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Found 14 results

  1. I ripped a number of Galidor set models from Templar's Galidor Glincher as 3DXMLs a while back. One of them I converted to DAE and then to .blend. Now that it's down, and so are the Galidor-specific fan forums, I thought I should post them here. http://www.mediafire.com/file/fy4nbjse477up7d/GalidorModels.7z/file
  2. The website of Templar, which we all know created the Mata Nui Online Game, is apparently no longer accessible. What makes this especially unfortunate is that, as far as I know, it was the only place where you could find the original version of MNOG (where they used "Tohunga" instead of "Matoran", and still had some of the comments among the Chronicler's Company that mysteriously ended up blank in the later release). The following link used to lead directly to that game, but as you will notice, it no longer works: http://www.templar.com/games/mnog/Player.html As far as I know, it was working perfectly fine just last week. I really regret not taking the time to record all of the text seen in this original version when I had the chance, because if this version can't be recovered, then that original content in those blank spaces may forever be lost.
  3. Hi BZP! been a bit. Here's my take on an animation Templar intended to include in mnog, but didn't have the time to finish. Its about Onua!
  4. This is a discussion for the MNOLG 1.5 Project ----Objective---- The goal of this Project is to make a MNOLG 1 style flash game that covers the Bohrok Swarms arc, Picking up right after the first game ended, and following the Flash episodes released on Bionicle.com that show highlights of this era. ----Version 2.1.1 Released!!---- This is the Chapter 2 Part 1, the second part is still under development.I decided to split my relases into parts for two main reasons: 1. Release updates more frequently, because making this game takes quite some time. 2. More frequent feedback from the forums for finding bugs and errors. Mention any bugs/misspellings you come across in the forum, but please also report them on the Issue List. Download: Version 2.1.1 (.7z) Version 2.1.1 (.zip) ----Important Stuff!!---- To run the game extract the files and click on "Flash Player Run.bat" In the Debug Menu you can switch between MataNui and English text for the ALL THE SIGNS in the game! So you can leave it in MataNui for a more classic feel, or switch it to English, because after all, the Chronicler (who you're playing as) can read quite well without translating. Use the Save/Load feature, so that when I release an update you will be able to pick up where you left off. All 9 save/load slots are working. Except for that 10th button, not really sure what that does.. Screenshots:
  5. What's happening, folks? I've got a bit of a new animation to share today. I've been working with the assets from Templar's BIONICLE stuff to make my own animations for a few years now (time really does fly, my gosh), and for this one I aimed for a distinct change of pace to match working in a new setting. I really wanted to bring out the characters here, focusing on what I'd like to think are subtleties in movement and behavior - the stuff where the real fun is at. This all in contrast to the more action-oriented stuff I have done previously. This is really only a part of what I hope will be a longer animation that completes the story set up here, but I had to get this specific part done for a project and it turned out so nice I really wanted to share it. (and if you want to see the other stuff I've done, go here - heads up that the earlier ones are pretty stinky, though) I love feedback so don't hold back, type up a post!
  6. This is my big project. I cannot even begin to describe how much Templar's work on BIONICLE has meant to me, but suffice to say what they created is perhaps my most cherished story. I want to be able to pay homage to Templar, as a way of saying thanks, and this is how I am doing it. For those unfamiliar with this project, these animations are made to complement the ones Templar produced for BIONICLE in 2002. It may not be apparent how they are connected yet, but eventually they will fill in the blanks left by Templar's animations. Templar's work was, of course, perfectly functional as a story, but they covered so much ground in so little time that not everything could be shown. This project is sort of going back and looking at the things skipped over. I'm not completely satisfied with these animations (especially the first one, that one's awful), but I am new to Flash and I've intentionally used this first, three-part arc as a testing ground for my animation abilities. Future installments will have a greater focus on plot and character development. Episode 1 Episode 2 Episode 3 I appreciate any and all feedback.
  7. There's been a fair amount of discussion about most of the unused, early content to be found in the game files for MNOLG. One thing that I haven't seen mentioned, however, is Episode_9-2_v4_sounded.swf. As the name implies, it is a variation on cutscene 9-2, or namely the one showing Takua's descent into the Mangaia and revealing his appearance for the first time. It plays exactly as the final version does, but at the end a short musical track suddenly begins, running after the blackout signifying the end of the cutscene. For whatever reason, Templar decided not to use the music track in the final game (I suspect they decided it was too cheery for what is one of the most tense moments of the story). But, I thought it might be interesting to see how it would sound with the music correctly placed in the cutscene. So here you go! Link It certainly sets a new emotional tone to the big reveal of Takua.
  8. skratchR

    MNOG art

    Here I will post my MNOG-based creations, so you can admire my 'boredom at home made into a picture'. So, to start let me introduce the ta koro guard defending the ta wahi beach from... whatever it needs defending from. Any feedback, comentaries, discussion, requests, etc are appreciated.
  9. Shattered IceBohrok Assault on Ko-KoroBy Takua The fears of many Ko-Koronans were realized today when the Bohrok swarms made their first strike upon the secluded village of Ko-Koro. “The arrival of the swarms was inevitable,” said Matoro, aid to the village’s Turaga, “but this does not lessen in force what it brings upon our village.” Ko-Koro is found within a deep ravine, generally only accessible by a winding stairway down the icy, sheer rock face. The presence of the Bohrok here is a testament to the swarms' cleverness and persistence. If the Bohrok can reach Ko-Koro, then no place on the island is safe from their reach. The presence of the Ta-Koronan Guard in the village was a deciding factor in the outcome of this first encounter. The Guard’s captain, Jala, heroically brought down a beast and liberated its Krana. The Krana are vital to the Toa on their quest to defeat the Bohrok swarms, and even one, such as Jala recovered, could prove critical. “Should we meet Kopaka in our travels, we shall be certain to give him the parasite,” Jala said, “but the Bohrok threat is far from leaving this place. It will be some time before we can begin to consider a safe departure.”Although they may now be resting in a moment of peace, all of the Tohunga in the village are left to fear the time when next the swarm will choose to strike, and the dangers the attack will bring. Episode I: Ta-Koronan Guard Arrives in Ko-Koro
  10. Ta-Koronan Guard Arrives in Ko-Koro Tensions Mount as Danger Threatens By Takua Today, after a long journey, the Ta-Koronan Guard arrived in the icy village of Ko-Koro. The Guard has rarely left Ta-Wahi in past years, but the arrival of the Bohork swarms has changed everything for the inhabitants of Mata-Nui. "Ta-Koro has always had a courageous defense force," Guard Captain Jala reports, "but not every village is as fortunate. With Ta-Koro secure for the time being, Turaga Vakama has had the foresight to dispatch several able guardsmen to ensure the safety of the less-protected villages." Upon their arrival in Ko-Koro, the Guard was met with a cold reception. It was only after some discussion that it was decided they would remain. Turaga Nuju remains skeptical towards the situation. "Nuju respects the noble desires of the Ta-Koronans," explains Nuju's interpreter, Matoro, "but he is simultaneously aware that they have placed themselves in grave danger by remaining here." The air in the village remains tense with anticipation of the upcoming threat. Is there any danger that Ko-Koro might be invaded by the terrible Bohrok? *** "What is this? There was never an animation like this on BIONICLE.com!" you may be saying to yourself. And you are correct, there was not. This is but the beginning of a new series of animations that I have undertaken to create in order to compliment Templar Studios' excellent work from 2002. Templar's work has always been the crowning achievement of BIONICLE to me, and I can only hope that my work is a suitable tribute to their animations. I am eager to hear what you think, and take your feedback into account for the next animation I produce. Of course, since I am only just beginning, and there are a few things that I hope to implement as improvements next time: - Center the animation - Lower the text size - Improve the consistency of colors - Ensure that everything that happens in the plot is perfectly clear. As it is, I feel that the ending of this animation may be confusing. If this is so, please do not hesitate to ask. Beyond that, any and all comments are much appreciated. Thank you for taking the time to watch, and I hope the characters and their interactions seem to you to be true to Mata-Nui Online Game! A blog for progress on upcoming episodes can be found here.
  11. For as long as I can recall, it has been a goal of mine to be able to animate my own videos like the ones seen in Mata-Nui Online Game. Recently, I've begun planning a short film in the vein of those done by Templar that accompanied the BIONICLE.com news updates in 2002 and 2003. With the help of funds generated from http://www.bzpower.com/board/index.php?showtopic=7145]my B/S/T topic[/url] and the fact that Adobe gives you a discount if you are a student, I have acquired Flash. With this vital tool in hand, I have been able to begin animating. What I have to share today is a short test animation of Kapura. In it, I am familiarizing myself with Flash and Templar's animation style. Kapura goes through several different motions that are common to Matoran/Tohunga. ....I'll stop boring you with words now. The animation is below: http://www.brickshelf.com/gallery/VezokofZakaz/Flash/kapura.swf]Kapura[/url] Issues I am already aware of: - There is a strange and distracting clicking sound after some of the usual mechanical sound effects. - The frame rate is too fast. I will have to do a bit of tinkering to figure this out. As you probably know, this is also a problem with any of Templar's animations on modern computers. - Kapura's flame burp was too small and quick. It needs to be made more noticeable, and more closely timed to the sound effect. The symbols used are all the original creations of Templar Studios, and the sound effects are theirs as well, provided by that project of BIONICLE media. All due credit goes to them. Enjoy! Feedback is greatly appreciated.
  12. Seeing Tazakk's Kapurra animation inspired me to look at MNOG style animation again, this is the first of my efforts, a simple test to try and recreate some the MNOG style as well as another technique I wanted to try out. Though a warning, it is really short and pretty pointless as my knowledge of actionscript is still very basic but I hope to go on to do more advanced things. Anyhow here's the link: http://www.fastswf.com/n5YurCU Things I want to learn how to do and add in the future: Parallax Turning around talking to characters All sounds and shapes belong to Templar and/or Bionicle, no copyright infringement intended. Thanks for looking, feedback greatly appreciated. And if anyone has knowledge of actionscript 3.0 I'd love to hear from you.
  13. Hast seen the white knights as they march past? Tell me, hast sighted the black footmen that follow as night follows day? Hast seen the cross of blood that binds them together? Tell me, have you seen the Order of the Temple? -x-x-x- The night was deep, and there was silence on the part of men; only the sounds of nature could be heard on the old path that ran through the forest. Day was done, and most travelers were well indoors, in inns or the homes of farmers who would house them for the night. For it was perilous to be about in the dark. But the sound of hooves could be heard, and the slapping sound of mail and padding. The lone horseman was clad in a black mantle, the hood back from his brimmed helm. The mantle was drawn close about him, and the red cross at his left breast stood starkly out, even in the night. He traveled at a brisk cantor, and neither man nor horse seemed at ease, despite the arms on man and horse. The night was perilous even for the brave and knightly. His gaze roved from one side of the forest to the other as he rode, almost expecting arrows to fly from the shadows; any native to this land would have told you how likely such occurrences were, even for armed soldiers. But perhaps this soldier was held higher than the others, or else he was plain lucky, for the forest yielded none of its perils, and presently he reached a clearing, reining in his horse and dismounting. Although he was not now alone, he seemed to be more relaxed. Five men stood off the road; four clad the same as the rider. The other two were clad in while mantles, and wore sugarloaf great helms. One of them spoke as the black rider walked forwards. “Is the location spotted and scouted, brother?” he asked, his voice deep, with a courtesy that seemed inherent to it. “I have looked, and have found it to be so, lord commander; the bandits have little regular sentries, and are fattened by their latest raids.” “It is well then,” the white clad commander said. “We can move out, take them unaware. Come, lord brothers, On behalf of God.” “On behalf of God,” came the muted response from the others as they mounted; the scout without complaint despite the lack of rest. But although they were swift in leaving, they moved at a relatively slow pace. The white clad knight leading them beckoned the scout to his side. “What approach shall we take, brother?” he asked. “The brigands have set their camp in the foothills, commander; it has good tree cover, and several caves. They have set up their main camp in a shallow valley between two spurs of mountain, where they have a fire pit, and several crude cabins. Normally, they would have one or two sentinels, but tonight they are too wasted from their raiding to care. One drunken sentinel badly placed, mayhap two.” “It will not be the easiest target, brother. Not all are drunk, and they greatly outnumber us,” the commander cautioned, more to himself than to the scout. His brow set in a frown under his helmet. “We will arrive in a minute, commander,” the scout said softly. In response, the knight held up his hand and gave a sharp, but still muted, command to halt. “Brother Sergeants, you will follow on foot. The knights shall lead the charge. The infidels are smitten by their greed, and offer no organized watch. We shall scatter and confound them, and you shall smite upon them.” “On behalf of God,” the others responded, and they set off, the sergeants leaving their horses behind. The camp gradually spread out in front of the riders’ eyes, the glow of a few fires through the spaced out pines, the dim shapes of a few buildings; most importantly, the sounds of human life. The two knights quickened their pace, shifting into a swift cantor. To the bandits, there was nothing more startling; one moment the peace of the night and the warmth and heat of the fires enveloped them, the next horsemen crashed through, scattering the fire and thrusting several unlucky brigands through with their lances. Bodies crashed about, to their feet or to the ground, some stumbling around drunkenly, not knowing whether to fight, flee, or just collapse. The knights vanished out of the fire area after the charge, leaving the bandits a few seconds of respite, a chance that was lost in the general confusion. Skillfully maneuvering, the two knights split and charged back into the clearing, one from each side. Two more bandits collapsed before they were gone. Even still, they had not yet routed, now trying to form some defense even in their unreadiness. The knights’ tactic of hit and run, while confusing and line-breaking, could not achieve the carnage that a pitched attack would have, and there were still over a dozen men left. But even as they—somewhat—armed themselves, the main Templar force arrived. Bolts flew out of the trees, piercing two more bandits, and even as they looked towards this new threat the four black-clad warriors charged headlong into the fight. Outnumbered three to one though they were, they had a clear advantage over the unarmored, ill armed ruffians they faced. Several fell in the first clash, and the cries of the wounded outweighed the sounds of weapons clashing. Hardly a half minute into the fight, and the six remaining bandits broke, fleeing for their lives. Surprisingly, the four Templar did not pursue, quietly watching the ruffians flee. Two of them unslung crossbows, reloading them. To them, the fight was done. Cries rang out from the forest, and the Brother Sergeants knew that the fight was done for those remaining brigands, ended on the points of the swords and lances of the two Templar knights lying in wait. -x-x-x- Mayhap not fitting the theme Pathfinding that well, I needed the flash fiction goal to get me to finish this. The title goes to my brother, who also tused 'infidel' in the same sense as this story (bandits being infidels, sorta a loose usage). But I'm rambling.
  14. When watching the Bohrok episodes, a little pattern becomes apparent.The second Po-Koro episode has Pohatu retrieving Hafu from the Tahnok, who are seen advancing on the village, then...snap to black.The Onu-Koro episode has Onepu, Taipu and Nuparu breaking out with the new Boxor and encountering the Gahlok. Nuparu names his new invention, they assume an aggressive stance, then...another snap to black.The Le-Koro episode has Kongu and Tamaru drawing the Nuhvok and Krana'd Le-Matoran out of the jungle, where they're ambushed by the other free Matoran. We see the Boxors advancing, then...yet another snap to black.The climactic Ga-Koro episodes provide the only complete narrative. Why do the others all shy away from a proper conclusion?It's a little disappointing, considering how complete the MNOLG cutscenes were.
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