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How To Play Piano, with Sumiki


Sumiki

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so today we'll be looking at "The Alcotts," which is the third movement to Charles Ives' "Concord" Sonata and likely one of the least dissonant things he ever wrote

 

alcotts1.png

we begin in b-flat major, not too shabby

 

alcotts2.png

wait a minute

 

alcotts3.png

POLYTONALITY OUT OF NOWHERE

 

alcotts4.png

WHAT NOW, MORTAL

 

alcotts5.png

AHAHAHAHAHAHAHA

 

 

 

 

 

 

 

 

 

 

 

on a serious note I'm actually trying to learn this

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I learnt piano for 9 years, and I'd say the first two lines look fairly easy, particularly the second. The others...well, I don't see how they're possible without at least 3 hands. If it were me, I'd probably use 4 hands. If that were possible.

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The last line has you playing six notes with your left hand, at what looks to be almost a 3 octave difference between the highest and lowest note. wat

 

also lack of time signature, but who needs that pft

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I learnt piano for 9 years, and I'd say the first two lines look fairly easy, particularly the second. The others...well, I don't see how they're possible without at least 3 hands. If it were me, I'd probably use 4 hands. If that were possible.

The third line looks more complicated than it is. The right hand alternates between the c minor chord inversions on the top, while the left bounces between e-flat minor, a minor, and the bass octave. Fairly easy to play in comparison to what it looks like.

 

The fourth and fifth consist mainly of rolling huge chords with right and left hands all the way up the piano. Ives' own recording does this.

 

alcotts6892.jpg

 

did you get to this part yet

 

windy.gif

 

maybe

 

 

The last line has you playing six notes with your left hand, at what looks to be almost a 3 octave difference between the highest and lowest note. wat
also lack of time signature, but who needs that pft
Ives actually uses a time signature in the middle section of this piece (from which I have not provided an except). Even in it, he mixes in 6/4 with 4/4 and ends on a 4-and-a-half/4 measure before eschewing the bar lines again.
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It's times like this that I wish I hadn't quit piano, just so I could understand this in more detail.

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Ives actually uses a time signature in the middle section of this piece (from which I have not provided an except). Even in it, he mixes in 6/4 with 4/4 and ends on a 4-and-a-half/4 measure before eschewing the bar lines again.

 

..4 1/2? I've heard of it but I thought it was just hypothetical. 'scuse me while I look this song up.

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