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The Disaster Artist Review


Jean Valjean

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blog-0109596001514699154.jpg:kaukau: The interesting thing about this film, if viewed as a prequel to The Room, is that it almost retroactively makes the original film good. Not in a "so bad it's good" way, but actually admirable. You understand what Tommy Wiseau wanted to do. The Room wasn't a pretentious film by a talented director who was patting himself on the back for his talent, which I really hate. It's a sincere attempt by someone who convey life the way that he sees it. Granted, Tommy's way of looking at life is incredibly strange, and he's like a Bizarro World character from the Superman comics, but it's sincere. He funded the film himself, took a giant leap, and although he communicated his outlook on life incompetently, it's still a sincere look into the mind of someone who really wanted to reach out and show the world something about himself. In that sense, The Room truly is unique among films and truly does deliver on what art really should be, a means for human beings to connect with each other and share our realities.

 

Wait, am I actually trying to say something sensible and coherent while talking about Tommy Wiseau? And did I just call that movie good? I really should double-check that fruit punch they served at the New Year's Eve party.

 

Going into this film, I wanted either one of two things from it. The first satisfying option was that this would be a bad film, which would be fitting. The second would be for it to be good, which would be ironic. Anything in-between those two extremes wouldn't do.

 

Now as it happens, I am happy to report that it was good. As in, really good. Oscar-worthy good. It's one of the best movies of the whole year, and is a fitting film to conclude my calendar with.

 

The specific Oscars that I hope that this gets nominated for are James Franco as Tommy Wiseau, Dave Franco for Best Supporting Actor because I'm honestly surprised at how his presence as Greg Sestero wasn't overshadowed by his brother's titular role, and Best Adapted Screenplay, because this real-life tale is so fascinating and unique in ways that are stranger than fiction.

 

Unfortunately, most theatres aren't showing this masterpiece, and so I'll have recommend that people buy it as soon as it comes out on DVD, and also The Room. Because how can you not get one without getting the other? They complement each other so well. It also doesn't matter which order in which you watch them, so if you don't feel like getting The Room, go ahead and watch this first.

 

And let me assure you, it is good. My sister even watched this instead of STAR WARS. It was a special time, and between her and me, this movie gets high marks.

 

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