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My Work Here Is Done (submitted Entry)

Posted by Jean Valjean , in Literature Dec 01 2008 · 20 views
Literature
:kaukau: The entry you saw before was the first draft to an entry to something called the Iowa Reading Association's Creative Writing Celebration.  Granted, by annual celebration I assume that they just simply mean annual contest, but I simply had to make an entry, because I was certainly interested.  For people in high school, the limits to their stories had to be a thousand words or less.  When I got in the last whispers, I was over two hundred words over the limit.  

Fortunately, I stayed after school, and with the occasional advice of a friend, I trimmed to down to exactly one thousand words.  I have to give him credit, for without his help, I might have still been invalid by ten words.



After taking a ridiculously scorching shower that used up all the hot water, Kraig, the second oldest and seventeen years old, went to the dinner table and poured himself a bowl of Life cereal. He ate his cereal at a practiced pace. He would finish at a time between 5:55 and 5:56.

His older brother, Robert, came out of nowhere. Kraig wasn't fond of Robert. Automatically, Kraig shielded his food with his arm. Robert shrugged off his behavior an then just went to the cabinet, grabbed some cereal, and began eating from it like a bag of potato chips.

Kraig tolerated the insolent sound of the fingers clawing through Honey Nut Cheerios temporarily, but he could not censor it completely. Suddenly, he stomped his fist against the table. "Cretin! Other people like to dine on those provisions! Could you exercise some etiquette?"

Robert shrugged.  "Whatever."

The clock struck 5:57.

"Dynamite!" exclaimed Kraig in frustration.

Hurriedly, Robert put the box back into the cabinet and picked up his back-pack. "See you!" He said. Kraig felt less tense now that he was gone.


Kraig raced to finish the rest of the cereal and then washed the dish. While he washed, Matthew, the youngest brother, entered the room. He stood for a moment, perplexed, hands at his hips. After observing the room, he made a casual statement, "I don't need a sixth sense to tell that Robert ticked you off."

Not looking up from the dishes, Kraig nodded.

"I hope he didn't give you a heart attack," shrugged Matthew. He went for the Life cereal on the table, but Kraig finished washing the dish before that pranced to the box before Matthew could do anything with it. Quickly, he poured it into the washed bowl.

"What's this room service for?"

"I perceive you making the egregious transgression of omitting significant velocity that is imperative if we are to get out before six o'clock."

Matthew finished at 6:02.

"Dynamite!"

Later, as they made their way to the grocery store to buy meet for Kraig, since he didn't think that the school served enough of it, a girl with very long, strait brown hair walked past them. She had walked a little ways when she looked back at the two boys. In an instant, she felt admiration for the shorter of the two that she couldn't explain. She stared at him with dreamy eyes, imagining him turning around at staring back, and showing a modest smile. She imagined him not forgetting her afterwords, and the two of them meeting again.

Kraig looked back and noticed her, staring into the distance. "What is that escapist looking at," he wondered allowed.

Matthew looked back. Immediately, he understood what was going on. He could efficiently tell what people were thinking. He quickly looked away and picked up his pace, leading Kraig away. "Nothing noteworthy," he lied, and desperately changed the subject, "Anyways, I freshly received an e-mail this morning warning of a virus on our computer. You might be stalked, so be careful."

"Matt, our ménage is devoid of the possession of any computers," said Kraig, confused.

"Never mind."

They went about town as the regularly did, but Matt made sure that they never passed the spot with the girl again. When the time came, they went to school. Kraig and Matthew parted ways, and Kraig went to his first and favorite class, History.

The teacher, Mister Lehman, made his first announcements. "We have a new student here today, Miss Ruby Borson. I hope you can all make her feel welcome in this school." Ruby went to the front of the class to introduce herself. Kraig recognized her as the girl who he saw on Main Street . His interest quickly faded as he yearned for class to start. Once Ruby went to her seat, Lehman began his lecture.

"Now, yesterday we finished up our unit on Carter, so we will be moving on to Ronald..."

Kraig raised his hand and automatically interrupted Lehman. "When Reagan entered office, the United States inflation rate stood at 11.83% and unemployment at 7.5%. Reagan implemented policies based on supply-side economics and - "

"Kraig! Wait to be called on!"

"Sorry."

"The last time I let you monologue, you taught more than the dictionary had."

"Sorry."

Lehman sighed, and then continued with his lecture. Kraig didn't listen, although he made mental notes whenever the teacher got something wrong and battled the urge to correct him.

Meanwhile, in the back of the class, Ruby was having her dream come true. She thought that Kraig had intentionally shown off just to deliver her a good impression.

Outside of class, Ruby "accidentally" dropped her books when Kraig passed. Kraig picked them up for her, but as he walked away, Matthew at his side, he said, "People these days are irrevocably impecunious regarding sloth."

The moment Kraig was out of sight, Matthew ducked into the nearest bathroom and banged his head against the wall. He was interrupted when Robert walked in.

"What's wrong?"

"Kraig is hopeless."

"What, did he get a girl?"

"He got one all right, but he has no clue she likes him."

"Not my problem."

"Robert! He's your brother. If you don't do something, he'll never get on the right track and she'll be very disappointed."

Robert hesitated, then admitted, "All right. I guess I could work some magic..."

Robert already had an idea as he exited the room. He quickly spotted the new girl, who was late for her next class. He went over beside her.

"Hello, chick."

Ruby recoiled, feeling unpleasant around him already.

"Babe, this school isn't for losers. Do yourself a favor and don't get in anybody's way."

"Thanks for the advice. Not."

Robert pestered her a little more, but eventually Kraig came around and noticed how he was treating her. Immediately, he came to her defense.

"Leave her alone!" he said.

"Whatever," said Robert, but as he walked away he said to himself, "My work here is done."


Your Honor,
Emperor Kraggh



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My Work Here Is Done (first Draft)

Posted by Jean Valjean , in Literature Nov 27 2008 · 22 views
Literature
:kaukau: Early in the morning, before the sun rose, the Macker family prepared its day.  After taking a ridiculously scorching shower that used up all the hot water, Kraig, the second oldest and seventeen years of age, went to the dinner table and poured himself a bowl half full of Cheerios, then filled the other half with Life cereal.  Although Life was his favorite, he had always mixed them both ever since he was eleven when he once joked that "Life and Cheer are fundamental opposites, therefore amalgamating them into one foundation is the perfect way to proportion yourself a balanced breakfast."  He ate his cereal at a practiced pace.  He would finish at a time between 5:55 and 5:56.

He was grimly disappointed when things didn't quite go according to schedule.  His older brother, Robert, came out of nowhere to taunt him.  Kriag really wasn't fond of Robert.  Automatically, Kraig shielded his food with his arm and pointed his elbow out to show that he wasn't afraid to whack him if he tried anything funny.   Robert shrugged, not commenting on Kraig's behavior.  Robert then just went to the cabinet and grabbed a random cereal and began eating from it like it was a bag of potato chips.

Kriag tolerated the insolent sound of the fingers clawing through Honey Nut Cheerios for a while.  He began to eat more slowly and his right hand, which was free, began twitching methodically.  He could not censor out the noise.  Suddenly, he stomped his fist against the table.  "Cretin!  Other people like to dine on those provisions!  Could you use your manners?"

Robert shrugged and put the box back.  "Whatever, mister short fuse."

Just then, the digital clock built into the stove struck 5:57.

"Dynamite!" exclaimed Kraig in frustration.

Hurriedly, Robert put the box back into the cabinet and picked up his back-pack.  "I have to go!" He said.  Kriag felt a little less tense now that he was gone.  Robert always had other things to do.

Kraig raced to finish the rest of the cereal and then washed the dish.  While he washed, Matthew, the youngest brother, entered the room.  He stood for a moment, perplexed, hands at his hips.  After a moment of observing the room, he made a casual statement, "I don't need a sixth sense to tell that Robert ticked you off."

Not looking up from the dishes, Kriag nodded.

"I hope he didn't give you a heart attack," shrugged Matthew.  He went for the Life cereal on the table, but Kriag finished washing the dish before that and pranced to the box before Matthew could do anything with it.  Quickly, he poured it into the washed bowl.

"What's this room service for?"

"I perceive you making the egregious transgression of omitting significant velocity that is imperative if we are to get out before six o'clock."

Matthew ended up finishing at 6:02.  Because of that, they had to run to main street to do their daily chores instead of walk.  Main street was not too long, and all the stores were small businesses.  As they made their way to the grocery store to buy meet for Kriag, since he didn't think that the school served enough of it, a girl with very long, strait brown hair walked past them.  She had walked a little ways when she looked back at the two boys.  In an instant, she felt admiration for the shorter of the two that she couldn't explain.  She stared at him with dreamy eyes, imagining him turning around at staring back, and showing a modest smile.  She imagined him not forgetting her afterwords, and the two of them meeting again.

Kriag looked back for no particular reason and noticed her, staring into the distance.  "What is that escapist looking at," he wondered allowed.

Matthew looked back.  Immediately, he understood what was going on.  He could tell what people were thinking efficiently.  He quickly looked away and picked up his pace, leading Kriag away.  "Her cogitations frolic with oblivion," he lied, and desperately changed the subject, "Anyways, I freshly apprehended an e-mail this morning promulgating the animation of a virus on our computer.  You might be stalked, so be careful."

"Matt, our ménage is devoid of the possession of any computers," said Kriag, confused.

"Never mind."

They went about town as the regularly did, but Matt made sure that they never passed the spot with the girl again.  When the time came, they went to school.  Kriag and Matthew parted ways, and Kriag went to his first and favorite class, History.

The teacher, Mister Lehman, made his first announcements.  "We have a new student here today, Miss Ruby Borson.  I hope you can all make her feel welcome in this school."  Ruby went to the front of the class to introduce herself and gave a brief speech making statements about herself.  Kriag recognized her as the girl who he saw on main street.  His interest quickly faded as he yearned for class to start.  Once Ruby went to her seat, Lehman began his lecture.

"Now, yesterday we finished up our unit on Carter, so we will be moving on to Ronald..."

Kraig raised his hand and automatically interrupted Lehman.  "When Reagan entered office, the United States inflation rate stood at 11.83% and unemployment at 7.5%. Reagan implemented policies based on supply-side economics and - "

"Kriag!  Wait to be called on!"

"Sorry."

The last time I let you monologue, you taught more than the dictionary said."

"Sorry."

Lehman sighed, then continued with his lecture.  Kriag didn't bother listen, although he made a mental note of whenever the teacher got something wrong and had to fight the urge to correct him.

Meanwhile, in the back of the class, Ruby was having her dream come true.  She thought that Kriag had intentionally shown off just to give a good impression to her.

Outside of class, Ruby "accidentally" dropped her books when Kriag passed.  Kriag picked them up for her, but as he walked away, Muzeca at his side, he said, "People these days are irrevocably impecunious regarding sloth."

The moment Kraig was out of sight, Matthew ducked into the nearest bathroom and banged his head against the wall.  He was interrupted when Robert walked in.

"What's wrong?"

"Kriag is hopeless."

"What, did he get a girl?"

"He got one all right, but he has no clue she likes him."

"Not my problem.  He never liked me anyways."

"Robert!  He's your brother.  If you don't do something, he'll never get on the right track and she will be very disappointed."

Robert hesitated, then admitted, "All right.  I guess I could make some magic..."

Robert already had an idea as he exited the room.  He quickly spotted the new girl, who was late for her next class.  He went over to her.

"Hello, chick."

Ruby recoiled, feeling unpleasant around him already.

"Babe, this school isn't really for losers.  Do yourself a favor and don't get in anybody's way."

"Thanks for the advice.  Not."

Robert pestered her a little more, but eventually, Kriag came around and noticed how he was treating her.  Immediately, he came to her defense.

"Leave her alone!" he said.

"Whatever," said Robert, but as he walked away, he said to himself, "my work here is done."



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Rpg Chapters

Posted by Jean Valjean , in BZPower Nov 07 2008 · 13 views
BZP
style_emoticons/default/kaukau.gifI was thinking of my catastrophically long posts.  I like literature.  Joining TBRPGs is one of the ways that I practice and prepare myself for literature.  I'm beginning to take this more seriously than ever now, especially with my own TBRPG up.  I am getting a taste of writing.

Then it occurred to me: What if I labeled some of my longer posts with chapter names?  Seriously, some of my posts could make chapters in some books.  Perhaps not a chapter in a book such as Brisingr, but they are long enough that they could use titles.  It would make sense in a way, to name some of my more notable posts.  Not all of them, but some of my better ones.

I was wondering what some people might think of this.  Would the idea flow well?

Your Honor,
Emperor Kraggh



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Rpg Advertising

Posted by Jean Valjean , in BZPower Nov 06 2008 · 14 views
BZP
:kaukau: Many people have tried a large variety of ways of advertising their RPGs.  Sometimes they try to give it a catchy title or description, sometimes they put it in their signature as a banner or large link.  I have tried both of those, as well as making it look sophisticated and well thought out, but I am considering another method of advertising, one that I have only seen Robo use before.

I got the idea when I was reading the back of the book Brisingr (a filler, if you ask me).  There, if I remember correctly, it read, "Praise for Eragon", and also "Praise for Eldest".  This is used in quite a few books.  You get quotes from all sorts of critics and magazines, all casting the book in a positive light.  Why?  Of course the author wants their book cast in a positive light.  It's a good form of advertisement.  It averts your attention to the book.  It gives the reader the impression that the book is worth reading.

Now let us convert this to an RPG.  I am considering adding a section right before the character list within my own TBRPG entitled "Praise for Amakor" once I have enough quotes to put in there.  Once people read this, one might think that it is not merely some mediocre RPG and consider being an active member.  I mentioned before, Robo has also done this.  Specifically, he put a quote from a fellow RPer who gave a compliment on his RPG, Reality.  It was quite a clever maneuver.  Actually, it made me a little more enthusiastic while in his TBRPG for a little while.

This technique of RPG advertisement is clearly quite rare.  It would probably also be nothing to discourage, as it could be a descent advertising trick, as good as all the other conventional ones, and could improve the popularity of your TBRPG.  Since it is uncommon at the moment, it will certainly give you points in terms of uniqueness.

Your Honor,
Emperor Kraggh



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McCain

Posted by Jean Valjean , in Events Nov 04 2008 · 21 views
Life
:kaukau: I'm not allowed to go into much detail on this, but I will simply state that I support McCain and Palin today in this historic election.  I have given quite a bit of thought into this.

Your Honor,
Emperor Kraggh



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Romeo And Juliet Adaptation

Posted by Jean Valjean , in School Oct 24 2008 · 19 views
School
:kaukau: Okay, this wasn't an essay of my own accord.  It was something I had to do for school, not out of my spare time.  However, as you all very well know, I have kind of established myself for being the type to overdo things and take them to the extreme.  Surprisingly, this essay was supposed to be a simple compare and contrast, a simple theme to essays that I deem trivial and wonder why we still do it.  Compare and contrast essays tend to get a bit generic, and I have looked at other people's work.  Usually, they just write a generic introduction, a generic list of supporting details, and a generic conclusion.  It's not that these aren't important steps, but they tend to look fairly cheap in compare/contrast essays.  Then there's the very question of compare/contrast essays.  They're usually pointless.  I like answering questions that take deep thought, force me to develop my logic and insight so that I may uncover truth.  In respect to that desire, the skeleton of this essay has been covered with some meet and additional questions have been asked.

-

There are two popular movie adaptations to the play Romeo and Juliet, one directed by Frank Zeffirelli by the same name in 1968 and the second directed by Baz Luhrmann in 1996, who altered the title to Romeo + Juliet.  These two are known for being remarkably similar in dialog to the original text, but there are some obvious differences that stand out like chartreuse cars driving down the road.  Although they are based off of the same text, one might ask, "Why are they so different?"  Despite their shared source, there are major differences between the two.  Pinpointing every difference between the two is not the important question, which would be the one already conceived, but it is the best way to answer the inquisition.

The one difference that the brain automatically selects is the setting.  Romeo and Juliet was set in thhe exact time period that the original play was intended to be set.  On the other hand, the more recent Romeo + Juliet was set in Verona Beach, Florida within modern times and is basically a modernized version.  Personally, I have no problem with this heavy alteration, because it's almost the exact definition of adaptation: the story has been adapted not only to the screen but to modern times.  It can also be argued that Romeo and Juliet is a "timeless" classic, as in to say that the story itself finds belonging in any time period.  It is easy to understand why this could be one of the main asymmetries that sets this apart from most; the director wanted a movie that an audience could more easily relate to.  There are many literary entertainment tools that are used by artisans, and being able to relate to characters is easily one of the most important aspects.  When we see people in a modern age versus people in the sixteen hundreds way over in Italy, we can much more easily understand the characters,  The more we can put ourselves in their shoes, the more powerful the story, and that is what people want to see in Shakespeare's stories.

Because of the difference in time periods, many countless details have been altered, but few influenced the story.  For example, Tybalt was shot instead of stabbed, cars were utilized for transportation instead of horses, Friar Lawrence was a priest, and the message that Friar John was supposed to send was instead delivered by Fed-Ex.  There are obviously many thousands of details in the background that were not mentioned in the detail of Shakespeare's etched scripts, which were almost devoid of stage directions and only one prop was listed.  Besides this, the story itself has remained the same, so there shouldn't be much to complain about unless you didn't like it in the first place.

Yet, despite how the stories should be akin in spite of the setting, there are still differences, however small.  In Romeo and Juliet, Romeo returns to Verona undetected, surpassing Friar John on the way, which is a minor difference from the play itself, probably installed because Zeffirelli didn't want to waste a scene describing the needless detail of how Friar John never delivered the message in order to hurry the story along. Within the screen of Romeo + Juliet, however, Romeo's return to Verona Beach is discovered at an earlier date.  It is not out of place, since lay enforcement is much more efficient now than it was back then.  It was just a price that the director had to pay when he modernized the story.  Despite this being one of the more notable alterations within the plot itself, it does not obscure the story that they share.

Romeo's bargain with the apothecary was skipped over in Zeffirelli's Romeo and Juliet.  Many of the scenes had taken longer, and most directors have a fairly good idea of how long they want their movie to be.  Almost a tradition, scenes are often cut to save time and for the flow of the movie, so that certain events do not distract from the main idea that the director wants to portray.  Zeffirelli probably thought that it was best to skip as quickly as possible to Romeo arriving at Juliet's tomb and committing suicide.  It was the climax, and that's when events tend to take their fastest pace.  Countering, Baz Luhrmann decided to include this scene.  Why?  Certainly, there had to be a reason.  I myself am not sure, but Romeo + Juliet was already more fast-paced in general, which might have led to Luhrmann having more time to fit in that scene.  He also meshed scenes together a bit more, so that two acts could sometimes be explained at once.

After combing through all these events, each of the directors finishes the story's famous climax differently.  Of all the plotline events, this is the hardest to evade.  Because it is at the climax, it is the part of the movie that should stand out the most.  This is what everything leads up to, and there were considerable changes.  In the Romeo and Juliet film, the final consequences act out much like that of the play, with minor differences.  Romeo poisons himself next to Juliet and dies, and then Friar Lawrence befell the scene when Juliet awakens from her abyssal state, after which poor tidings unfolded when Lawrence flees and Juliet takes Romeo's dagger to stab herself.  Surprisingly, the nonparallel relationship between the twin zeniths is almost is almost devoid of cause relating to modern audiences and setting, save for the finality of Juliet shooting herself as opposed to using a dagger.  In Romeo + Juliet, Juliet is beginning to wake up throughout Romeo's grievous soliloquy, and opens her eyes the moment Romeo makes the egregious error of taking the demented poison.  He is left to comprehend the full magnitude of the treachery we has wrought about himself and Juliet.  Juliet weeps over her husband, who dies as the dusky sun that gradually slips below the distant hills.  A modern audience does not intervene, nor does a technological setting.  Why had the original ending been submitted to another?  The way I see it, the tale of Juliet and her Romeo has become almost as a folk tale, altered by the different people who tell the story, adding their own elements, sometimes elements that they think actually improve the story.  It appears that Baz Luhrmann thought of how to amplify the dramatic tragedy of Romeo and Juliet in a most genius way so that it surpassed its successor.  What he did was he targeted the ingredient of dramatic irony.  Because we see signs of Juliet waking up that Romeo does not, but becomes close to seeing, we are reminded of how dreadfully close he is to committing the greatest misjudgment he will ever commit.  Then, as Juliet wakes, he realizes this himself.  Also, because of this, both of them feel an extra dose of emotions, increasing the sheer power of the moment.  Owing to that, and because we can relate to them, we feel this, and the end result is that the movie adds up to more strength, therefor better quality, therefore it is a better story.

This leads me to point out that the two movies each had two themes unlike the other.  Frank Zeffirelli directed his movie with a storytelling rhythm, calm and with a more eased theme.  Luhrmann took the theme on a whole different twist when he endowed Romeo + Juliet with a much darker theme.  Perhaps this separation of flow was caused by differing preferences between the two directors, but I think that it was more likely that the different times in which the movies were made was the more dominant cause.  The audiences of 1968 weren't the same as the audience of 1996.  People of the newer generation had grown a taste for action that wasn't there twenty-eight years prior.  The art of directing is still young, and it is still evolving.  Even now, with recent movies such as The Dark Knight, movies are being taken to new levels, and the audience is gradually becoming more and more eager for intense films.  The time period between the two films was long enough for an entire generation to pass, more then enough for directing styles to change.

What have we learned?  These opposing faces are not enemies to each other.  Their differences are to be celebrated, because they are unique without uttering blasphemy upon each other.  We can find comfort in the fact that their variation is not without good reason, and that they have justified purpose.

In Trust,
Kraggh



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Judge Kraggh

Posted by Jean Valjean , in BZPower Oct 17 2008 · 17 views
BZP
:kaukau: As some of you might know, I am running for CoT RPG Judge.  As will be necessary, my reasons will have to be clearly outlined so that people, particularly Kex, may decided for themselves to see whether I am appropriate for the job.  In this entry, you will get a fairly good idea of what kind of person I am when it comes to this subject.

My Record

In this area, I have both my strengths and weaknesses.  It is the main thing that most people bring up, and they are correct to believe it important to consider.  Experience is one of the main reasons Kex decided to switch the system.  He wanted people who were familiar with TBRPGs and had developed a good sense of judgment from them.  It might also make these new judges, whoever they are, passionate about their job and execute it with responsibility.  It's a fine fingerprint that exposes certain qualities of one's character.  Now, here are some things you should know about me, so you can figure out for yourself the quality of my character when amalgamated with the responsibilities of such a position.

I have only participated in two TBRPGs.  That is, there have only been two that I have spend a reasonable amount of time on, Evil Genius/spy and Reality.  The former I was only on for about a month or so before I lost time and interest, whereas Reality has kept me enticed enough to stick to it for the longest time.  This is probably a weakness, as it means that I have not really had the experience of actively RPing across the board.  However, I have also looked at several TBRPG first posts and made my judgments on them, which is what I would be doing every once and a while, perhaps daily, perhaps weekly, depending on how many people there are in the world besides me who want to get TBRPGs approved and on how exactly Kex's judicial system will work.

I have really long IC post.  Metaphors, personification, similes, dramatic irony, I know how to make a work of literature out of my writings.  I have made them interesting.  I have put much effort into them.  Is this a strength or a weakness?  I won't leave it up to myself to decide.

I have developed complex characters.  This shows that I am also most likely capable of judging someone else's fictional character, as it can show whether or not they are capable of running a TBRPG.  If the character is sloppy, then they probably have not constructed nor considered managing the TBRPG they want approved too well.

I have written plots.  Not all TBRPGs havea plot that's set in stone by the manager, but most do, and experience in writing plots would assist me in judging whether or not a requester has developed their TBRPG enough to begin running it.

I have written this TBRPG format.  That should show you that I can organize a TBRPG efficiently.

I have worked with other RPers.  Communication and compatibility that have helped me get along with fluid ease in the TBRPGs that I have participated in.  It will also be necessary as a judge.

Overall, I have a lot of background knowledge on literature and entertainment.  Literature has many categories, froom drama, to poetry, to music, to books, to non-fiction books, to comics, and so forth.  Perhaps one day TBRPGs will be added to the textbooks, but for now, its place in society will do.  I understand writing.  It's my side of the court.  With all of my overall knowledge, accumulated from my own practice and from my research, it will certainly be useful.

Overall, I'm active in CoT and have enough time.  Granted, homework has granted me with less time, but I have time nevertheless.  At least once per week.  It's not experience, but it's a requirement.

As you can see, I have more strengths than weaknesses.

My Outlook

Like many things in life, from the concept of competition to the meaning of the Internet, RPing is open to philosophical argument.  In this section, I will confirm with you my standings on what a TBRPG is and how I prefer to play them.

A TBRPG is, by definition, a text based role playing game.  It's a game where you play the role of any amount of characters and determine their actions by writing them down.  Who are these characters?  Generally, they are made up.  What is the objective of the game?  That is usually set into the rules and guidelines of the TBRPG, although sometimes people don't give a specific goal.  In the case of the Reality RPG, people have the option in their character sheets to set their own goal altogether.  This was a nice piece of consideration of format on the behalf of Robo that I believe should be included in all TBRPGs that don't have a specific obligation for all players to fulfill.

Now on the subject of format, I believe that RPGs are intricate and delicate, and should be treated that way.  The first post, which basically defines the RPG, should be carefully constructed so that it fits with the RPG well.  Generally, these things are included in the first post: the basic summary of the RPG's theme, the rules, and the fill-out sheet.  Also common is a list of staff and several custom details.  Custom details generally are what make a TBRPG unique.  If you read through my TBRPG first post, you would have noticed many things that apply to that RPG specifically, such as the way the staff was set up, the method in wuich rules would be judged, and of course the many descriptions of the world of the TBRPG.  When it comes to RPGs, there isn't solid mold accept for the fact that there must be rules and character sheets.  Everything else is customizable and certainly not restricted by a mold.  However, although one can be creative, keeping a TBRPG well organized brings efficiency.  I will explain some of the components of a TBRPG one at a time and my opinion on them.

The introduction.  The introduction, the synopsis, and everything else serves the purpose of explaining to the casual reader what the RPG is about at a glance.  Is it science fiction?  Is it midevil times?  Zombie?  You get an immediate sway of the RPG's theme.  I think that it would be a good idea to be somewhat broad with this, and also a bit poetic.  The RPG will evolve over time, so if the intro is very specific unto the situation at the youth of the game, then it simply won't do.  If the RPG was a person, this would be their permanent personal statement.  Throughout the coarse of its life, certain things should never change about the RPG, so these will probably be layed within the intro.  This isn't to say that the intro should just list off the things that the game is about.  On the contrary, be creative, poetic, and/or dramatic, as I said earlier.  Look at the Intro for S W A R M.  Start your TBRPG off with a bang.

The setting.  As it says in the official CoT rules, please try to make your TBRPG original and unique, with a theme that is distinctly its own.  The reason stated is that if it is too similar to another, it could be considered a duplicate.  That, and I have heard several complaints in the RPG Topic about too many redundant ideas floating around.  For the best of the community and its own good, it would be a bad idea to put the story in a setting that would end up building up a particular fad (these days, a certain amount of years into the future with a sudden invasion).  Yes, the setting has to be unique, and it also should be strong.  If it's an original composition, it would be best to let people know to take the RPG theme is not too be taken lightly.  When a TBRPG initially comes off as strong, it is also appealing and people are attracted into joining it.

Rules.  These are fundamental, and I would highly suggest making them organized.  Make it clear just how seriously the rules are to be taken, and if problems arise in the TBRPG that you didn't anticipate, quickly amend your constitution and alert everyone that you have done so.  I would encourage that you make rules according to your preferences.  It's even suggested in the CoT RPG Guidelines.  There's nothing wrong with it.  I have done it myself.  I would also make certain rules custom built for the RPG.  If there's a specific element that requires a rule to moderate it or affects certain standard rules, then don't be hesitant to make such "odd" rules.  Also, for presenting your rules in a friendly, yet straightforward format, I will share my own method.  Either before or after the rules are presented, explain how exactly they will be judged.  It's important information.  I would also consider whether certain rules are more important than others.  Of course, then come the rules, which I would number.  For each rule, write the main idea, then explain the rule and why it's there, especially if it is out of personal preference.

Characters.  Like everything else, make these carefully.  You, as the maker of the TBRPG, would probably want to make your characters one of the most important in the TBRPGs.  This is usually always recognized, but it doesn't have to be.  Perhaps you, the manager, would like to be any other player.  However, no matter what place you place them in the society of the TBRPG, make sure that they are woven together with expertise as to set a good example for others.  There's not much that can be done about other people's characters, accept for declining requests you don't think are suitable for the RPG.

Character sheets.  These should be just as official as the rules.  Preference and customized details are not to be discouraged.  Much time and consideration should be put into making them to make sure that they are perfect and that no important details could be left out on a character.  It's very simple.  However, the one thing that I see that varies to some degree among the TBRPGs is whether there's the detail of entering the user's display name at the top, right above the character's name (presuming that the denizens of the RPG have names).  I would recommend this option, as it makes putting the profile on the front page somewhat easier.

The Staff.  Well, a TBRPG doesn't necessarily need staff, and you don't have to employ one if you aren't comfortable with it.  However, if you feel one will be necessary, read these two blog entries.  I,II.

The plot.  Your TBRPG might be one that starts with no plot and lets the players decide the course of the TBRPG, but if you have a plot, take it into heavy consideration.  Obviously, don't reveal it to everyone.  When constructing it, write it into bullet points, detailing certain events that you know you want to happen in order throughout the RPG.  Make sure that it doesn't restrict the flexibility that members would have while playing.  Certainly, it should be the main story, but leave space open for the freedom of other players to roam around and do their own stuff.

When it comes to making a TBRPG, use the Writing Process.  This process consists of five steps: prewriting, drafting, revising, proofing, and finally attempting to get it published.  While making it, don't be afraid to consult a friend, which I would heavily recommend.  It might help to get a second, or even third, opinion.  Look over the TBRPG several times, make your adjustments, and once your done, check every sentence for spelling and grammar.

There are many other things that make a text based role playing game what it is, but it's hard to list much farther than that.  However, I hope that this gave you a firm idea of where I stand on certain ideas.

Judging

The primary role of the judge is simple: to decide whether the RPG is appropriate or not to be published.  What makes a TBRPG appropriate?  If it has a good structure and the requester looks like they would run it properly.  However, a judge job is evident in his/her name to make their best judgment.  Their role isn't to hold the RPGer's hand and make sure their RPG makes it.  That's the responsibility of their friends.  What you do with your RPG after you've had it approved is not their responsibility, although it's not to say that it isn't their concern.  Obviously, it matters as to whether or not it will work out, since they have to be approved before being posted.  A judge won't just look at the format and say, "Well, you have it all written out, so go ahead."  Looking at the COT RPG Guidelines, the moderators clearly express that they look at factors such as the member's activity and ability to manage their RPG.  They make sure they have a plan.  They can't enforce these qualities upon the RPG writer, but once again, I must use the word "judgment."  We use our best judgment on whether or not they will.  If I was a judge, however, being a member of the community and the everyday critic, I would willingly advise the requester out on what they need to change or add to their RPG in order for it to be approved.

As a judge, I would hold a simple philosophy and a simple policy.  My philosophy: respect.  My policy: to communicate well with the user requesting an RPG and use my best judgment, determined by many of my standings on TBRPG structure, to decide whether or not the RPG is ready to be approved.

Your Honor,
Emperor Kraggh



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A True Phact!

Posted by Jean Valjean , in Michael Phelps Oct 08 2008 · 47 views
Michael Phelps
:kaukau: Michael Phelps > Chuck Norris.

Your Honor,
Emperor Kraggh



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Oxymoron

Posted by Jean Valjean , in Literature Oct 06 2008 · 41 views
School
:kaukau: Writers like to use many literary tools.  Metaphors and personification instantly come to mind.  What probably isn't as commonly used, however, are oxymorons.  The word can be broken down into "oxy", which means sharp, and "moron", which means dull.  Rarely ever to we notice when these are applied to literature.  Most often, we can see oxymorons used to describe irony.  It makes sense; what better place to use an oxymoron than when something is the opposite of what it should be?

In all of literature, no work has ever become famous for oxymorons.  At least, not of a recent century.  In the late 1500s, there was a famous playwrite named William Shakespear.  We can call him Bill for short.  One of Bill's most famous plays was Romeo and Juliet, and it is also a classic example of using oxymorons.

This blog entry specifically focuses on a certain oxymoron that branches out like a tree in this play.

In Act II, Scene II and Act III, Scene III, each of the main protagonists whisper soliloquies at the beginning of the scene.  They both take place at the balcony, and they are both about each other, but their meanings are completely different.  It is a subtle oxymoron, but for those who pay close attention to the reading as they would to a Harry Potter book, this is a work of art.

Here is the first soliloquy, coming from Romeo, Act II.  The main characteristics are in bold.


But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,

Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!
She speaks yet she says nothing: what of that?
Her eye discourses; I will answer it.
I am too bold, 'tis not to me she speaks:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.

See, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!



The primary focus of this speech is Juliet's beauty and how she overcame his mourning for Rosaline's cold shoulder.  What he describes it to more than anything else is light, the sun, and the day.  Light is universally used to symbolize goodness, and there is definite goodness in how Romeo sees things.  This speech takes place not too long after the story switches from giving the setting to starting the plot.  Thus, this speech is an important mark in the drama.  It subtly gives us a clue at the direction of the plot.  Judging by the bright and positive images, Romeo has set the feel for an upturn.

Now, let us look at Juliet's soliloquy.


Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,

That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,

And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night

Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.

O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.



"Pay no worship to the garish sun?"  This is a complete contradiction to how Romeo symbolically saw Juliet back in Act III.  Didn't Romeo find the sun beautiful and the night scornful?  Let us not forget that night is used so strongly to represent what is bad.  Although Juliet may be using them in a positive manner, personally, it symbolizes the downturn in the plot.  Before, things were good, and no the whole party is about to come crashing down on the two lovers.  This is an oxymoron in the plot itself.  In other words, irony has struck the romance, which was initially supposed to be good, but was causing them both grief.

Let's Compair:

Both speeches use night and day to describe how they feel about their lovers.  This is the key similarity, as it defines the primary contrast.

Both of these speeches were given at Juliet's balcony.  This is a subtle flag telling us that the two speeches are on the same topic.  Bill has taken the balcony and has attached this symbolic little meaning to it.  It's like how in some movies, where the color red might be a background hint that foretells that an emotional or tense moment is about to take place (The Sixth Sense, directed by M Night Shyamalan).  Yes, it is subtle, but it all amounts to something when you are a focused reader who looks for those things.

Each speech was given at the same time, at the beginning of the second scene in their acts.  They are exactly one act apart.  Like the detail of the balcony, it shows that each speech has the same purpose.

Let's Contrast:

As mentioned first and foremost in the comparisons, there is the matter of night and day.  I can afford no better term than this: the difference between night and day is pivotal.  I say pivotal because a pivot is a point that two weights balance on.  Anything on one side of the pivot is considered weight x, whereas anything on the other side adds to weight y.  It makes all the difference, because these are exact opposites.  One symbolizes an upturn in the plot, the other a downfall.  All of the similarities are meant to bring attention to this.

And that concludes my literary essay.



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Is Ew Ready?

Posted by Jean Valjean , in Humor, BZPower Sep 30 2008 · 24 views
Humor

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:kaukau: Our colony of BZP is ready to accept new sovereignty, and two emperors seek to annex it into their expanding empires.

Emperor Whenua has promised that, if crowned, he will fix the busy sever problem by eliminating avatars altogether.  This is a monstrous move defies members' right to distinguish himself as an individual.

Emperor Whenua has also vowed to ban all banner use.  To make things easier for the moderators, he says that he will remove signatures completely so that people won't be tempted.

He has refused to answer during an interview over PM his standing on Premier Membership policies, but his posting rocord speaks for itself.  He has said 28 times that he supports prices being increased by 300%.

If crowned, he will remove CoT due to its uselessness, but claims that the counting of posts in the polls forum division will make up for it.

If crowned, he and his potential running mate, Zahd, will post an age limit of 13+ for BZPower, even though Bionicle has a target audience that includes a much younger spectrum.

He had once said that a certain set was terrible, then later on said that he liked it.  If he cannot afford to be consistent and honest, then he doesn't have what it takes to be BZP emperor.  Do you think he's ready to lead?

Your Honor,
Emperor Kraggh


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Me

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Username: Emperor Kraggh
Real name: N/A
Age: 19
Gender: Male
Heritage: Half Dutch, 25% Hungarian, 12.5% Swedish, 6.5% German and Irish
Physical description: Looks like the eleventh Doctor
Favorite food: Chicken, turkey, and beef.
Least favorite food: Vegetables of any kind
Favorite song: American Pie
Favorite movie: Schindler's List
Favorite TV show: Smallville & Arthur the Friendly Aardvark
Favorite play: Les Miserables
Favorite color: Silver
Second favorite color: Brown
Favorite board game: Risk
Favorite athlete: Michael Phelps
Lucky Number: 53
Past-times: BZPower, writing, reading, politics, drawing
Political party: Republican
Religion: Christian
Language: Not English, but American.

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That was my approval stamp. I'd say that I did a pretty awesome job with it. If you see it in your blog, it means that you are pretty intelligent to have earned it.

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