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The Sequel Trilogy Sucked

Posted by Jean Valjean , Apr 07 2013 · 448 views
Star Wars
:kaukau: I truly can't believe that Lucus made those awful sequels to the first three Star Wars films.  The first three were masterpieces, filled with political drama, fantastic special effects, and a great cast.  The next three films really don't count.  I'm so upset, I'm going to list why they sucked:
 
1. Luke's Actor
 
Here I was at the end of Episode III thinking that Anakin's son was going to be as epic as ever.  Yet, it turns out that he's actually as whiny as ever.  "I was going to go to Toshi station for power converters!"  Who ever acts like that when they're being held back by their uncle and believe that they're never going to leave home?  That's terrible acting!
 
Then there's his reaction to when he finds out that (spoiler alert) Darth Vader is his father.  He just got his hand cut off, and then he found out that his arch nemesis, the man indirectly responsible for the death of his family and directly responsible for the death of his mentor, Obi-Wan Kenobi.  He should have brought a ton of gravitas to his reaction in that moment, but instead he suffered a breakdown.  How lame is that?
 
They should have brought a real actor to that role, like Jack Nicholson.  Jack Nicholson is a three-time academy award winner, twelve-tie nominee, and clearly the best actor out there.  He's clearly incapable of ever slipping into a silly role. Mark Hamill's portrayal of Luke Skywalker reminds me of the type of performance that would go into romantic comedy.  You know who else starred in a romantic comedy?  Heath Ledger, in 10 Things I Hate About You.  I'd put these two actors in the same category.  Clearly, neither of them can act and they should not have moved on to other things after their respective "breakout" films.
 
2. Darth Vader
 
Here I was at the end of Episode III thinking that Anakin's new persona as Darth Vader was going to be as epic as ever.  Yet, you look at him.  Just look at him.  Even worse, listen to him.  Did you hear him in Episode IV?  He had that awesome new look going for him, and apparently nineteen years later he's still a hot-tempered, whiny brat.  "I want them alive!"
 
Then he constantly deals with his fellow officers by choking them whenever they annoy him.  How juvenile.  It takes until he learns that Luke is his son that he finally sobers up and grows back those nineteen years in just a few seconds.
 
3. The Death Star
 
All that dramatic build-up to the Death Star in the first several films, and it was blown up just like that.  Also, its weakness was lame.  It seriously had a vent like that, and of all the ships it had, Grand Moff Tarkin seriously didn't consider sending out more of them to wipe out the small, last-ditch attempt from the rebels to exploit this weakness.
 
What's more, after it was destroyed it turned out that the emperor conveniently had another one of these ultimate weapons.  Why didn't they find something else to drive the plot of the fourth movie and wait until the end to bring up the Death Star?
 
4. "Only Imperial Stormtroopers are so precise."
 
These are clones of Jango Fett.  They're human perfection.  They are the perfect supersoldiers.  So, naturally, they never hit anyone in the entire trilogy.  Come on guys, you're chasing down a Wookie in a narrow hallway.  How hard can that be?
 
Alright, alright, so they're not all clones anymore and the majority are human recruits.  In the Expanded Universe, the clones hate the recruits and consider them all lame and mute.  They're still considered the empire's elite force.  These are space marines we're talking about.  There's still no excuse for them to be so incompetent.
 
On another note, they wear all that armor and apparently a single shot kills them.  They can't even survive a small group of Ewoks.
 
5. Obi-Wan's Death
 
It was so anti-climactic for such an endearing character.  The advantages of joining the Force were never really explained.  If he was more powerful than Darth Vader could possibly imagine (and something tells me that, like Han Solo, Darth Vader can imagine quite a bit), then what exactly did he do that proved he was so powerful?  Literally nothing that he couldn't already do while he was alive, except less.  Why did he have to allow Darth Vader to kill him in order to distract him?  Wasn't he distracting him already?  How could Lucas have possibly thought this was a good idea?
 
Also, the way Darth Vader held the lightsaber when he confronted his old master was really shakey.  He might want to check for arthritis in those mechanical hands.  Those guys aged real fast for just nineteen years.
 
6. Cheap Characters
 
They had a five-man band.  How unoriginal is that?
 
7. The Bikini
 
In the same movie, Princess Leia is not only revealed to be Luke's twin sister and Vader's daughter, but shortly beforehand she was a slave girl wearing a demeaning bikini.  How in the world is that good taste?  Not only does it devalue the later revelation that she's Luke's sister, but it's demeaning to the sweeping hordes of women fans in the Star Wars fanbase.  It psychologically puts that expectation on women: "You'd better get used to it, because this is how you ought to be seen."  It was cheap, it was wrong, and it was a completely shallow way of bringing in money.  The first three movies never stooped so low!
 
8. Bad Romance
 
I simply couldn't watch the second film in the sequel trilogy because of that romance between Han and Leia.  He was kind of a bully to her and a bit coercive.  That's not romantic at all.  Worst yet is when she says "I love you", and his supposedly romantic response is "I know".  Who could possibly have thought that was a good idea?  I simply could not watch those scenes with them in it.  it was completely arbitrary, had nothing to do with the plot, and didn't truly conclude.  By contrast, the original romance between Leia's parents was fundamental to the larger story and Anakin's character development.
 
I should also add that Harrison Ford is a terrible actor, and Han Solo is just a grumpy guy.  George Lucas apparently thought that it was charming, though.  How could he have possibly thought that was a good idea?
 
Carrie Fisher was also a terrible actress.  Her mother was played by Natalie Portman, who not only proved herself as a child actor, but also went on to win Best Actress after her Star Wars tenure was over.  Where do you see Carrie Fisher now, huh?
 
Also, whenever it wasn't the forced, bullied romance between Han and Leia, the latter was apparently interested in incest.  It might not have been such a big deal if they were both ignorant, but in Episode VI they apparently "always knew".  Gross!
 
9. Bad Dialogue
 
From "Only Imperial Stormtroopers are so precise" to "I know," the series is full of cheesy one-liners.  Lucas, for the life of him, cannot write good dialogue.  Let's just be grateful that we can't understand what Chewbacca was saying that entire time, because I doubt it would have sounded good at all.
 
Among other things, almost all of Vader's lines are stock dialogue.  Then there's Darth Sideous.  He had a major downgrade since his original appearance.  Sure, he's emperor, but he lost all his dignity, and he's just some toad who croaks incredibly lame lines and has a penchant for the phrase "fully operational."
 
Even the good guys are infected.  "Almost there...almost there..."  And then Mon Motha says "Many Bothans died to get us this information."  That sounds so lame the way she says it.
 
10. They lost the "used world" aesthetic
 
If you look at the first three films, you see penty examples of a rusty, dirty world underneath all of the nice hover-cars.  Yet in the future, everything's so squeeky clean.  Look at Cloud City!  Loot at the inside of both the Death Stars!  They ruined and trashed​ the aesthetic of the original films.  How could Lucas have possibly that that was a good idea?
 
11. It was a cheap effects film that was only out for the money
 
George Lucas clearly wasn't interested in telling a good story and was more interested in milking off the success of his original films. So much about these films clearly were contrived for the purpose of bringing in eye candy.  I found out after some research that he meant to bring in the Death Star only at the very end, but the producers made him bring it in earlier because the fourth one needed more action.  Clearly, special effects and making money comes before making objectively good material.
 
These movies didn't need to be made.  The third movie ended just fine, concluding with the story of Anakin Skywalker descending into the age-old class of the tragic hero.  There was a tint of hope left, but that didn't really need to be exploited.  It was thrown in there only as a sequel hook, but there was really no need for a sequel.  What could have made George Lucas to think that this could possibly have been a good idea?
 
12. The plot was shallow
 
On the same note as the last observation, the plot was cheap and shallow.  A farm boy meets a wise mentor and goes off to save the princess.  The mentor dies once the hero discovers his group of same-age friends with whom he will share the rest of his adventures with, and he goes off and blows up the villains using his Mary Sue powers.
 
Alright, maybe it isn't so bad, because that's a classic formula, but sides were black and white.  It was literally the "Light Side" and the "Dark Side".  While Anakin had been expertly persuaded to enter the dark side due to incredible amount of moral ambiguity, everything was to crisp-cut in this film.  Luke was a Big Blue Boyscout, and apparently his whininess was supposed to be a virtue.  The good guys were good and the bad guys were bad, and it was as simple as that.  Even Darth Vader, who had wonderfully complex reasons for joining the Dark Side, seemed one-dimensional in his reasons to be bad.  All he had to say to his son was "Join the dark side because hatred feels good and it's clearly the most important thing in life.  Clearly."
 
Apparently these movies were made for children.  That's stupid.  Star Wars shouldn't be for children!  The first three movies explored mature themes, but apparently kids couldn't handle that, and all these films were PG.  Since they have been kiddied down into family entertainment, they are objectively inferior.
 
13. A lack of interesting locations
 
The first three films had some fantastic locations.  The next three had nothing but generic places that required no creativity: ice planet, swamp planets, cloud planet, forest planet...
 
We get the idea.  Of course, it also had the Death Star and the carbon freezing chamber on Cloud City, which were the most innovative ideas, but otherwise, in terms of location, there was almost nothing there that we had never seen before.  The first three films had some genuine fantasy.  What's up, Lucas?
 
14. The scale of the war
 
With the Clone Wars, Lucas was willing to show just how big the Clone Wars were and demonstrated something on a galaxy-wide scale with huge, sweeping battles.  The size of the galactic fleet powered down considerably since then.  The size of the battles would have made sense if the rebels were everywhere and the empire had to disperse their troops, but the final battle at Endor showed just how few ships the empire truly had.  Maybe there was a plot reason, but Lucas really needed to extrapolate on that.  And this was for the climactic final battle?  Come on! 

15. The Lightsabers
 
Let's face it.  Really, there's no way around this.  One of the best things about Star Wars is the lightsaber.  It is one of the single most iconic elements, and perhaps the coolest thing of the entire series.  You take it away, and Star Wars isn't Star Wars anymore.
 
That's exactly what happened in the sequel trilogy.  Sure, the lightsabers were still around, but the fights were boring.  They didn't live up to the fights of the original three movies, which were pumped up with gravitas and great music.  The fight with Darth Maul religious in its presence and ritualistic in its balletic style.  It was a clash of pure good and evil.  There were other classic fights.  Anakin Skywalker fought Christopher Lee.  The prowess of General Grievous was amazing.  But almost nothing beats the simultaneous fights between Yoda and Sidious on the Senate floor and Kenobi and Skywalker on a lava planet.  There was a certain gravitas to seeing two old sages of good and evil beat it out (and knowing that Yoda had actually let the Jedi order down) and two brothers who had parted ways for good.
 
The sequel trilogy finished off one of those fights, but it was anticlimactic.  The only other thing it had was a fight between father and son, which it beat to death by doing twice.  It literally had nothing more than that.  It was just those three fights.
 
So there you have it, a list of why the sequel trilogy was a travesty to the first three and disgraced their continuity.  This is why I hate the sequel films.  How could George Lucas have possibly thought that was a good idea?
 



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Belated Reaction to the Oscars

Posted by Jean Valjean , Mar 28 2013 · 104 views

:kaukau: The Oscars have come and gone, and though it's been over a month, I thought I'd come back and make this entry to share my thoughts in the ceremony's highlights and moments that I personally found interesting.
 
To start off, let's give a hand to James T. Kirk.  He had never been nominated for anything and probably never will, since he's not that kind of actor.  However, it seems that the Academy still has a sense of how to represent every aspect of the cinematic culture (outside of the vulgar, of course), and they put him in a prominent role for the ceremonies.  For those of you who haven't seen it, I won't give it away, but for those of you who have, I'm sure you will agree that his appearance was at once both hilarious and awesome, amounting to one of the most memorable moments to this year's Oscars.
 
On that note, there was also a clip of McFarlane flirting with Sally Field in an alternate future (Seth, you dirty, dirty dog).  She's getting ready, and he says (and of course, I'm paraphrasing) "But you know Anne Hathaway is going to win the Oscar anyway, so why don't we hang?"  Some back and forth, as Sally at first pretends that she's too good for that idea, but then she breaks and admits, "It's going to Anne!"
 
According to Captain Kirk, Sally would have won for Best Supporting Actress if she hadn't run off with MacFarlane.  I like that note, because while Hathaway put out the performance of the year, I remember being struck when I saw Sally Field in Lincoln and she was so good that not only did I not recognize her, I was completely convinced that I was seeing Mary Todd Lincoln onscreen (even more impressive is that Sally is ten years older than Daniel, and Mary Todd was ten years younger than Abraham).  When I was done with that movie, I knew that she was going to at least get nominated and for sure be a condender for the win.  While I agreed when Hathaway did indeed win (it was simply the biggest Supporting Actress role of the year), from the standpoint of sheer acting talent, Field trumped everyone else, and I'm glad that it was at least slightly ambiguous leading up to the anouncement for Best Supporting Actress.
 
Coincidentally, both Sally Field and Anne Hathaway played prominent roles in superhero films before playing their Oscar nominated roles in historical dramas later that year.  I found that interesting.
 
Now, here's something I found interesting about the ceremonies.  You ended up hearing a lot of John Williams music.  Near the beginning, I distinctly recalled there being "Flight" from E.T. The Extra-Terrestrial.  Later, I was also amused when the theme from Jaws was played to signal whenever someone's time onstage was coming to a close (which is a good idea, while also being highly entertaining).  John Williams, you rock.

 
 

Animated Short Film and best Animated Feature
 
On to animated stuff...I had expected La Luna to be nominated, and I was surprised that it wasn't.  However, when they showed clips from their nominees and I was introduced to Paperman for the first time, I instantly thought "I hope that one wins."  Hand-drawn (sort of), strong visual style, black-and-white, tasteful character design, a good title, lovable character depiction right off the bat, and really, really smooth animation all basically pointed to that as the winner.  And it won.  Congratulations, and congratulations to Wreck-It-Ralph for being associated with such a masterpiece.  I truly hope to see Disney create feature-length films to this, because if they do, that would be the second biggest boom in pop-culture this decade since the announcement of Star Wars Episode VII (incidentally, these would both be booms in movie culture on the behalf of Disney).
 
By the way, using the technology for Paperman, studios could legitimately make hand-drawn films at 48 frames per second.  While I would be reluctant to see a special FX movie of that nature for how it would trespass over the uncanny valley and make everything look fake, it would be perfect for handdrawn animation.  The smoothness would look right, since everything about animation is over-the-top and a caricature of real life anyway.
 
At the time, I hadn't seen Wreck-It-Ralph, but I heard a lot of good stuff from it.  Unfortunately, most people classified Brave as their least favorite Pixar movie, so I wouldn't have been surprised if Wreck-It-Ralph won the Oscar for Best Animated Feature.  However, in spite of popularity issues, Brave still had a certain storytelling aura about it, and so I called it in favor of Brave.  Then again, Happy Feet won against Cars back in 2006, and Shrek won against Monsters Inc. in 2001.  It seems as if animated films are judged completely different as if they're supposed to be of lower quality, and I think that's ridiculous.  There's a certain amount of prejudice there.  Also, it's a pity that it doesn't take much to get nominated for best Animated Feature.  Basically, all you have to do is make an animated movie that people actually hear about, and you're on the list (presuming that your film doesn't use motion-capture technology).  There really needs to be more animated films.  Especially smooth, hand-drawn ones.  Disney, I'm looking at you.
 
And Toy Story 3 should have won Best Picture in 2010.  I still believe that.  And I mean in sincerely, not as a joke.  It would have been an excellent moment for Hollywood to break precedent and allow itself to critically reevaluate itself, hopefully to rediscover what it's all about.  Were they afraid of being embarrassed   I don't know, but they nominated Walt Disney 59 times and allowed him to win 22 or those, so I personally think that Walt Disney embodies the best of what Hollywood should be.  It would be an honor and a privilege to have bestowed the first ever Best Picture for an animated film on a movie connected to his legacy.

 
 

More Music Stuff
 
There was a celebration for 5 years of James Bond, and Halle Berry called Bond music a genre of its own.  That's pretty prestigeous of a complement.  Normally, I would only use such elevated language for John Williams.  Perhaps I overrate him, although that's kind of difficult to believe.
 
Oh, and Halle Berry's dress was actually cool.
 
Also, another bit from Forrest Gump was playing when Innocente won for Best Documentary, Short Subject.  "Rocky" played during Best Documentary.  These are two cool pieces of music that definitely merit playing during the ceremonies.  If I won an award for a documentary, I would want these to play when I came on stage, too.
 
Liam Neeson then appeared to announce the next batch of Best Picture nominees.  Interestingly, they were all related to political/military dramas, and one of them was by Stephen Spielberg, with whom he bears a strong association due to his starring role in Schindler's List.  And of course, the theme from that movie played in the background when he was introduced.  It will always be his best role, and Schindler's List will always be my favorite movie.

 
I can remember when it happened, but there was also the part where Hugh Jackman sang "Suddenly" and the rest of the cast came on to sing "One Day More" which was what I would assume many people would consider a highlight.  For my sister, it certainly was.  Les Miserables is getting a lot of attention at the Oscars in these last few years, and I'm not complaining.
 

 
Acknowledging the funniest joke of the night
 
Well, maybe it wasn't the funniest, but it was the one I remembered the most.  "I would argue that the actor who really got into Lincoln's head was John Wilkes Booth...Really?  A hundred and fifty years and it's still too soon!"

 
 
 
And an Advertisement
 
There were some interesting advertisements between breaks.  One of them had something to do with a "Zombie Western Musical", which is an interesting idea.  Along the same vein, there was one with a bunch of video game designers coming up with "Unicorn Apocalypse", and Tim Burton came in all interested in movie rights.  The nerds are like "and then there's a giant battle in the end, and planets are crushing into each other, and - "
 
"Woah, wait!" says Tim Burton.  "This is getting too weird for me."
 
Yeah right.  Too weird for Tim Burton?  Never going to happen.  But it's not too weird for me.  I can see myself taking an idea as extreme as that and having a lot of fun creating a visual symphony of superlatives.
 
The advertisement I found really entertaining, though, was a brief one near the end for Hyundi where the narrator was saying "and I'd like to thank all the engineers who worked on this, and my CEO, and my mother, and - I wish I had enough time to fit everyone in! - but this is such a great honor..." and it was essentially mimicking an acceptance speech at the Oscars.
 
 
 
Sound Awards
 
What's the difference between sound mixing and sound editing?  I'm not entirely sure, either.  In any case, I understood the movies that won these awards.  Les Miserables won for best mixing, and though I disagreed with the cinematography, the sound of the film was certainly immersive and helped make it a 3D experience without actually being 3D - take that all you 3D movies out there!
 
Zero Dark Thirty and Skyfall, interestingly, tied for Best Sound Editing.  I wonder how that happens.  Eh.  Well, I'm just glad that Zero Dark Thirty only got that particular award, since the entire movie, for me, was just cheap Oscar bait.
 
 
 
The Family von Trapp
 
There were a ton of references to classic musicals, which I really dug.  I realize now that musicals was actually the theme of the ceremonies this year, so this doesn't happen every year, but it's still cool.  This is a true classic.  It was pretty awesome to accept Christopher Plumber onstage and for him to invite the family to sing...only they were missing!
 
 
 
Anne Hathaway
 
Remember that controversial discussion that started in my blog purely because I thought that Selina Kyle, played by Anne Hathaway, was incredibly attractive?  I also said at the beginning of that list that I would have to complete that list before the Les Miserables movie came out, because it would cause me to have to rearrange that list and I didn't want to delete all the pseudo-essays that I wrote ahead of time.  Because Fantine is beautiful, and Hathaway truly sold that character as a real and extraordinarily precious person.  It was, with little doubt, the supporting actress performance of the year.
 
She had a good speech.  She looks beautiful.  Too bad she's married, but I guess that doesn't matter when you have a celebrity crush.
 
Oh, and Sing Softly Love, the theme from The Godfather, played in the background when she finished.  Cool stuff.
 
 
 
 
Production Design
 
It went to Lincoln.  I have to say that Lincoln was the type of movie that was really strong in multiple areas and thus could gather 12 academy awards, but it was also the type of film that was only going to win certain ones.  For example, production design.  i saw that coming, since it was something that stood out about the film.  It's all the more apparent to me now that I have seen a DVD documentary about creating the film, where they went really overboard with the authenticity of it all.  You don't really notice it, because you take many of these places for granted, but they had to essentially reconstruct the White House from scratch, and they studied every room, including his cabinet, with utmost detail, and it's surprising how much effort went into that.  A huge part of that was research, and another chunk of it was the dedication of construction workers and artists.  I personally love films with great production designs, and the authenticity to this one is one of the reasons why I enjoyed it, so I definitely wasn't surprised when this one won.
 
 
 
 
Adele
 
So "Skyfall" won for Best Original Song.  I couldn't quite tell which would win, actually.  They all sounded pretty good, and none of them stood out.  That's interesting, because I was rooting for "Suddenly", but once I heard some of the others, I felt a little selfish for that.  They were all pretty good.  Two of them were sang live during the ceremonies, which might have revealed bias toward those two, but it would have been difficult to tell.  For all I knew, some of the runner-ups were merely being given a chance to shine to make up for losing.
 
Anyway, Adele had a bit of grace on the stage, and I enjoyed her live performance.  What actually stood out to me, though, was the choir in the background.  There was just something...interesting about them.  I can't quite say what it was.  They were dressed up nice, but inconspicuously places in the background.  It all really helped deliver the song.  A lot of great songs have subtle but surprisingly organized background singers like that.
 
As it turns out, Adele won for "Best Song", for which I give her my full-hearted congratulations.  It was something that really made its blockbuster movie what it was.
 
And afterword "Singin' In the Rain" started playing, which made me chuckle.  That is probably one of the greatest songs of Hollywood.  Like, if Hollywood needed a theme, it would be in the top five contenders.  Seriously.
 
Acually, let's take a moment to look at previous winners and nominees.  I'm sitting here, looking at that list in Wikipedia, and here's what stands out to me:
 
  • Over the Rainbow (the other song that would be a theme for all of Hollywood)
  • When You Wish Upon a Star (The definitive theme for Disney.  And Disney wins a lot of Oscars for songs, as you'll see going down this list.)
  • Who Am I? (which was nominated in the same year as the above song, and it wasn't from Les Miserables, but it just goes to show that titles sometimes repeat over time)
  • Baby Mine (From Dumbo, nominated without a win.  It stands out to me because my mother used to sing it to me as a baby.)
  • White Christmas (Everybody knows that one!)
  • Zip-a-Dee-Doo-Dah (too bad you can't see this movie)
  • Bibbidi-Bobbidi-Boo (didn't win, but it's interesting, because like the above Disney song, it's also composed of nonsense words)
  • Unchained Melody (which later got a better-known cover version by the Righteous Brothers, which later still was used in my pet favorite movie, Ghost, and I love it)
  • Moon River (I went to a concert where I heard a most beautiful operatic voice render this song.  Heck, I'd probably like it anyway purely because it's from a classic Audrey Hepburn movie.)
  • Chim Chim Cher-ee (Winner!  And by all means, Mary Poppins truly is practically perfect in every way.  Just look at its rare 100% rating on Rotten Tomatoes.)
  • The Bare Necessities (Nominated, and this was the last movie Walt Disney ever worked on.  It was "Hakuna Matata" before there was "Hakuna Matata".)
  • The Windmills of Your Mind (this is a personal favorite of mine, and I'm really glad it won, because I think way too much)
  • Chitty Chitty Bang Bang (Nostalgia blast!  Who here has seen this movie growing up?  No?  Then you have no life.  Watch this movie in order to get a full refund on whatever else you've been wasting your time doing all these years.  And again, this is another song with nonsense lyrics.  Believe it or not, this is not a Disney song, but rather from a movie based on an Ian Flemming novel.)
  • Raindrops Keep Fallin' On My Head (Ooo!  This particular winner is another serious contender as a theme song for all of Hollywood.  I'm sure everyone remembers it being used in Spiderman 2, which is one reason why that movie was awesome.)
  • The Age of Not Believing (nominee from Bedknobs and Broomsticks, which I seriously need to watch because it's been forever.  I'll put it right next to Chitty Chitty Bang Bang.)
  • Live and Let Die (Nominee from -you guesses it - Live and Let Die, another Bond film to get nominated.  Except that one didn't win like this one did.  It's still perhaps the most iconic Bond song.)
  • The Rainbow Connection (nominated, and deserving of so much more of that.  Not only the theme for everything relating to The Muppets, but a classic ode to dreams in the vein of Over the Rainbow and When You Wish Upon A Star.  I love you, Kermit!)
  • On the Road Again (which I find so endearing because it's perfect for playing in the car, and I love songs about travel.  It's also about friends, life, and the long journey of living.  Make everything of it, folks!  Sadly, this lost to "Fame", of all things.)
  • Ghostbusters (obligatory "Who you gonna call?" moment)
  • The Power of Love (This is why the 80's were so glorious.  You don't get rock like this anymore, or movies like Back to the Future.  To think, that movie had this song and the main orchestral music to represent it!)
  • Somewhere Out There (the "My Heart Will Go On" for animated movies - before there was a "My Heart Will Go On", and just thinking about this threw another nostalgia supernova in my face)
  • Under the Sea (when Disney started putting out great movies again)
  • Kiss the Girl (and even got two songs nominated from one movie, because it was that good)
  • Somewhere in My Memory (Nomination for John Williams, which has to be mentioned purely by virtue that he's John Williams.  And Home Alone is an awesome movie, in spite of what the critics said.)
  • Beauty and the Beast (Let's face it, I'm entering the 90's here and of course a ton of these are going to be Disney songs.  Heck, Disney practically swept the Oscars with its songs during this era.  I was one lucky kid.  Also, kudos to Beauty and the Beast for being the first animated movie to ever be nominated for Best Picture)
  • Be Our Guest
  • Belle
  • A Whole New World (the other theme song for Disney)
  • Friend Like Me (since I had no friends when I was a kid, I loved this song, and I had an imaginary friend who took major inspiration from Genie)
  • Can You Feel the Love Tonight? (it must have been really tough for Academy voters to pick this one over the other great songs from The Lion King)
  • The Circle of Life (makes my list for the top three movie openings EVER)
  • Hakuna Matata
  • Colors of the Wind (Winner, but regrettably, because the song that should have one that year was...)
  • You've Got a Friend In Me (I still cry when I hear this one, because I remember when I was a kid, and I had no friends, and the reason why I had so many toys was because they were the only friends I thought I would ever have, and for about seventeen years I was right.  Sorry, didn't mean to confess so much.  It's not really something I don't want to go into detail on.)
  • Moonlight (which was by John Williams)
  • My Heart Will Go On (Which got overplayed and it became pretty easy to hate.  I'm sure the Academy just didn't want another Disney song to win.)
  • Go the Distance (In particular, this one, which is a great song that has helped me so much in life, and bore so much meaning for the people of my generation.  It speaks to the struggles I had in life, and that I still have now, and I can't imagine living without it.  You're a true winner, Hecules.)
  • You'll Be In My Heart (Thank you, Disney, for giving me these great songs.  A child's life can get pretty messed up sometimes, but I'm glad that you left a legacy that changed the values of Hollywood, so that just because a movie was for kids, that didn't mean that it was inferior.  Even though you couldn't be there for me personally, I'm so glad that you cared for people like me.)
  • When She Loved Me (I cried for you, Jesse.  Unfortunately, I've had that exact same thing happen for me, and I'm sort of reluctant to ever have a friend again.)
  • If I Didn't Have You
  • Falling Slowly (I remember when this one, and it was something I sang often that year, because it speaks to me)
  • Almost There (a personal favorite of my mother's from The Princess and the Frog)
  • Down in New Orleans
  • We Belong Together (from Toy Story 3, because it deserved it)
  • I See The Light (from a particularly magical moment that Disney is really good at creating)
 
Surprisingly, "Singin' In the Rain" was never nominated.  However, since it comes from a classic movie depicting the most crucial moments in the development of Hollywood and all of the spectacle that came with it, I truly would consider the theme for movies in general, and cetainly one of the Greats that represents the progress of the twentieth century.  As much as I must praise many a sad song for speaking to me where it matters, the sheer optimism of some songs is what I live for.
 
 
 
The Other Big Stuff
 
 
Best Actress and Best Picture wins this year were slightly less dramatic, though I kind of called them both.  I really want to see Argo and Silver Linings Playbook now, though.
 
 
So yeah, to wrap this up, Daniel Day-Lewis won for best Actor, as everyone knew he would.  It was like "well, duh".  Sure, it was breaking precedent and nobody wants to elevate anyone too high, but when he walked in, the camera kept on looking at him.  It was pretty much his night.  He was the King.  Although I daresay, the Pope of all actors at this point is Jack Nicholson, who of course co-presented the award for Best Picture with the First Lady (which I understand was controversial for some).  And no matter what, for being my main inspiration from Hollywood, James Stewart will be the patron saint of actors.
 
Best Actress and Best Picture wins this year were slightly less dramatic, though I kind of called them both.  I really want to see Argo and Silver Linings Playbook now, though.
 

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Completion of NaNoWriMo

Posted by Jean Valjean , Dec 01 2012 · 56 views
NaNoWriMo, writing
:kaukau: I have officially submitted my word count to the NaNoWriMo site, and it stands at 61,065 words.  While this is short of my goal of approximately 80,000 words before the end of November, completion of this task and the first inklings of momentum in a long-distance writing ambition are reward enough.  The novel at hand, which I consider concept art for a larger, more official canon, is entitled The Adventures of Mary.  As this is an ongoing series, the working title for this particular installment is Pilot.  I will continue to write into December, but for now I will fall back to reload and develop the concepts for the second batch of chapters.  At present I am through with 12 chapters, and I covered an awful lot of stuff in each one, but this is only the tip of the iceberg.
 
The great news is that I will be posting these chapters on a weekly basis, starting with the first Saturday of 2013.  While it will be a while before the titular character, Mary, gets into the headlight, I encourage readers to stick around, because I wish to accomplish a big story that few web serials ever achieve.  I have enough material and enough ideas for story that this will last for a while, and it will only get better as introduce a cast of characters that becomes more and more distinct over time.
 
Also, look forward to the prologue, coming out on Christmas day!  So if you're interested, keep an eye out for my blog, or the CoT Library should the current petition for one win official favor, and get yourself mentally prepared for a really, really long epic that will only improve.  I will do everything within my creative power to see to it that this keeps you entertained, because this is all about you.
 

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Election 2012

Posted by Jean Valjean , Nov 06 2012 · 101 views

:kaukau: I voted for Jefferson Smith and George Bailey.

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Alright, perhaps that's a bit of a stretch, considering that these are fictional characters, but I encourage everyone to go out and vote, and to vote responsibly.  You're not truly free until you understand your own actions and the things that you stand for, and I emphasize that no matter what, be on the lookout for men who remind you of these two, because Jefferson Smith and George Bailey are real.  They just need to live in the hearts of those who make a difference.

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Joker Face

Posted by Jean Valjean , Oct 10 2012 · 101 views

:miru:

[Joker]

Ha ha ha ha!

Ha ha ha ha!

Ha ha ha ha!

Ha ha ha ha!


I wanna chase'm and mess with the police

Break'em let'em hit me in the middle of the street

(I ship it)

You might hate me now but when you cool down here's my card

And when you try to hunt me I'll tell you how I got these scars


Oh, oh, oh

It's all for naught, you can't stop my plot

Oh, oh, oh

It's all for naught, you can't stop my plot


Care if I tell you why

I've got these scars on my face?

(He must be really psycho)

Santa Claus slit my jaws

He put a smile on my face


J-j-j-joker face j-j-joker face

(Ha ha ha ha!)

J-j-j-joker face j-j-joker face

(Ha ha ha ha!)


[Harvey Dent]

I want to flip a coin and get my way for for free

I make my own luck with my Lady Liberty

(I ship it)

When you come down to it I need to get things done

And let them think there's two faces but load the gun with one

(two)


Ow, ow, ow

This flame is hot, and I am distraught

Ow, ow, ow

This flame is hot, and I am distraught


Now I'm fried, Rachel died

So I'm going by Two-Face

(Fire ruined half his body)

Forget my fortified

Morals, I am now Two-Face

(Just look at half that body!)


[Joker]

J-j-j-joker face, j-j-joker face

(Ha ha ha ha!)

J-j-j-joker face, j-j-joker face

(Ha ha ha ha!)

(Ha ha ha ha!)

(Ha ha ha ha!)

(Ha ha ha ha!)


I was nice to guy like you

But not like you

Twenty-somethin', he was nothin'

Tongues were tying, riddles punning till my mouth starts running

Just like a click I stop, you know

Take a prank and cut my cheekbones out

I'm ending this with my Swiss

No more jokes, "Why so serious?"


Who am I?  Why am I

The psycho with the Joker face?

(Don't forget Mr. Two-Face)

You are so status quo

Why not be like me, a Joker face?

(Don't forget Mr. Two-Face)


Would I lie about my

Reasons for my Joker face?

(Don't forget Mr. Two-Face)

I don't know where to go

But here's by card, I'm Joker face

(Don't forget Mr. Two-Face)


Cherry pies in the skies

Don't believe in them like Two-Face

(Fire burned up half his body)

I don't go with the flow

Cause Gotham needs stranger face


J-j-j-joker face, j-j-joker face

J-j-j-joker face, j-j-joker face

(No you see chaos embodied)


J-j-j-joker face, j-j-joker face

(Ha ha ha ha!)

J-j-j-joker face, j-j-joker face

(Ha ha ha ha!)



J-j-j-joker face, j-j-joker face

(Ha ha ha ha!)

J-j-j-joker face, j-j-joker face

(HA HA HA HA HA HA HA HA HA HA!)


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The Number 53

Posted by Jean Valjean , in Nerd, Uncategorized Jan 03 2009 · 12 views
Life
:kaukau: Okay, I love the number 53.  For a long time, I've wanted to make a list of all things that had to do with that number.  However, I never got around to it.  The number seems to be everywhere, and for a long time I've been wanting to record its seeming omnipresence.  I'm calling you to reply to this topic and give me various facts in order to assist me in making this list.

Please reply.

Your Honor,
Emperor Kraggh






Me

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Username: Emperor Kraggh
Real name: N/A
Age: 19
Gender: Male
Heritage: Half Dutch, 25% Hungarian, 12.5% Swedish, 6.5% German and Irish
Physical description: Looks like the eleventh Doctor
Favorite food: Chicken, turkey, and beef.
Least favorite food: Vegetables of any kind
Favorite song: American Pie
Favorite movie: Schindler's List
Favorite TV show: Smallville & Arthur the Friendly Aardvark
Favorite play: Les Miserables
Favorite color: Silver
Second favorite color: Brown
Favorite board game: Risk
Favorite athlete: Michael Phelps
Lucky Number: 53
Past-times: BZPower, writing, reading, politics, drawing
Political party: Republican
Religion: Christian
Language: Not English, but American.

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That was my approval stamp. I'd say that I did a pretty awesome job with it. If you see it in your blog, it means that you are pretty intelligent to have earned it.

The following approvals have been put in a spoiler tag in order to make some comments easier to read.

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