would get to seeing someone who looked "like me."

 

Anyway, like I said, I'm usually more interested in seeing cultures represented, since I think that it's a bit of a bigger step.  Western movies have branched out with racial representation, but the characters and archetypes are still ultimately American.  Understandably, because it takes more work to make audiences relate with a character who looks different and comes from a completely different frame of reference than most Americans.  That's one of the reasons why I thought that Black Panther succeeded, since it represented a world that not only differed from ours aesthetically, but in its identity.  Creating that very different culture required Coogler to up the level of his storytelling, and ultimately it forced the audience to see the world from a significantly different perspective, which I think is the next major step in creating a cinematic landscape that can communicate for all people.

 

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