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Blogarithm



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Sumiki's Dad Returns

Posted by Sumiki , in BZPower, Sumiki's Dad, Writing Dec 14 2014 · 48 views

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Sumiki's Dad and Team Farm Animals return to the Comedies forum after a brief hiatus. With an all-new setting and an outrageous supporting cast, Vakama Eats Spam promises to tackle the tough questions, like "why does Vakama eat Spam?"

The promised feature of the Blogarithm Contest #9 winner will occur in later chapters, so I decided to begin posting the story in advance of the announcement on the winner.



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On Showrunners

Posted by Sumiki , in Writing, Rants, Not Essays!, Life Nov 08 2014 · 243 views

In terms of changing fundamental aspects of Doctor Who, Russell T. Davies did more than Steven Moffat.

I'm not trying to advocate for Moffat's writing; I find it tedious, prone to overly emotional appeals, filled with plot holes, and beset with pacing issues. As far as good ideas for series go, each successive series since Matt Smith took over the role has been worse than the last, although I think Death in Heaven was an improvement over The Time of the Doctor. (To be fair, watching my toenails grow would have been preferable to The Time of the Doctor.)

However, I don't find every criticism of Moffat legitimate, for as much as I may agree with many of the commonly brought-up points, others stand out to me like sore thumbs. (As a disclaimer, I should probably say that this isn't directed at anyone.)

So, Doctor Who was rebooted in 2005 with Christopher Eccleston as the Doctor and Russell T. Davies as showrunner. Over the course of that season and all of David Tennant's run, we learn that
  • The TARDIS doors are the same on the inside.
  • The TARDIS looks vastly different on the inside.
  • The Doctor is the last of the Time Lords because the others are all dead.
  • The Doctor is fine with having a romantic relationship with a companion.
  • The titles no longer feature the Doctor's face.
  • John Simm was a totally out-of-character Master.
As far as Show-Changing Events are concerned, the third is the biggest. It literally changed the course of the show, from the Doctor being a rebellious child of Gallifrey to its lone, remorseful survivor. This was the biggest plot point to date, and all of it was offscreen, and there was no real established reason for it other than ... well, RTD wanted it.

And no one hated him for it.

We skip ahead to the 50th Anniversary Special, easily one of my favorite episodes of the revival. In it, we learn that Gallifrey's fate is sealed in a parallel universe through the combined efforts of the Doctor's incarnations. The end result is practically the same in that the Doctor cannot get to Gallifrey and does not nullify the Time War as a terrible chapter in the Doctor's personal history.

And a lot of people hated him for it.

So the question is: what gives? Are there enough voices in the fandom willing to criticize Moffat for every decision he makes? Is anything associated with his name tarnished, regardless of whether or not it's problematic?

To some extent, Moffat is subverting decisions that RTD made, especially in the Capaldi era. The 12th Doctor is more aloof and alien, the TARDIS is the most classic design in the revival, the faces are back in the titles, and the Time War has been—as mentioned above—quasi-subverted.

If you dislike his writing because "he's changing the show," you're looking at Doctor Who since 2005. In the scope of its nearly fifty-one years, both RTD and Moffat have made radical changes.

tl;dr Moffat's issues lie more in his execution of concepts than the concepts themselves.



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SHOULD I DO NANOWRIMO

Posted by Sumiki , in Writing, Life, AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA Oct 27 2014 · 151 views

CONS:

I DON'T HAVE ENOUGH TIME
I'M UNCOMFORTABLE WRITING ON LARGE SCALES BECAUSE I'M AFRAID OF BUNGLING THINGS
50,000 WORDS IS A LOT

PROS:

I HAVE AN EXCELLENT IDEA
I WOULD BE ABLE TO SAY "I WON NANOWRIMO"



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Thoughts on Grammar

Posted by Sumiki , in Writing, Rants, Not Essays!, Life Oct 07 2014 · 398 views

Perhaps I've always been wrong.

I've always been one to really notice when other people don't use proper grammar. I blame my mother for this. To us both, seeing something grammatically incorrect is like hearing fingernails being dragged across a blackboard.

Yet over the years we've both been put into a great many positions where this has caused problems. It mortifies me when I look back at tracts of writing and find errors, and I'm one to extensively rewrite and proofread everything I write - blog posts, e-mails, even texts in the few instances where I've written them. Heck, I just rewrote the entire previous sentence out of a mix of habit and compulsion.

Part of this stems from a kind of perfectionism that I've had to overcome in order to finish any creative endeavor I've ever undertaken. Part of it is as I've recounted - a lifelong obsession with proper grammar. But truth be told, I think a lot of it has come from not wanting to look like a fool on the Internet, which is a vast, wonderful, and occasionally scary place where first impressions mean a lot more and false information travels with the same speed as fact.

Grammar is supposed to make language clear, concise, and intelligible. We may be able to understand simple language devoid of grammatical rules, but the ability to truly and deeply understand nuances in a society without grammar is tantamount to impossible. Even with the seemingly arbitrary rules which grammar provides for us, there is the possibility for misunderstanding. That's another slice of the equation for me - a fear of being misunderstood. All too often I fear as if this has worked against me, almost as if my compulsion to refine and rewrite actually decreases my overall clarity.

This is why there is nothing like talking to someone face to face. Writing is full of pitfalls of miscommunication and misunderstanding, regardless of grammar. Body language and tone of voice communicate far more than words can alone, and what would otherwise be an ambiguous sentence in text can be as clear as a midday sky with tone of voice and perhaps a few well-placed hand gestures.

That said, much of grammar is an exclusively textual thing. It's technically not right to end sentences with prepositions as much as it's technically not right to split infinitives, but this is how we talk. I do it far more than I can even keep up with because, for all my inclination for noticing these kinds of errors, they are so deeply ingrained into the way we speak that they go past my ears without That Part of my brain catching them.

I have gotten better at this, I think. Other's grammatical shortcomings don't bother me nearly as much as they used to, although I tend to squirm internally every time someone screws up the usage of "well" and "good." Grammar takes the role of guidelines rather than rules - important, to be sure, but not the be-all end-all by-the-book my-way-or-the-highway set of rigid rules that must be followed.

Part of this was my realization that the world won't change, especially since I've never been one to point out another's grammatical mistakes unless a) I've turned into a jerk after a very bad day, or b) someone says something so incontrovertibly and unbelievably stupid that pointing out typos and grammar flaws becomes a mere bullet in a round of ammunition, which I proverbially load if I so choose. Otherwise, since I wasn't trying to fix what I saw as a relatively minor (but annoying) issue, it was an internal problem.

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[xkcd #1108]

But back to my opening point: perhaps I'm wrong about all of this. Perhaps my view of grammar, though evolved from an admitted high horse, is still too high of an expectation. Perhaps I've spent too much time on the Internet where folks don't have qualms about not capitalizing their sentences or ending them with punctuation. If my position had never evolved at all, I'd be unable to enjoy half of the things I do - heck, I'd be incapable of making up any of my status updates (despite the recent claims of a quasi-anonymous member on a popular blogging platform, I maintain that they are hilarious).

I'm not perfect and I've come to realize that many things I thought to be immutable facts all of five years ago are suddenly not. I attribute a lot to those who talk about social justice, and although I have my problems with its surrounding culture, I'd be a lot worse of a person overall if I were still in the dark about those kinds of issues.

My sense of what people should and shouldn't do when it comes to this matter has eroded, as in the examples I mentioned above, but is it wrong of me to ever mention someone's error online if I am unaware of the poster's background? I occasionally provide helpful feedback to members in the Library about grammatical or spelling errors I find, if there is a repetition of the same error, but a) I keep it as helpful and non-confrontational as possible, and b) it is out of not wanting anyone else to be perceived poorly because of a simple mistake. If someone is consistently misspelling a certain word or typing in run-on paragraphs, I feel as if it's part of my duty - especially as a staff member - to help.

There is only one time in recent memory where I chided someone for their grammatical inadequacy, and it was in response to the same quasi-anon I mentioned earlier. In a series of four messages, each less coherent than the last, their grammar deteriorated along with the logic behind their argument. In my responses to these messages, I dedicated scant few sentences - two or three out of veritable walls of text - to examining their lack of grammatical accuracy as a tangential point to my logical deconstruction of their argument. I was not going after them solely because of this, and in fact, I would say that the vast, vast majority of what I wrote pertained to breaking apart a really weird and problematic point of view.

But even in that mere sliver which I devoted to the side-note of pointing out their lack of grammar, did I go too far? Is it a stain on my escutcheon caused by overzealousness in annihilating a harmful point of view?

I don't know, but maybe I was wrong to do so.

And if I was wrong then, perhaps I always have been.



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The Adventures of Sumiki's Dad

Posted by Sumiki , in AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA, BIONICLE/LEGO, BZPower, Sumiki's Dad, Writing Sep 05 2014 · 172 views

You know how, a while back, I asked if people would read a comedy featuring my dad in the BIONICLE universe?

It has begun.

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(that's a link)

Features Sumiki's Dad (of course), as well as a few members of Team Farm Animals in the beginnings of a gripping adventure.


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The New Word Filter

Posted by Sumiki , in Writing, Rants, Not Essays!, BZPower Aug 21 2014 · 216 views

I sincerely congratulate -Windrider- and the rest of the gang for knocking out something that was long overdue. (Come to think of it, Takuma is probably much happier than I am.)

Over the years, I've heard many people discuss changing the word filter. Heck, I knew people were kicking around that idea when I joined nearly eight years ago; Taka-Tahu-Nuva mentioned to me that discussions were going on back when I sent him updates to the BBCC History topic. It was full of what were, objectively, bizarre and silly holdovers from the past, as vestigial as the policies that have been culled from the rules in recent months. "Jerk" and "idiot" were two that always really bugged me, because they're pretty tame words. Filtering the former out only made it look worse and the "cool dude" of the latter lived in infamy.

I'm mainly going to talk about the latter filter, because I hated that thing.

However, there are a lot of folks on the member rolls, active and inactive, that liked it. Its actual purpose was to prevent members from spamming forums by calling each other idiots, and it long outlived that function. It was a fad. I never understood the explanation of keeping it around because its reason for implementation might once again rear its noobish head, and I certainly didn't understand excusing its continued presence by claiming that it was somehow an integral part of BZPower.

I certainly understand the viewpoint that those folks come from. "Cool dude" is as much of BZPower history as the Secret Stomach Message. Yet BZPower has survived without connor's infamous message, as it was deleted along with the rest of the Archives. Yet it is preserved in a great many ways: through screenshots, the Wayback Machine, and - perhaps most importantly - through BZPower's culture.

We no longer need to filter the word idiot, because "cool dude" is part of our culture. It's part of BZP lore and tradition. Call me crazy for saying that a web site has a culture, but how else can you explain the memes that have perpetuated themselves on BZP and could not make the jump elsewhere? I only need to point to the Secret Stomach Message as an example of this.

A web site is more than a single filter that is as long and unfunny as a Family Guy episode. Keeping it around to be a part of BZP tradition - when it will continue in perpetuity nestled inside its bubble of bizarre infamy, regardless of whether or not it's in the filter - was, I believe, harmful to BZPower's perception for a couple of reasons.

The first was amongst prospective members. While I doubt anyone has ever not joined (or left) BZPower because of something as small as the word "idiot," filtering it was one of the things that presented BZPower as a site still rooted in the past.

The second was in stories. Be they in the Library, OTC, the Blogs, or anywhere else, words like "idiot" and "jerk" - words many people use, and useful words when it comes to both fiction and in recounting personal stories - were avoided. The only time I've ever seen the word used in the Library before now was in 2006, when bonesiii inserted some carefully placed dots to evade said filter. (I remember reporting it, but I don't believe that anything came of it.)


Ever since then, I've seen a number of instances where flow and realism would be improved by the addition of words such as those, and now writers are free to use them.

Third, "idiotic" has never been (and hopefully never will be) filtered.

Finally (and I haven't seen this point raised anywhere else), we turn to the Comics forum, which I have patrolled since my promotion. Many times, comic makers would make innocent comics which would happen to have a filtered word in them. I always regretting having to report them because I felt like we were handling non-issues.

Comparing those filters to the "first to post" filter is tricky. I haven't seen anyone say "first to post" in a while. Its presence, which I miss only vaguely, was not as obtrusive and it got back at members whose posts would otherwise be annoying. It was a precision strike, unlike the cool dude cluster-bomb.

I will say it before and I'm sure I'll have to say it again in the future: BZPower is resistant to change. Its longstanding members, by and large, have grown so attached to aspects of the site that necessary and overdue changes - such as updating the front page - meet with some manner of resistance every time an issue of its ilk arises. I can count myself in amongst those members; my eight-year BZ-versary is next month and Senior Staffhood is six months out. But I've seen BZP in the old days and the new, and I've had to come to terms with my conclusions.

Fundamentally, what is nostalgic to members of a certain age is the exact opposite of what will sustain BZPower in the coming years, especially if the rumors of BIONICLE's return turn out to be true.

I applaud and urge on the implementations of reform that BZPower still needs. Its overdue makeover may be long in its gestation and yet longer until completion, but things are happening.

And that makes me happy to be a part of this community.



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So I Read TFiOS

Posted by Sumiki , in Writing, Rants, Not Essays!, Life Jul 17 2014 · 220 views

There's a number of ways to word the first paragraph of this entry, but suffice it to say that I've been a fan of the vlogbrothers since late last year, when I stumbled across their educational videos and then to their main channel. The great thing about the Green brothers' work is that even if you're not watching one of their myriad educational channels, you still end up learning something. They have a passion and excitement about the world that, frankly, few others have.

The fact that people dislike John Green is not something that particularly bothers me - after all, no one will be universally liked or appreciated. Like everyone, he has flaws - but most of the criticisms I saw of him were blatantly untrue slices of Internet hearsay. Reasons given were illegitimate and that made me kind of sad.

But I really had to withhold judgement, I thought, until I had the chance to read one of Green's novels, books which seem to elicit sharply divided opinions. When I had the opportunity to read The Fault in Our Stars, I would have been remiss if I hadn't taken it.

So I did. I read the whole thing in about six non-consecutive hours. (I'm a pretty fast reader.)

The end result was just sort of ... meh.

Regardless of my positive opinions of him as a video blogger and person, I have to say that he's actually a really bland writer. I'm not going to comment on the story itself because one cannot blame the "problematic" aspects of a story on the writer (which is the origin of most legitimate-looking John Green hate)*, but I can comment on the characters.

Green's characters don't have individual voices. Sickly, bookish, introverted Hazel speaks with the same advanced eloquence as the public-high-school-educated Gus. But it's not just there - alcoholic Van Houten is as well-spoken as his continually frustrated assistant Lidewij, and the parents of the main characters - aside from the tear-prone father of Hazel are practically indistinguishable from one another.

I could legitimize Hazel and Van Houten - perhaps Lidewij as well - but the fact that the dialogue of any one character could be given to any other character with only a little bit of recontextualization is not a good sign. Throughout the whole book, not one person spoke in the way that normal people speak.

It was, by extension, impossible for me to feel any kind of sympathy for these characters. Granted, I haven't cried over a fictional character since I was about four years old, but I was kind of thinking that it would change because everyone always goes bananas over John Green's ability to wrench waterworks from the eyes of his readers.

It's not like I was expecting some kind of modern classic from whence quotes would be hewn for books whose publications are four hundred years distant. But for all the hullabaloo of John Green's writing abilities, I would be lying if I said that I wasn't a tad bit disappointed.

* TFiOS, for its shortcomings, does not romanticize cancer, or illness, or disease in general. I've lost two of my grandparents to cancer, and it's not pretty at any age. Given Green's background, which he has talked about extensively, anyone who claims that TFiOS romanticizes disease is hearing it from someone else and/or completely skipped the passages where the characters discuss just how disturbing/dangerous doing so is.



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question

Posted by Sumiki , in BIONICLE/LEGO, BZPower, Other Stuff, Sumiki's Dad, twiggy, Writing May 20 2014 · 274 views

so would anyone read a short comedy about my dad in the bionicle universe


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Representation, Part II

Posted by Sumiki , in BZPower, BIONICLE/LEGO, Rants, Not Essays!, Writing Apr 21 2014 · 346 views

Specifically, with regards to the gender imbalance in modern media:
 
I'd like to see a story where, during the writing process, the characters are completely fleshed out and developed. Genders would be assigned at random at the end by computer generation, so as to avoid any unwanted author-based prejudices.
 
Obviously this example refers to a book, but the same process could go for anything.
 
(I was going to say more, but I think this pretty much speaks for itself.)



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On Representation

Posted by Sumiki , in Writing, Rants, Not Essays!, BZPower, BIONICLE/LEGO Apr 17 2014 · 444 views

BZPower is the only place on the Internet where I feel as if I can truly state what I feel without fear of someone seeing half a sentence and assuming something terrible about what I'm trying to communicate. I take a middle-of-the-road approach and try to see the good in people, and I feel as if BZPower is the only site that won't blow up in my face when it comes to moderate viewpoints.

- - - - -

Well, the latest firestorm of drama hit BZP earlier - this time on representation in media. It's a change of pace from what these flare-ups are normally about, but that doesn't mean that it's not an important and hot-button issue.

My three major points are bolded.

There is no excuse for not having female characters in modern media.

None whatsoever.

First, though, let's look at what representation really is.


Representation is, for the most part, determined from capitalistic tendencies. Once the media gets in its collective head that the men are the people they should be focusing their energies and spending their money on, the vicious cycle begins. This goes for race as well - I was watching an episode of the brilliant late '90s sitcom 3rd Rock from the Sun the other day and the main characters - aliens in the show's narrative - said that they'd chosen to be white because that was the color of everyone on TV. While a throwaway gag in the context of the episode (one which poignantly highlighted the inherent absurdity of racism), it stuck with me.

Women make up half of all the people on Earth, so it's much easier to explain a male-dominated media as an offshoot of a patriarchal society. But if we defocus the issue from one of representation of women and into representation as a whole, things get quite a bit dicier.

People of all races, genders, and orientations exist. I mean, there are over seven billion of us now, so even the most minor of minority groups have significant numbers. One would think that what would follow would be representation for every group equal to their number.

Unless you've been living under a rock, however, it's clear that it hasn't happened.

So ... why?

Some point to internalized prejudices. While this could account for some media behavior, I harbor serious reservations that it accounts for all media - and all media are affected by this. What, then, is the most logical explanation?

Like I said - by following the money.

If you're a member of a group, you're going to want to get a cut of the majority. In America and much of the West, this means white people. If you're the biggest ethnic group, people who want to market stuff to the mainstream will probably market it towards you, because that's where the money lies.

If you're a member of a minority group, I think it's only fair to have media representation for you. The culture that led to the situation we're in has to change.


When minorities appear, they are often in token form. I shouldn't have to explain why this perpetuates stereotypes, but if we look at this from the broad view that I keep trying to get at, then we see that the smaller the minority, the less of a chance that a character from that minority will appear in media. Why? Again, money. If you're a studio executive and you want to make a movie sell, would you include characters that the perceived "majority" would relate to?

Most of them answer "yes," because it's the easy way out. Only now are we started to see the inklings of a fundamental change. The more bits of media that have minorities that are successful, the more that the people who are in charge of the media will see the fundamental error of their ways.

Here's another thing to keep in mind here: Representation does not always mean positive representation.


Let's take The Big Bang Theory. Among its quartet of protagonists, a trio represent some sort of minority: asexuals, Indians, and Jews. All of which are, at some point, played for laughs - or for whatever the writers think is funny. (It's not funny.)


When the most prominent asexual character in modern media is Sheldon Cooper, you know something's gone off the rails somewhere along the line. While gay characters are on the rise, a lot of them are accompanied by harmful stereotypes. Don't even get me started on bisexual erasure and the dearth of pansexual characters.

Hypothetically, every movie and book and TV show could change tomorrow to one where women outnumber men, but yet the women are always portrayed with harmful stereotypes. Let's imagine the same with sexual and ethnic minorities. You'd have more representation, but if it's with even more sexism, racism, and homophobia, how is that better? Mathematically speaking, it's actually worse.

Let's not support mere representation. Let's support good, positive representation. Let's prove to the media that they don't have to follow where they think the money is, but rather, where the moral thing to do lies.


I welcome discussion on these issues, but I am not afraid to defend myself if I see something I wrote taken out of context.






    

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He's the lord of all strangeness. - Ignika: Nerd of Life

How awesome is Sumiki on a scale of 1 to 10? - Waffles
42. - Black Six

[He's] the king of wierd, the prince of practicality, the duke of durr! - Daiker

Sumiki is magic. - Cholie

Sumiki says, "Do I creeeeeeep you out?" Yes, he does. - Waffles

Sumiki is a nub. He's cool, but he's still a nub. - Ran Yakumo


"What is a Sumiki?" You may ask. But the answer to that is still unknown, even to the Sumiki itself. - Daiker


LISTEN TO SUMIKI - Cholie


Sumiki is best snickerdoodle. - Takuma Nuva


BZPower = Sumiki + McSmeag + B6. And Hahli Husky. - Vorex


What's a Sumi? Does it taste good? - Janus


I would have thought Sumiki wanted to reincarnate as a farm animal. - Kraggh


EAAAAAAAAAAAAAAAAAAAAAAAAGH - Kakaru


Sumiki: the horse_ebooks of bzp - VampireBohrok


Everything relates to Sumiki. No really, everything. - Daiker


Sumiki - hat-wearing ladies man. - Black Six


He's in worse mental condition than I thought. - Obsessionist


I'm just wondering why I'm looking at some cat dancing ... I suppose the answer would simply be "Sumiki." - Brickeens


I was like a beast, screaming through the mind of Sumiki at the speed of sound. I.. I wasn't strong enough to stop myself. What I saw was the end of infinity, through which one can see the beginning of time, and I will never be the same. - Portalfig


I imagine the 13th Doctor will be rather like Sumiki, at the rate we're going. - rahkshi guurahk


I was quite sure Sumiki had another set of arms stashed somewhere. - Bfahome


Note to future self: don’t try to predict Sumiki, he’s unpredictable. - Voltex


Let's be honest, I would totally have picked my main man Sumiki to lead my goose-stepping night killers anyway. We tight like that, yo. - Xaeraz


10/10, would Sumiki again. - Bfahome

    

Sumiki
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Hat Enterprises CEO
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Group: Premier Forum Assistants
Posts: 11300-11400
Joined: 4-September 06
Premier: 9-October 06
FM: 20-February 12
FA: 29-August 12
Member No.: 45057
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25th All-Time Poster

17th All-Time Premier Poster
4th All-Time PFA Poster

29th Most Profile Views
Cryoshell Album Winner
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5th Most Commented Blog
3rd Most Viewed Blog
9th Most Entries

   

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Every week, I post a new "Tuesday Tablescrap", a small MOC not worthy of a topic, but something to post and inspire me to build more.

10/25/11 - Duplo Flower
11/1/11 - Slender Man and Masky
11/8/11 - Bizarre Black Spaceship
11/15/11 - 2001 Monolith

11/22/11 - My Little Slizer 50
11/29/11 - Punching Bag
12/6/11 - Thunder and Escorts
12/13/11 - Three Concepts
12/20/11 - Kaxium Alternate
12/27/11 - None (Christmas Break)

    

1/3/12 - Daiker
1/10/12 - None
1/17/12 - Volant
1/24/12 - Nidman's Chute Shoop Shop
1/31/12 - None (Brickshelf down)
2/7/12 - None
2/14/12 - Atomic Lime
2/21/12 - Spearhead
2/28/12 - Glatorian Kahi
3/6/12 - Seeker
3/13/12 - Skyscraper
3/20/12 - Microphone
3/27/12 - Toa Vultraz
4/3/12 - Flammenwerferjüngeres
4/10/12 - Umbrella
4/17/12 - Lime Beetle
4/24/12 - Special - Flame Sculpture
5/1/12 - None (BZPower down)
5/8/12 - Purple Ninja
5/15/12 - The Original Sumiki
5/22/12 - 7/24/12 - None
7/31/12 - Tahu
8/7/12 - None (BrickFair)
8/14/12 - Special - Chess Set
8/21/12 - Heavily Armored Wasp
8/28/12 - Spaceship Drill
9/4/12 - Scuba Vehicle
9/11/12 - Orange Guy
9/18/12 - Strange Flying Thing
9/25/12 - Goblet
10/2/12 - None
10/9/12 - Aim .............................. Down
10/16/12 - Gold Bot
10/23/12 - Teal Mech
10/30/12 - Special - Teal Mech (#2)
11/6/12 - Bits and Pieces
11/13/12 - Two Spaceships
11/20/12 - TARDIS Interior
11/27/12 - Christmas Creep
12/4/12 - Toaraga
12/11/12 - Fireplace
12/18/12 - Abstract Duckling
12/25/12 - None (Christmas)
1/1/13 - Black Bot
1/8/13 - 1/22/13 - None
1/29/13 - Handheld Rhotuka Launcher
2/5/13 - 8/6/13 - None
8/13/13 - The Hinklebot
8/20/13 - Special - Post-Apocalyptic Piyufi
8/27/13 - 8/5/14 - None
8/12/14 - Another Chro Original
8/19/14 - Kanohi Zatth
8/26/14 - Miniland Hatpile
9/2/14 - S. S. Starfish
9/9/14 - Special - Claude Hairgel
9/16/14 - Green Flame
9/23/14 - Avohkah Tamer
9/30/14 - Special - The Havoc Wreaker
10/7/14 - Fire Snake

    

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Formerly known as the Bring Back Teal Club, the Unused Colors Society is a club that serves to promote colors that are little-used or discontinued, such as teal, old purple, or metallic blue.

-=-=-=-=-=-=-=-=-
Leaders:
Sumiki
Waffles

-=-=-=-=-=-=-=-=-
Members:

ChocolateFrogs

ToM Dracone
xccj
Uzmakikunai
Novek
Nukaya
Overlord
Kaymac
(((DARKNESS)))
lunaticCircuitry
-Toa Lhikevikk-
DeepFriedZombies
Dirk Strider
GUYUGKUYG
Toa Flappy
Lime Paradox
McSpit
RotationalBasis
Mesonak
chunkeh!
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If you learn one thing in life, learn this:

You should never, ever question why demons would possess a soda.

just a heads up - Cthulhu would probably eradicate mankind before bringing back Bionicle

so yeah, all I'm saying is, please think twice about this okay

nothing gets democracy flowing like erratic capitalizatION

[the NSA] couldn't say no when I offered them an ostrich farm in exchange

Sumiki -- nice try but we all know Toa Mata Nui stuffs its bra




You have a great understanding of history, but don't forget, war, murder and other poor decisions are also huge characteristics.

Also a long line of really great hats.

Shhh, I'm trying to focus on the negative to justify my dislike of history.

have we mentioned hats

To be fair, I am the one responsible for the invention of Mafia in the 1320s by seventeen bored italians locked in a mine shaft.

It's a long story.

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