OmiChron
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Your expectations for the new story? (2015)
OmiChron replied to fishers64's topic in Bionicle Storyline & Theories
I feel a little bit of concern, admittedly, over the simplification of the story. I do like the consistency with 2001's story concepts, though, and I'm looking forward to experiencing some nostalgia in a more mature mentality than that of a five-year-old-child. -
I actually quite like the look of Gali - she was my first Bionicle, with Tahu - but Kopaka looks equally interesting. I'm intrigued by Pohatu's weapons, but that's about it... Water and Ice shall be my firsts, I think.
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"Onaku!" I call, holding my left hand out, palm up. "Can I speak with you?" I walk slowly towards Toa Onaku, both hands open in a sign of peace. "I wish to work with you, help you find this ancient being. May I serve as your assistant?" Not my mask.
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Nuhvok-Kal: *cough*Gahlok-Kal losing control of its Magnetism powers*cough*
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http://youtu.be/jYFxvoEPFKI?t=1m2s My mask.
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My power flurries through the air into the ground My soul is spiralling in frozen fractals all around... As I draw upon the reserves of my elemental energy, the Toa seal begins to glow. Inexplicably, a shaft of light splits apart the protodermis cage. With a loud crack and a blast of cold, I step free of the former confines. Looking down at my body, I see that I am no longer in the dark gunmetal of an Earth Toa; judging my elemental release, it seems I am now a Toa of Ice. Perhaps Krahka-generated seals have more effects than previously thought... After a trek-and-a-half to New Atero, I contact Toa Krakua; using his Kanohi Suletu and my own Kanohi Kualsi, I appear at Toa Onaku's location. With a flick of my hand, I freeze him solid, snapping the mask from his frosty fingertips. My mask. Furthermore, considering Ahktu's sealing of me, despite the fact that I had no business with him and was merely attempting to restore my table leg to its original position, I declare him an enemy of Arandelle. Wait wut.
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*smack* *thwack* *clunk*
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"Le-Metru Line" by Orkham "Panic Cord" by Gabrielle Aplin
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I seduce you. My mask. And your mess.
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Nuparu: Haha! That's rich, from someone who literally buzzes with energy!
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Raanu
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"Deify" by Mata Nui "Let It Go" by Idina Menzel
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Suletu
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The Chinese house wherein the Toymaker resides begins to tremble. The earth itself heaves underneath the ancient wooden structure. The house stops its bucking, and there is a creak on the boards outside. The Toymaker hears an sharp intake of breath, and then, a metal-clad foot kicks through the wall, spraying splintered timber across the room. A fist tears at the hole and a dark figure eases his way into the room. The Toymaker looks up at the intruder, bewildered. "We're playing hide and seek!" he cries indignantly. The Toa stretches out his arm and a long rod forms. At the tip is a rotating blunt tool. "Then I win," the Toa replies, green eyes glinting. "The Ignika, now." Gesticulating feebly, the Toymaker struggles for words. A hooded head pokes in through the hole in the wall, features undistinguishable from the shadow." "Toa Tohzak," it addresses, "the Mask is no longer here." The Toymaker appeals to the newcomer. "I'm– I'm just an actor!" Tohzak ignores the dithering robed figure. "We leave at once." His pearlescent armour shines over his glossy black form. "And we shall not stop until the Ignika is returned home."
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"Naming Day" by Turaga Matau "Do You Want To Build A Snowman?" by Kristen Bell
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"Cancelled Prototype for the Toa Inika's Heads" by Karzahni "For The First Time In Forever (Reprise)" by Kristen Bell & Idina Menzel
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Due to Stan McStudz's failure to spell my username, my essence was never removed from the mask. I converse with the Ignika and it reflects remorsefully upon the recent wars, the many deaths, and the unnecessary pain that has been brought about due to greed. It recalls Toa Tohzak's diligence and his determination to return it to its resting place. Sensing my will to help, the Ignika reforms my body and pushes my essence into it. I awaken, and decide we need to begin afresh. I hold a large meeting in the BZP's version of the Grand Convocation Chamber and I move a vote of no confidence against the current chancellor. -Windrider- is voted in unquestionably, but she remains oddly silent. I activate my repulsorpod and hover around the central podium. 'Due to the current situation,' I posit, 'my advisors have deemed it necessary that I make a stand. There are those who will always work to dissolve the foundations of our system, the structure which so fragilely holds peace together. However, there are also those who are dedicated to its preservation, whose efforts are directed towards betterment for all. As the great democratic advocate of the time I am from, Daw Aung San Suu Kyii, stated, "The greatest problem this world faces is greed."' I look around the Chamber, picking eyes full of hope, full of fear; eyes burning and watering; I carry on. 'Surely this senate can decide - if the Mask, the Kanohi Ignika, is the cause of nothing but pain, should we not place it somewhere safe? Museums, galleries, high-security locations, where ever is most befitting. The Mask is dangerous. Surely each of our lives are worth more than a cursed piece of metal.' My podium hovers back and docks. I wait.
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Atakus
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I touch the mask and become absorbed into its consciousness. I am the Mask. Still JAG18's mask.
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However, I flick you in the eye with a pencil, causing your head to figuratively, metaphorically, and allegedly explode. Tohzak lurks near... My Mask :3
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"Kick Her Loose (to Sidorak)" by Keetongu "Craigie Hill" by Cara Dillon
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"Another Round" by Hydraxon, dedicated to his Cordak Blaster "Extraordinary (feat. Sharna Bass)" by Clean Bandit
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Tahnok-Kal
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"Down in a Hole" by Onua. "Rather Be (feat. Jess Glynne)" by Clean Bandit.
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I force everyone to listen to Clean Bandit's 'Rather Be (feat. Jess Glynn)'. As the song begins to hook each person's attention, an infectious desire to dance spreads through the masses. Soon people are overcome by the sheer strength of that desire and jive and bop like there's no tomorrow. Fun fact: there is no tomorrow for these dancers. As the whole universe turns into some kind of warped, uncoordinated flash mob, everything begins to shake. Atoms vibrate at such a high rate that they separate and spread apart. I call upon the power of gravity and cause everything to explode in the same manner as the bombs in Star Wars Episode II's space battle between Obi-Wan Kenobi and Jango Fett. Plot twist - I survive. My mask. "When I am with you, there's no place I'd rather be."