Jump to content

Search the Community

Showing results for tags '2001'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Announcements & Administration
    • Reference Desk
    • BZPower Q&A
    • BZPower.com News Discussion
  • LEGO Discussion
    • Bionicle Discussion
    • Bionicle Storyline & Theories
    • Ninjago Discussion
    • Hero Factory Discussion
    • LEGO Discussion
  • Creative Outlet
    • LEGO-Based Creations
    • Library
    • Artwork
    • Games & More
  • BZPower Discussion
    • General Discussion
    • Convention & Event Planning
    • BioniLUG Discussion
    • Buy/Sell/Trade
  • Affiliates
    • BS01/HS01
  • Non-LEGO Forums
    • Completely Off Topic
    • Off Topic Culture

Calendars

  • Community Calendar

Blogs

  • blogs_blog_1
  • blogs_blog_2
  • Bio of a BZP Admin
  • blogs_blog_4
  • blogs_blog_5
  • blogs_blog_6
  • What You Want Is Now
  • blogs_blog_8
  • blogs_blog_9
  • blogs_blog_10
  • blogs_blog_11
  • blogs_blog_12
  • blogs_blog_13
  • blogs_blog_14
  • blogs_blog_15
  • blogs_blog_17
  • blogs_blog_18
  • blogs_blog_19
  • blogs_blog_20
  • blogs_blog_21
  • blogs_blog_22
  • blogs_blog_23
  • Akano's Blog
  • blogs_blog_25
  • blogs_blog_26
  • blogs_blog_27
  • blogs_blog_28
  • blogs_blog_29
  • Wind's Weblog
  • blogs_blog_31
  • blogs_blog_32
  • blogs_blog_34
  • blogs_blog_35
  • blogs_blog_36
  • blogs_blog_37
  • It's a Blog
  • blogs_blog_39
  • blogs_blog_40
  • blogs_blog_41
  • blogs_blog_42
  • blogs_blog_43
  • blogs_blog_44
  • Star Blogging across the universe
  • blogs_blog_46
  • blogs_blog_47
  • Time Capsule of Teenage Musings
  • blogs_blog_49
  • blogs_blog_50
  • blogs_blog_51
  • blogs_blog_52
  • Toaraga's Toa-Bloga
  • blogs_blog_54
  • blogs_blog_55
  • blogs_blog_56
  • blogs_blog_57
  • blogs_blog_58
  • blogs_blog_59
  • blogs_blog_60
  • why isn't this blog so wide
  • blogs_blog_62
  • J.A.F. Team
  • blogs_blog_64
  • blogs_blog_65
  • blogs_blog_66
  • Bloghaku
  • blogs_blog_68
  • blogs_blog_69
  • blogs_blog_70
  • blogs_blog_71
  • blogs_blog_72
  • blogs_blog_73
  • blogs_blog_74
  • wrinkledlion's blog
  • blogs_blog_76
  • Lavender Blog
  • blogs_blog_79
  • blogs_blog_80
  • blogs_blog_81
  • blogs_blog_82
  • blogs_blog_83
  • blogs_blog_84
  • blogs_blog_85
  • blogs_blog_86
  • blogs_blog_87
  • blogs_blog_88
  • blogs_blog_89
  • Mount Coronet
  • blogs_blog_91
  • blogs_blog_92
  • blogs_blog_93
  • blogs_blog_94
  • blogs_blog_95
  • blogs_blog_96
  • blogs_blog_97
  • blogs_blog_98
  • blogs_blog_99
  • blogs_blog_100
  • blogs_blog_101
  • blogs_blog_102
  • blogs_blog_103
  • blogs_blog_104
  • blogs_blog_105
  • blogs_blog_106
  • blogs_blog_107
  • blogs_blog_108
  • blogs_blog_109
  • blogs_blog_110
  • blogs_blog_111
  • blogs_blog_112
  • blogs_blog_113
  • blogs_blog_114
  • blogs_blog_115
  • blogs_blog_116
  • blogs_blog_117
  • blogs_blog_118
  • blogs_blog_119
  • blogs_blog_120
  • blogs_blog_121
  • blogs_blog_122
  • blogs_blog_123
  • blogs_blog_124
  • blogs_blog_125
  • blogs_blog_126
  • stuff
  • BIONICLE Ain't Dead to Me
  • TMD's Creatively Named Blog
  • blogs_blog_130
  • blogs_blog_131
  • blogs_blog_132
  • blogs_blog_133
  • blogs_blog_134
  • blogs_blog_135
  • blogs_blog_136
  • blogs_blog_137
  • blogs_blog_138
  • blogs_blog_139
  • blogs_blog_140
  • blogs_blog_141
  • blogs_blog_142
  • blogs_blog_143
  • blogs_blog_144
  • blogs_blog_145
  • blogs_blog_146
  • blogs_blog_147
  • blogs_blog_148
  • blogs_blog_149
  • blogs_blog_150
  • blogs_blog_151
  • blogs_blog_152
  • blogs_blog_153
  • blogs_blog_154
  • blogs_blog_155
  • blogs_blog_156
  • blogs_blog_157
  • blogs_blog_158
  • blogs_blog_159
  • blogs_blog_160
  • blogs_blog_161
  • blogs_blog_162
  • blogs_blog_163
  • blogs_blog_164
  • blogs_blog_165
  • blogs_blog_166
  • blogs_blog_167
  • blogs_blog_168
  • blogs_blog_169
  • blogs_blog_170
  • blogs_blog_171
  • blogs_blog_172
  • blogs_blog_173
  • blogs_blog_174
  • blogs_blog_175
  • blogs_blog_176
  • blogs_blog_177
  • blogs_blog_178
  • blogs_blog_179
  • blogs_blog_180
  • blogs_blog_181
  • blogs_blog_182
  • blogs_blog_183
  • blogs_blog_184
  • blogs_blog_185
  • blogs_blog_186
  • blogs_blog_188
  • blogs_blog_189
  • blogs_blog_190
  • blogs_blog_191
  • blogs_blog_192
  • blogs_blog_193
  • blogs_blog_194
  • blogs_blog_195
  • blogs_blog_196
  • blogs_blog_197
  • blogs_blog_198
  • blogs_blog_199
  • blogs_blog_200
  • blogs_blog_201
  • blogs_blog_202
  • blogs_blog_203
  • blogs_blog_204
  • blogs_blog_205
  • blogs_blog_206
  • blogs_blog_207
  • blogs_blog_208
  • blogs_blog_209
  • blogs_blog_210
  • blogs_blog_211
  • blogs_blog_212
  • blogs_blog_213
  • blogs_blog_214
  • blogs_blog_215
  • blogs_blog_216
  • blogs_blog_217
  • blogs_blog_218
  • blogs_blog_219
  • blogs_blog_220
  • blogs_blog_221
  • blogs_blog_222
  • The Minimalist
  • blogs_blog_224
  • blogs_blog_225
  • blogs_blog_226
  • blogs_blog_227
  • blogs_blog_228
  • blogs_blog_229
  • blogs_blog_230
  • blogs_blog_231
  • blogs_blog_232
  • blogs_blog_233
  • blogs_blog_234
  • blogs_blog_235
  • blogs_blog_236
  • blogs_blog_237
  • blogs_blog_238
  • blogs_blog_239
  • blogs_blog_240
  • blogs_blog_241
  • blogs_blog_242
  • blogs_blog_243
  • blogs_blog_244
  • blogs_blog_245
  • blogs_blog_246
  • blogs_blog_247
  • blogs_blog_248
  • blogs_blog_249
  • Tales of Arizona Blue
  • blogs_blog_251
  • blogs_blog_252
  • blogs_blog_253
  • blogs_blog_254
  • blogs_blog_255
  • blogs_blog_256
  • blogs_blog_257
  • blogs_blog_258
  • blogs_blog_259
  • blogs_blog_260
  • blogs_blog_261
  • blogs_blog_262
  • Blog. BLOG! BLOOOOOOG!!!!!!!!!!!!
  • blogs_blog_264
  • blogs_blog_265
  • blogs_blog_266
  • blogs_blog_267
  • blogs_blog_268
  • blogs_blog_269
  • blogs_blog_270
  • blogs_blog_271
  • blogs_blog_272
  • blogs_blog_273
  • blogs_blog_274
  • blogs_blog_275
  • blogs_blog_276
  • blogs_blog_277
  • blogs_blog_278
  • blogs_blog_279
  • blogs_blog_280
  • blogs_blog_281
  • blogs_blog_282
  • blogs_blog_283
  • blogs_blog_284
  • blogs_blog_285
  • blogs_blog_286
  • blogs_blog_287
  • blogs_blog_288
  • blogs_blog_289
  • blogs_blog_290
  • blogs_blog_291
  • blogs_blog_292
  • blogs_blog_293
  • blogs_blog_294
  • blogs_blog_295
  • blogs_blog_296
  • blogs_blog_297
  • blogs_blog_298
  • blogs_blog_299
  • blogs_blog_300
  • blogs_blog_302
  • blogs_blog_303
  • blogs_blog_304
  • blogs_blog_305
  • blogs_blog_306
  • blogs_blog_307
  • The Serpent's Den
  • blogs_blog_309
  • blogs_blog_310
  • blogs_blog_311
  • blogs_blog_312
  • blogs_blog_313
  • blogs_blog_314
  • blogs_blog_315
  • blogs_blog_316
  • blogs_blog_317
  • blogs_blog_318
  • blogs_blog_319
  • blogs_blog_320
  • blogs_blog_321
  • blogs_blog_322
  • blogs_blog_323
  • blogs_blog_324
  • blogs_blog_325
  • blogs_blog_326
  • blogs_blog_327
  • blogs_blog_328
  • blogs_blog_329
  • blogs_blog_330
  • blogs_blog_331
  • blogs_blog_332
  • blogs_blog_333
  • blogs_blog_334
  • blogs_blog_335
  • blogs_blog_336
  • blogs_blog_337
  • blogs_blog_338
  • blogs_blog_339
  • blogs_blog_340
  • blogs_blog_341
  • blogs_blog_342
  • blogs_blog_343
  • blogs_blog_344
  • blogs_blog_345
  • blogs_blog_346
  • blogs_blog_347
  • blogs_blog_348
  • blogs_blog_349
  • blogs_blog_351
  • blogs_blog_352
  • blogs_blog_353
  • blogs_blog_354
  • blogs_blog_355
  • blogs_blog_356
  • blogs_blog_357
  • blogs_blog_358
  • blogs_blog_359
  • blogs_blog_360
  • blogs_blog_362
  • blogs_blog_363
  • blogs_blog_364
  • blogs_blog_365
  • blogs_blog_366
  • blogs_blog_367
  • blogs_blog_368
  • blogs_blog_369
  • blogs_blog_370
  • blogs_blog_371
  • blogs_blog_372
  • blogs_blog_373
  • blogs_blog_374
  • blogs_blog_375
  • blogs_blog_376
  • blogs_blog_377
  • blogs_blog_378
  • blogs_blog_379
  • blogs_blog_380
  • blogs_blog_381
  • blogs_blog_382
  • blogs_blog_384
  • blogs_blog_385
  • blogs_blog_386
  • blogs_blog_387
  • blogs_blog_388
  • blogs_blog_389
  • blogs_blog_390
  • blogs_blog_391
  • blogs_blog_392
  • blogs_blog_393
  • blogs_blog_394
  • blogs_blog_395
  • blogs_blog_396
  • blogs_blog_397
  • blogs_blog_398
  • blogs_blog_399
  • blogs_blog_400
  • blogs_blog_401
  • blogs_blog_402
  • blogs_blog_403
  • blogs_blog_404
  • blogs_blog_405
  • blogs_blog_406
  • blogs_blog_407
  • blogs_blog_408
  • blogs_blog_409
  • blogs_blog_410
  • blogs_blog_411
  • blogs_blog_412
  • blogs_blog_413
  • blogs_blog_414
  • blogs_blog_415
  • blogs_blog_416
  • blogs_blog_417
  • blogs_blog_418
  • blogs_blog_419
  • blogs_blog_420
  • blogs_blog_421
  • blogs_blog_422
  • blogs_blog_423
  • blogs_blog_424
  • blogs_blog_425
  • blogs_blog_426
  • blogs_blog_427
  • blogs_blog_428
  • blogs_blog_429
  • blogs_blog_430
  • blogs_blog_431
  • blogs_blog_432
  • blogs_blog_433
  • blogs_blog_434
  • blogs_blog_435
  • blogs_blog_436
  • blogs_blog_437
  • blogs_blog_438
  • blogs_blog_439
  • blogs_blog_440
  • Disty's old surgery
  • blogs_blog_442
  • blogs_blog_443
  • blogs_blog_444
  • blogs_blog_445
  • blogs_blog_446
  • blogs_blog_447
  • V1P2's Blog
  • blogs_blog_449
  • blogs_blog_450
  • blogs_blog_451
  • blogs_blog_452
  • blogs_blog_453
  • blogs_blog_454
  • blogs_blog_455
  • blogs_blog_456
  • blogs_blog_457
  • blogs_blog_458
  • blogs_blog_459
  • blogs_blog_460
  • blogs_blog_461
  • blogs_blog_462
  • blogs_blog_463
  • blogs_blog_464
  • blogs_blog_465
  • blogs_blog_466
  • blogs_blog_467
  • blogs_blog_468
  • blogs_blog_469
  • blogs_blog_470
  • blogs_blog_471
  • blogs_blog_472
  • blogs_blog_473
  • blogs_blog_474
  • blogs_blog_475
  • blogs_blog_476
  • blogs_blog_477
  • blogs_blog_478
  • blogs_blog_479
  • blogs_blog_480
  • blogs_blog_481
  • blogs_blog_482
  • blogs_blog_483
  • blogs_blog_484
  • blogs_blog_485
  • blogs_blog_486
  • blogs_blog_487
  • blogs_blog_488
  • blogs_blog_489
  • blogs_blog_490
  • blogs_blog_491
  • blogs_blog_492
  • blogs_blog_493
  • blogs_blog_494
  • blogs_blog_495
  • blogs_blog_496
  • blogs_blog_497
  • blogs_blog_498
  • blogs_blog_499
  • blogs_blog_500
  • blogs_blog_501
  • I'm Me
  • blogs_blog_503
  • blogs_blog_504
  • blogs_blog_505
  • blogs_blog_506
  • blogs_blog_507
  • blogs_blog_508
  • blogs_blog_509
  • blogs_blog_510
  • blogs_blog_511
  • blogs_blog_512
  • blogs_blog_513
  • blogs_blog_514
  • blogs_blog_515
  • blogs_blog_516
  • blogs_blog_517
  • blogs_blog_518
  • blogs_blog_520
  • blogs_blog_521
  • blogs_blog_522
  • blogs_blog_523
  • blogs_blog_524
  • A Golden-Red Horizon
  • blogs_blog_526
  • null
  • blogs_blog_528
  • blogs_blog_529
  • Blogarithm
  • blogs_blog_531
  • blogs_blog_532
  • blogs_blog_533
  • The Blog Below
  • blogs_blog_535
  • blogs_blog_536
  • blogs_blog_537
  • blogs_blog_538
  • blogs_blog_539
  • blogs_blog_540
  • blogs_blog_541
  • blogs_blog_542
  • blogs_blog_543
  • blogs_blog_544
  • blogs_blog_545
  • blogs_blog_546
  • blogs_blog_547
  • blogs_blog_548
  • blogs_blog_549
  • blogs_blog_550
  • blogs_blog_551
  • blogs_blog_552
  • blogs_blog_553
  • blogs_blog_554
  • blogs_blog_555
  • blogs_blog_556
  • Moon in the Water
  • blogs_blog_558
  • blogs_blog_559
  • blogs_blog_560
  • blogs_blog_561
  • blogs_blog_562
  • blogs_blog_563
  • blogs_blog_564
  • blogs_blog_565
  • blogs_blog_566
  • blogs_blog_567
  • blogs_blog_568
  • blogs_blog_569
  • blogs_blog_570
  • blogs_blog_571
  • blogs_blog_572
  • blogs_blog_573
  • blogs_blog_574
  • blogs_blog_575
  • blogs_blog_576
  • blogs_blog_577
  • blogs_blog_578
  • blogs_blog_579
  • blogs_blog_580
  • blogs_blog_581
  • blogs_blog_582
  • blogs_blog_583
  • blogs_blog_584
  • blogs_blog_585
  • blogs_blog_586
  • blogs_blog_587
  • blogs_blog_588
  • SeiclonatorZ (the blog about nothing)
  • blogs_blog_590
  • the transgender adventure
  • blogs_blog_592
  • blogs_blog_593
  • blogs_blog_594
  • blogs_blog_595
  • blogs_blog_596
  • blogs_blog_597
  • blogs_blog_598
  • blogs_blog_599
  • blogs_blog_600
  • blogs_blog_601
  • blogs_blog_602
  • blogs_blog_603
  • blogs_blog_604
  • blogs_blog_605
  • blogs_blog_606
  • blogs_blog_607
  • blogs_blog_608
  • blogs_blog_609
  • blogs_blog_610
  • blogs_blog_611
  • blogs_blog_612
  • blogs_blog_613
  • blogs_blog_614
  • blogs_blog_615
  • blogs_blog_616
  • blogs_blog_617
  • blogs_blog_618
  • blogs_blog_619
  • blogs_blog_620
  • blogs_blog_621
  • blogs_blog_622
  • blogs_blog_623
  • city burials
  • blogs_blog_625
  • blogs_blog_626
  • blogs_blog_627
  • blogs_blog_629
  • blogs_blog_630
  • blogs_blog_631
  • blogs_blog_632
  • blogs_blog_635
  • blogs_blog_636
  • blogs_blog_637
  • blogs_blog_638
  • The Observatory
  • blogs_blog_640
  • blogs_blog_641
  • The Phylog 3.0
  • Apologies for Who I Was
  • blogs_blog_644
  • blogs_blog_645
  • blogs_blog_646
  • blogs_blog_647
  • blogs_blog_648
  • blogs_blog_649
  • blogs_blog_650
  • blogs_blog_651
  • blogs_blog_652
  • blogs_blog_653
  • blogs_blog_654
  • blogs_blog_655
  • blogs_blog_656
  • blogs_blog_657
  • blogs_blog_658
  • blogs_blog_659
  • blogs_blog_660
  • blogs_blog_661
  • blogs_blog_662
  • blogs_blog_663
  • blogs_blog_664
  • blogs_blog_665
  • blogs_blog_666
  • blogs_blog_667
  • blogs_blog_668
  • blogs_blog_669
  • blogs_blog_670
  • blogs_blog_671
  • blogs_blog_672
  • blogs_blog_673
  • blogs_blog_674
  • blogs_blog_675
  • blogs_blog_676
  • blogs_blog_677
  • blogs_blog_678
  • blogs_blog_679
  • blogs_blog_680
  • blogs_blog_681
  • blogs_blog_682
  • blogs_blog_683
  • blogs_blog_684
  • blogs_blog_685
  • blogs_blog_686
  • blogs_blog_687
  • blogs_blog_688
  • blogs_blog_689
  • blogs_blog_690
  • blogs_blog_691
  • blogs_blog_692
  • blogs_blog_693
  • blogs_blog_694
  • blogs_blog_695
  • blogs_blog_696
  • blogs_blog_697
  • blogs_blog_698
  • blogs_blog_699
  • blogs_blog_700
  • blogs_blog_701
  • blogs_blog_702
  • blogs_blog_703
  • blogs_blog_704
  • blogs_blog_705
  • blogs_blog_706
  • blogs_blog_707
  • blogs_blog_708
  • blogs_blog_709
  • blogs_blog_710
  • blogs_blog_711
  • blogs_blog_712
  • blogs_blog_713
  • blogs_blog_714
  • blogs_blog_715
  • blogs_blog_716
  • blogs_blog_717
  • blogs_blog_718
  • blogs_blog_719
  • blogs_blog_720
  • blogs_blog_721
  • blogs_blog_722
  • blogs_blog_723
  • blogs_blog_724
  • blogs_blog_725
  • blogs_blog_726
  • blogs_blog_727
  • blogs_blog_728
  • blogs_blog_729
  • blogs_blog_730
  • blogs_blog_731
  • in a hole in the ground, there lived a blog
  • blogs_blog_733
  • blogs_blog_734
  • blogs_blog_735
  • blogs_blog_736
  • blogs_blog_737
  • blogs_blog_738
  • blogs_blog_739
  • blogs_blog_740
  • blogs_blog_741
  • blogs_blog_742
  • blogs_blog_743
  • blogs_blog_744
  • blogs_blog_745
  • blogs_blog_746
  • blogs_blog_747
  • blogs_blog_748
  • blogs_blog_749
  • blogs_blog_750
  • blogs_blog_751
  • blogs_blog_752
  • blogs_blog_753
  • blogs_blog_754
  • blogs_blog_755
  • blogs_blog_756
  • blogs_blog_757
  • blogs_blog_758
  • blogs_blog_759
  • blogs_blog_760
  • blogs_blog_761
  • blogs_blog_762
  • blogs_blog_763
  • blogs_blog_764
  • blogs_blog_765
  • blogs_blog_766
  • blogs_blog_767
  • blogs_blog_768
  • blogs_blog_769
  • blogs_blog_770
  • blogs_blog_771
  • blogs_blog_772
  • blogs_blog_773
  • blogs_blog_774
  • blogs_blog_775
  • blogs_blog_776
  • blogs_blog_777
  • blogs_blog_778
  • blogs_blog_779
  • blogs_blog_780
  • blogs_blog_781
  • blogs_blog_782
  • blogs_blog_783
  • blogs_blog_784
  • blogs_blog_785
  • blogs_blog_786
  • blogs_blog_787
  • blogs_blog_788
  • blogs_blog_789
  • blogs_blog_790
  • blogs_blog_791
  • blogs_blog_792
  • blogs_blog_793
  • blogs_blog_794
  • blogs_blog_795
  • blogs_blog_796
  • blogs_blog_797
  • blogs_blog_798
  • blogs_blog_799
  • blogs_blog_800
  • blogs_blog_801
  • blogs_blog_802
  • blogs_blog_803
  • blogs_blog_804
  • blogs_blog_805
  • blogs_blog_806
  • blogs_blog_807
  • blogs_blog_808
  • blogs_blog_809
  • blogs_blog_810
  • blogs_blog_811
  • blogs_blog_812
  • blogs_blog_813
  • blogs_blog_814
  • blogs_blog_815
  • blogs_blog_816
  • blogs_blog_817
  • blogs_blog_818
  • blogs_blog_819
  • blogs_blog_820
  • blogs_blog_821
  • blogs_blog_822
  • blogs_blog_823
  • blogs_blog_824
  • blogs_blog_825
  • blogs_blog_826
  • blogs_blog_827
  • blogs_blog_828
  • blogs_blog_829
  • blogs_blog_830
  • blogs_blog_831
  • blogs_blog_832
  • blogs_blog_833
  • blogs_blog_834
  • blogs_blog_835
  • blogs_blog_836
  • blogs_blog_837
  • blogs_blog_838
  • blogs_blog_839
  • blogs_blog_840
  • blogs_blog_841
  • blogs_blog_842
  • blogs_blog_843
  • blogs_blog_844
  • blogs_blog_845
  • blogs_blog_846
  • blogs_blog_847
  • blogs_blog_848
  • blogs_blog_849
  • blogs_blog_850
  • blogs_blog_851
  • blogs_blog_852
  • blogs_blog_853
  • blogs_blog_854
  • blogs_blog_855
  • blogs_blog_856
  • blogs_blog_857
  • blogs_blog_858
  • blogs_blog_859
  • blogs_blog_860
  • blogs_blog_861
  • blogs_blog_862
  • blogs_blog_863
  • blogs_blog_864
  • blogs_blog_865
  • blogs_blog_866
  • blogs_blog_867
  • blogs_blog_868
  • blogs_blog_869
  • blogs_blog_870
  • blogs_blog_871
  • blogs_blog_872
  • blogs_blog_873
  • blogs_blog_874
  • blogs_blog_875
  • blogs_blog_876
  • blogs_blog_877
  • blogs_blog_878
  • blogs_blog_879
  • blogs_blog_880
  • blogs_blog_881
  • blogs_blog_882
  • blogs_blog_883
  • blogs_blog_884
  • blogs_blog_885
  • blogs_blog_886
  • blogs_blog_887
  • blogs_blog_888
  • blogs_blog_889
  • blogs_blog_890
  • blogs_blog_891
  • blogs_blog_892
  • blogs_blog_893
  • blogs_blog_894
  • blogs_blog_895
  • blogs_blog_896
  • blogs_blog_897
  • blogs_blog_898
  • blogs_blog_899
  • It's been real
  • blogs_blog_901
  • blogs_blog_902
  • blogs_blog_903
  • blogs_blog_904
  • blogs_blog_905
  • blogs_blog_906
  • blogs_blog_907
  • blogs_blog_908
  • blogs_blog_909
  • blogs_blog_910
  • blogs_blog_911
  • blogs_blog_912
  • blogs_blog_913
  • blogs_blog_914
  • blogs_blog_915
  • blogs_blog_916
  • blogs_blog_917
  • blogs_blog_918
  • blogs_blog_919
  • blogs_blog_920
  • blogs_blog_921
  • blogs_blog_922
  • blogs_blog_923
  • blogs_blog_924
  • blogs_blog_925
  • blogs_blog_926
  • blogs_blog_927
  • blogs_blog_928
  • blogs_blog_929
  • blogs_blog_930
  • blogs_blog_931
  • blogs_blog_932
  • blogs_blog_933
  • blogs_blog_934
  • blogs_blog_935
  • blogs_blog_936
  • blogs_blog_937
  • blogs_blog_938
  • blogs_blog_939
  • blogs_blog_940
  • blogs_blog_941
  • blogs_blog_942
  • blogs_blog_943
  • blogs_blog_944
  • blogs_blog_945
  • blogs_blog_946
  • blogs_blog_947
  • blogs_blog_948
  • blogs_blog_949
  • blogs_blog_950
  • blogs_blog_951
  • blogs_blog_952
  • blogs_blog_953
  • blogs_blog_954
  • blogs_blog_955
  • blogs_blog_956
  • blogs_blog_957
  • blogs_blog_958
  • blogs_blog_959
  • blogs_blog_960
  • blogs_blog_961
  • blogs_blog_962
  • blogs_blog_963
  • blogs_blog_964
  • blogs_blog_965
  • blogs_blog_966
  • blogs_blog_967
  • blogs_blog_968
  • blogs_blog_969
  • blogs_blog_970
  • blogs_blog_971
  • blogs_blog_972
  • blogs_blog_973
  • blogs_blog_974
  • blogs_blog_975
  • blogs_blog_976
  • blogs_blog_977
  • blogs_blog_978
  • blogs_blog_979
  • blogs_blog_980
  • blogs_blog_981
  • blogs_blog_982
  • blogs_blog_983
  • blogs_blog_984
  • blogs_blog_985
  • blogs_blog_986
  • blogs_blog_987
  • blogs_blog_988
  • blogs_blog_989
  • blogs_blog_990
  • blogs_blog_991
  • blogs_blog_992
  • blogs_blog_993
  • blogs_blog_994
  • blogs_blog_995
  • blogs_blog_996
  • Dr. Gerlicky's Miracle Diet
  • blogs_blog_998
  • blogs_blog_999
  • blogs_blog_1000
  • blogs_blog_1001
  • blogs_blog_1002
  • blogs_blog_1003
  • blogs_blog_1004
  • blogs_blog_1005
  • blogs_blog_1006
  • blogs_blog_1007
  • blogs_blog_1008
  • blogs_blog_1009
  • blogs_blog_1010
  • blogs_blog_1011
  • blogs_blog_1012
  • blogs_blog_1013
  • blogs_blog_1014
  • blogs_blog_1015
  • blogs_blog_1016
  • blogs_blog_1017
  • blogs_blog_1018
  • blogs_blog_1019
  • blogs_blog_1020
  • blogs_blog_1021
  • blogs_blog_1022
  • blogs_blog_1023
  • blogs_blog_1024
  • blogs_blog_1025
  • blogs_blog_1026
  • blogs_blog_1027
  • blogs_blog_1028
  • blogs_blog_1029
  • blogs_blog_1030
  • blogs_blog_1031
  • blogs_blog_1032
  • blogs_blog_1033
  • blogs_blog_1034
  • blogs_blog_1035
  • blogs_blog_1036
  • blogs_blog_1037
  • blogs_blog_1038
  • blogs_blog_1039
  • blogs_blog_1040
  • blogs_blog_1041
  • blogs_blog_1042
  • blogs_blog_1043
  • blogs_blog_1044
  • blogs_blog_1045
  • blogs_blog_1046
  • You're attacked by a Repair Nektann
  • blogs_blog_1048
  • blogs_blog_1050
  • blogs_blog_1051
  • blogs_blog_1052
  • blogs_blog_1053
  • blogs_blog_1054
  • blogs_blog_1055
  • blogs_blog_1056
  • blogs_blog_1057
  • blogs_blog_1058
  • blogs_blog_1059
  • blogs_blog_1060
  • blogs_blog_1061
  • blogs_blog_1062
  • blogs_blog_1063
  • blogs_blog_1064
  • blogs_blog_1065
  • blogs_blog_1066
  • The Fikou Web
  • blogs_blog_1068
  • blogs_blog_1069
  • blogs_blog_1070
  • blogs_blog_1071
  • blogs_blog_1072
  • blogs_blog_1073
  • blogs_blog_1074
  • blogs_blog_1075
  • blogs_blog_1076
  • blogs_blog_1077
  • blogs_blog_1078
  • blogs_blog_1079
  • blogs_blog_1080
  • blogs_blog_1081
  • blogs_blog_1082
  • blogs_blog_1083
  • blogs_blog_1084
  • blogs_blog_1086
  • blogs_blog_1087
  • Ye Olde Blogge
  • blogs_blog_1089
  • blogs_blog_1090
  • blogs_blog_1091
  • blogs_blog_1092
  • blogs_blog_1093
  • blogs_blog_1094
  • Icecrown Citadel
  • blogs_blog_1096
  • Obligatory Volcano Lair
  • blogs_blog_1098
  • blogs_blog_1099
  • blogs_blog_1100
  • blogs_blog_1101
  • blogs_blog_1102
  • blogs_blog_1103
  • blogs_blog_1104
  • blogs_blog_1105
  • blogs_blog_1106
  • blogs_blog_1107
  • blogs_blog_1108
  • blogs_blog_1109
  • blogs_blog_1110
  • blogs_blog_1111
  • blogs_blog_1112
  • blogs_blog_1113
  • blogs_blog_1114
  • blogs_blog_1115
  • blogs_blog_1116
  • blogs_blog_1117
  • blogs_blog_1118
  • blogs_blog_1119
  • blogs_blog_1120
  • A Nerd's Corner
  • blogs_blog_1122
  • blogs_blog_1123
  • blogs_blog_1124
  • blogs_blog_1125
  • blogs_blog_1126
  • blogs_blog_1127
  • blogs_blog_1128
  • blogs_blog_1129
  • blogs_blog_1130
  • blogs_blog_1131
  • blogs_blog_1132
  • blogs_blog_1133
  • blogs_blog_1134
  • blogs_blog_1135
  • blogs_blog_1136
  • blogs_blog_1137
  • blogs_blog_1138
  • blogs_blog_1139
  • blogs_blog_1140
  • blogs_blog_1141
  • blogs_blog_1142
  • blogs_blog_1143
  • blogs_blog_1144
  • blogs_blog_1145
  • blogs_blog_1146
  • Zahaki's Lair
  • blogs_blog_1148
  • blogs_blog_1149
  • blogs_blog_1150
  • blogs_blog_1151
  • blogs_blog_1152
  • blogs_blog_1153
  • blogs_blog_1154
  • blogs_blog_1155
  • blogs_blog_1156
  • blogs_blog_1157
  • blogs_blog_1158
  • blogs_blog_1159
  • blogs_blog_1160
  • blogs_blog_1161
  • blogs_blog_1162
  • blogs_blog_1163
  • blogs_blog_1164
  • blogs_blog_1165
  • blogs_blog_1166
  • blogs_blog_1167
  • blogs_blog_1168
  • blogs_blog_1169
  • blogs_blog_1170
  • blogs_blog_1171
  • blogs_blog_1172
  • oh god blog titles
  • blogs_blog_1174
  • blogs_blog_1175
  • blogs_blog_1176
  • blogs_blog_1177
  • blogs_blog_1178
  • blogs_blog_1179
  • blogs_blog_1180
  • Marvin's Marvelous Mechanical Museum
  • blogs_blog_1182
  • blogs_blog_1183
  • blogs_blog_1184
  • blogs_blog_1185
  • blogs_blog_1186
  • blogs_blog_1187
  • blogs_blog_1188
  • blogs_blog_1189
  • blogs_blog_1190
  • blogs_blog_1191
  • blogs_blog_1192
  • blogs_blog_1193
  • blogs_blog_1194
  • blogs_blog_1195
  • blogs_blog_1196
  • blogs_blog_1197
  • blogs_blog_1198
  • blogs_blog_1199
  • blogs_blog_1200
  • blogs_blog_1201
  • blogs_blog_1202
  • blogs_blog_1203
  • blogs_blog_1204
  • blogs_blog_1205
  • blogs_blog_1206
  • blogs_blog_1207
  • Keratu's Blog
  • blogs_blog_1209
  • blogs_blog_1210
  • blogs_blog_1211
  • blogs_blog_1212
  • blogs_blog_1213
  • blogs_blog_1214
  • blogs_blog_1215
  • blogs_blog_1216
  • blogs_blog_1217
  • blogs_blog_1218
  • blogs_blog_1219
  • blogs_blog_1220
  • blogs_blog_1221
  • Language Of The Mad
  • blogs_blog_1223
  • blogs_blog_1224
  • blogs_blog_1225
  • blogs_blog_1226
  • blogs_blog_1227
  • blogs_blog_1228
  • blogs_blog_1229
  • blogs_blog_1230
  • blogs_blog_1231
  • blogs_blog_1232
  • blogs_blog_1233
  • blogs_blog_1234
  • blogs_blog_1235
  • blogs_blog_1236
  • blogs_blog_1237
  • blogs_blog_1238
  • blogs_blog_1239
  • blogs_blog_1240
  • blogs_blog_1241
  • blogs_blog_1242
  • blogs_blog_1243
  • blogs_blog_1244
  • blogs_blog_1245
  • blogs_blog_1246
  • blogs_blog_1247
  • blogs_blog_1248
  • blogs_blog_1249
  • blogs_blog_1250
  • blogs_blog_1251
  • blogs_blog_1252
  • blogs_blog_1253
  • blogs_blog_1254
  • blogs_blog_1255
  • blogs_blog_1256
  • blogs_blog_1257
  • blogs_blog_1258
  • blogs_blog_1259
  • blogs_blog_1260
  • blogs_blog_1261
  • blogs_blog_1262
  • blogs_blog_1263
  • blogs_blog_1264
  • blogs_blog_1265
  • blogs_blog_1266
  • blogs_blog_1267
  • blogs_blog_1268
  • blogs_blog_1269
  • blogs_blog_1270
  • blogs_blog_1271
  • blogs_blog_1272
  • blogs_blog_1273
  • blogs_blog_1274
  • blogs_blog_1275
  • blogs_blog_1276
  • blogs_blog_1277
  • blogs_blog_1278
  • blogs_blog_1279
  • blogs_blog_1280
  • bjork
  • blogs_blog_1282
  • blogs_blog_1283
  • blogs_blog_1284
  • blogs_blog_1285
  • blogs_blog_1286
  • ArtBLOGed
  • blogs_blog_1288
  • blogs_blog_1289
  • blogs_blog_1290
  • blogs_blog_1291
  • blogs_blog_1292
  • blogs_blog_1293
  • blogs_blog_1294
  • blogs_blog_1295
  • blogs_blog_1296
  • blogs_blog_1297
  • blogs_blog_1298
  • blogs_blog_1299
  • blogs_blog_1300
  • blogs_blog_1301
  • blogs_blog_1302
  • blogs_blog_1303
  • blogs_blog_1304
  • blogs_blog_1305
  • blogs_blog_1306
  • blogs_blog_1307
  • blogs_blog_1308
  • blogs_blog_1309
  • blogs_blog_1310
  • blogs_blog_1311
  • blogs_blog_1312
  • blogs_blog_1313
  • blogs_blog_1314
  • blogs_blog_1315
  • blogs_blog_1316
  • blogs_blog_1317
  • blogs_blog_1318
  • blogs_blog_1319
  • blogs_blog_1320
  • blogs_blog_1321
  • blogs_blog_1322
  • blogs_blog_1323
  • blogs_blog_1324
  • blogs_blog_1325
  • blogs_blog_1326
  • blogs_blog_1327
  • blogs_blog_1328
  • blogs_blog_1329
  • blogs_blog_1330
  • blogs_blog_1331
  • blogs_blog_1332
  • blogs_blog_1333
  • blogs_blog_1334
  • blogs_blog_1335
  • blogs_blog_1336
  • blogs_blog_1337
  • blogs_blog_1338
  • blogs_blog_1339
  • blogs_blog_1340
  • blogs_blog_1341
  • blogs_blog_1342
  • blogs_blog_1343
  • blogs_blog_1344
  • blogs_blog_1345
  • blogs_blog_1346
  • blogs_blog_1347
  • blogs_blog_1348
  • blogs_blog_1349
  • blogs_blog_1350
  • blogs_blog_1351
  • blogs_blog_1352
  • blogs_blog_1353
  • The Blaaahhhg
  • blogs_blog_1355
  • blogs_blog_1356
  • blogs_blog_1357
  • blogs_blog_1358
  • blogs_blog_1359
  • blogs_blog_1360
  • blogs_blog_1361
  • blogs_blog_1362
  • blogs_blog_1363
  • blogs_blog_1364
  • blogs_blog_1365
  • blogs_blog_1366
  • blogs_blog_1367
  • blogs_blog_1368
  • blogs_blog_1369
  • blogs_blog_1370
  • blogs_blog_1371
  • blogs_blog_1372
  • blogs_blog_1373
  • blogs_blog_1374
  • blogs_blog_1375
  • blogs_blog_1376
  • blogs_blog_1377
  • blogs_blog_1378
  • blogs_blog_1379
  • blogs_blog_1380
  • blogs_blog_1381
  • blogs_blog_1382
  • blogs_blog_1383
  • blogs_blog_1384
  • blogs_blog_1385
  • blogs_blog_1386
  • blogs_blog_1387
  • blogs_blog_1388
  • blogs_blog_1389
  • blogs_blog_1390
  • blogs_blog_1391
  • blogs_blog_1392
  • blogs_blog_1393
  • blogs_blog_1394
  • blogs_blog_1395
  • blogs_blog_1396
  • blogs_blog_1397
  • Koth Blog
  • blogs_blog_1399
  • blogs_blog_1400
  • blogs_blog_1401
  • blogs_blog_1402
  • blogs_blog_1403
  • blogs_blog_1404
  • blogs_blog_1405
  • blogs_blog_1406
  • blogs_blog_1407
  • blogs_blog_1408
  • blogs_blog_1409
  • blogs_blog_1410
  • blogs_blog_1411
  • blogs_blog_1412
  • blogs_blog_1413
  • blogs_blog_1414
  • blogs_blog_1415
  • blogs_blog_1416
  • blogs_blog_1417
  • blogs_blog_1418
  • blogs_blog_1419
  • blogs_blog_1420
  • The Lair 1421
  • blogs_blog_1422
  • blogs_blog_1423
  • blogs_blog_1424
  • blogs_blog_1425
  • blogs_blog_1426
  • blogs_blog_1427
  • blogs_blog_1428
  • blogs_blog_1429
  • blogs_blog_1430
  • Mishaps and Bubblewrap
  • blogs_blog_1432
  • The Sanctuary
  • blogs_blog_1434
  • blogs_blog_1435
  • blogs_blog_1436
  • blogs_blog_1437
  • blogs_blog_1438
  • blogs_blog_1439
  • blogs_blog_1440
  • blogs_blog_1441
  • blogs_blog_1442
  • blogs_blog_1443
  • blogs_blog_1445
  • blogs_blog_1446
  • blogs_blog_1447
  • blogs_blog_1448
  • blogs_blog_1449
  • blogs_blog_1450
  • blogs_blog_1451
  • blogs_blog_1452
  • blogs_blog_1453
  • blogs_blog_1454
  • blogs_blog_1455
  • blogs_blog_1456
  • blogs_blog_1457
  • blogs_blog_1458
  • blogs_blog_1459
  • blogs_blog_1460
  • blogs_blog_1461
  • blogs_blog_1462
  • blogs_blog_1463
  • blogs_blog_1464
  • blogs_blog_1465
  • blogs_blog_1466
  • blogs_blog_1467
  • blogs_blog_1468
  • blogs_blog_1469
  • blogs_blog_1470
  • blogs_blog_1471
  • blogs_blog_1472
  • blogs_blog_1473
  • blogs_blog_1474
  • blogs_blog_1475
  • blogs_blog_1476
  • blogs_blog_1477
  • blogs_blog_1478
  • blogs_blog_1479
  • blogs_blog_1480
  • blogs_blog_1481
  • blogs_blog_1482
  • blogs_blog_1483
  • blogs_blog_1484
  • blogs_blog_1485
  • blogs_blog_1486
  • blogs_blog_1487
  • blogs_blog_1488
  • blogs_blog_1489
  • blogs_blog_1490
  • blogs_blog_1491
  • blogs_blog_1492
  • blogs_blog_1493
  • blogs_blog_1494
  • The Blog which may or may not exist.
  • blogs_blog_1496
  • blogs_blog_1497
  • blogs_blog_1498
  • blogs_blog_1499
  • blogs_blog_1500
  • blogs_blog_1501
  • blogs_blog_1502
  • blogs_blog_1503
  • blogs_blog_1504
  • blogs_blog_1505
  • blogs_blog_1506
  • blogs_blog_1507
  • blogs_blog_1508
  • blogs_blog_1509
  • blogs_blog_1510
  • blogs_blog_1511
  • blogs_blog_1512
  • blogs_blog_1513
  • blogs_blog_1514
  • blogs_blog_1515
  • blogs_blog_1516
  • blogs_blog_1517
  • blogs_blog_1518
  • blogs_blog_1519
  • blogs_blog_1520
  • blogs_blog_1521
  • blogs_blog_1522
  • blogs_blog_1523
  • blogs_blog_1524
  • blogs_blog_1525
  • blogs_blog_1526
  • blogs_blog_1527
  • blogs_blog_1528
  • blogs_blog_1529
  • blogs_blog_1530
  • blogs_blog_1531
  • blogs_blog_1532
  • blogs_blog_1533
  • blogs_blog_1534
  • blogs_blog_1535
  • blogs_blog_1536
  • blogs_blog_1537
  • blogs_blog_1538
  • blogs_blog_1539
  • blogs_blog_1540
  • blogs_blog_1541
  • blogs_blog_1542
  • blogs_blog_1543
  • blogs_blog_1544
  • blogs_blog_1545
  • blogs_blog_1546
  • blogs_blog_1547
  • blogs_blog_1548
  • blogs_blog_1549
  • blogs_blog_1550
  • blogs_blog_1551
  • blogs_blog_1552
  • blogs_blog_1553
  • blogs_blog_1554
  • blogs_blog_1555
  • blogs_blog_1556
  • blogs_blog_1557
  • blogs_blog_1558
  • blogs_blog_1559
  • blogs_blog_1560
  • blogs_blog_1561
  • blogs_blog_1562
  • blogs_blog_1563
  • blogs_blog_1564
  • blogs_blog_1565
  • blogs_blog_1566
  • blogs_blog_1567
  • blogs_blog_1568
  • blogs_blog_1569
  • blogs_blog_1570
  • blogs_blog_1571
  • blogs_blog_1572
  • blogs_blog_1573
  • blogs_blog_1574
  • blogs_blog_1575
  • blogs_blog_1576
  • blogs_blog_1577
  • blogs_blog_1578
  • blogs_blog_1579
  • blogs_blog_1580
  • blogs_blog_1581
  • blogs_blog_1582
  • blogs_blog_1583
  • blogs_blog_1584
  • blogs_blog_1585
  • blogs_blog_1586
  • blogs_blog_1587
  • blogs_blog_1588
  • blogs_blog_1589
  • blogs_blog_1590
  • blogs_blog_1591
  • blogs_blog_1592
  • JMSOG's Strange Blog
  • Big
  • blogs_blog_1595
  • blogs_blog_1596
  • blogs_blog_1597
  • blogs_blog_1598
  • blogs_blog_1599
  • Space
  • blogs_blog_1601
  • blogs_blog_1602
  • blogs_blog_1603
  • blogs_blog_1604
  • blogs_blog_1605
  • blogs_blog_1606
  • blogs_blog_1607
  • blogs_blog_1608
  • blogs_blog_1609
  • blogs_blog_1610
  • blogs_blog_1611
  • blogs_blog_1612
  • blogs_blog_1613
  • blogs_blog_1614
  • blogs_blog_1615
  • blogs_blog_1616
  • blogs_blog_1617
  • blogs_blog_1618
  • blogs_blog_1619
  • blogs_blog_1620
  • blogs_blog_1621
  • blogs_blog_1622
  • blogs_blog_1623
  • blogs_blog_1624
  • blogs_blog_1625
  • blogs_blog_1626
  • blogs_blog_1627
  • blogs_blog_1628
  • A Blog in Oblivion
  • blogs_blog_1630
  • blogs_blog_1631
  • blogs_blog_1632
  • blogs_blog_1633
  • blogs_blog_1634
  • blogs_blog_1635
  • blogs_blog_1636
  • blogs_blog_1637
  • blogs_blog_1638
  • The Piraka Blog
  • blogs_blog_1640
  • blogs_blog_1641
  • blogs_blog_1642
  • blogs_blog_1643
  • Garreg Mach
  • blogs_blog_1645
  • blogs_blog_1646
  • blogs_blog_1647
  • blogs_blog_1648
  • blogs_blog_1649
  • Unspoken Words
  • blogs_blog_1651
  • blogs_blog_1652
  • blogs_blog_1653
  • blogs_blog_1654
  • blogs_blog_1655
  • blogs_blog_1656
  • blogs_blog_1657
  • blogs_blog_1658
  • blogs_blog_1659
  • The Island
  • blogs_blog_1661
  • blogs_blog_1662
  • blogs_blog_1663
  • blogs_blog_1664
  • blogs_blog_1665
  • blogs_blog_1666
  • blogs_blog_1667
  • blogs_blog_1668
  • blogs_blog_1669
  • blogs_blog_1670
  • blogs_blog_1671
  • blogs_blog_1672
  • blogs_blog_1673
  • blogs_blog_1674
  • blogs_blog_1675
  • blogs_blog_1676
  • blogs_blog_1677
  • blogs_blog_1678
  • blogs_blog_1679
  • blogs_blog_1680
  • blogs_blog_1681
  • blogs_blog_1682
  • blogs_blog_1683
  • blogs_blog_1684
  • blogs_blog_1685
  • blogs_blog_1686
  • blogs_blog_1687
  • blogs_blog_1688
  • blogs_blog_1689
  • blogs_blog_1690
  • Skrade's Log
  • blogs_blog_1692
  • Onaku's Blog Thingie
  • blogs_blog_1694
  • blogs_blog_1695
  • blogs_blog_1696
  • Between the Bookends
  • blogs_blog_1698
  • blogs_blog_1699
  • blogs_blog_1700
  • blogs_blog_1701
  • blogs_blog_1702
  • blogs_blog_1703
  • blogs_blog_1704
  • blogs_blog_1705
  • blogs_blog_1706
  • blogs_blog_1707
  • blogs_blog_1708
  • blogs_blog_1709
  • blogs_blog_1710
  • blogs_blog_1711
  • blogs_blog_1712
  • blogs_blog_1713
  • blogs_blog_1714
  • blogs_blog_1715
  • blogs_blog_1716
  • blogs_blog_1717
  • blogs_blog_1718
  • blogs_blog_1719
  • blogs_blog_1720
  • blogs_blog_1721
  • blogs_blog_1722
  • blogs_blog_1725
  • blogs_blog_1726
  • blogs_blog_1727
  • blogs_blog_1728
  • blogs_blog_1729
  • blogs_blog_1730
  • blogs_blog_1731
  • blogs_blog_1732
  • blogs_blog_1733
  • blogs_blog_1734
  • blogs_blog_1735
  • blogs_blog_1736
  • blogs_blog_1737
  • blogs_blog_1738
  • blogs_blog_1739
  • blogs_blog_1740
  • blogs_blog_1741
  • blogs_blog_1742
  • blogs_blog_1743
  • blogs_blog_1744
  • blogs_blog_1745
  • blogs_blog_1746
  • blogs_blog_1747
  • blogs_blog_1748
  • blogs_blog_1749
  • blogs_blog_1750
  • blogs_blog_1751
  • blogs_blog_1752
  • blog ehks
  • blogs_blog_1755
  • blogs_blog_1756
  • blogs_blog_1757
  • blogs_blog_1758
  • blogs_blog_1759
  • blogs_blog_1760
  • blogs_blog_1761
  • blogs_blog_1762
  • blogs_blog_1763
  • blogs_blog_1764
  • blogs_blog_1765
  • blogs_blog_1766
  • blogs_blog_1767
  • blogs_blog_1768
  • blogs_blog_1769
  • blogs_blog_1770
  • blogs_blog_1771
  • blogs_blog_1772
  • blogs_blog_1773
  • blogs_blog_1774
  • blogs_blog_1775
  • blogs_blog_1776
  • blogs_blog_1777
  • Generic Blog Name
  • blogs_blog_1779
  • blogs_blog_1780
  • blogs_blog_1781
  • blogs_blog_1782
  • blogs_blog_1783
  • blogs_blog_1784
  • blogs_blog_1785
  • blogs_blog_1786
  • blogs_blog_1787
  • blogs_blog_1788
  • blogs_blog_1789
  • blogs_blog_1790
  • blogs_blog_1791
  • blogs_blog_1792
  • blogs_blog_1793
  • blogs_blog_1794
  • blogs_blog_1795
  • blogs_blog_1796
  • blogs_blog_1797
  • blogs_blog_1798
  • blogs_blog_1799
  • blogs_blog_1800
  • blogs_blog_1801
  • blogs_blog_1802
  • This is my lawn
  • blogs_blog_1804
  • Adventures in Mushroomlandia
  • blogs_blog_1806
  • blogs_blog_1807
  • blogs_blog_1808
  • blogs_blog_1809
  • blogs_blog_1810
  • blogs_blog_1811
  • blogs_blog_1812
  • blogs_blog_1813
  • blogs_blog_1814
  • blogs_blog_1815
  • blogs_blog_1816
  • blogs_blog_1817
  • blogs_blog_1818
  • blogs_blog_1819
  • blogs_blog_1820
  • blogs_blog_1821
  • blogs_blog_1822
  • blogs_blog_1823
  • blogs_blog_1824
  • blogs_blog_1825
  • blogs_blog_1826
  • blogs_blog_1827
  • blogs_blog_1828
  • blogs_blog_1829
  • blogs_blog_1830
  • blogs_blog_1831
  • Sybre's Log
  • blogs_blog_1833
  • blogs_blog_1834
  • blogs_blog_1835
  • blogs_blog_1836
  • Cozy Coven
  • blogs_blog_1838
  • blogs_blog_1839
  • blogs_blog_1840
  • blogs_blog_1841
  • blogs_blog_1842
  • blogs_blog_1843
  • blogs_blog_1844
  • blogs_blog_1845
  • blogs_blog_1846
  • blogs_blog_1847
  • Diary of A Forgotten Man
  • blogs_blog_1849
  • blogs_blog_1850
  • blogs_blog_1851
  • blogs_blog_1852
  • Valendale's Reflections
  • blogs_blog_1854
  • blogs_blog_1855
  • blogs_blog_1856
  • blogs_blog_1857
  • blogs_blog_1858
  • blogs_blog_1859
  • blogs_blog_1860
  • Kranan's Floating Isle
  • blogs_blog_1862
  • blogs_blog_1863
  • blogs_blog_1864
  • blogs_blog_1865
  • blogs_blog_1866
  • Arcee's Garage
  • Time to put on a show...
  • blogs_blog_1869
  • blogs_blog_1870
  • blogs_blog_1871
  • blogs_blog_1872
  • blogs_blog_1873
  • blogs_blog_1874
  • blogs_blog_1875
  • blogs_blog_1876
  • blogs_blog_1877
  • blogs_blog_1878
  • blogs_blog_1879
  • blogs_blog_1880
  • blogs_blog_1881
  • blogs_blog_1882
  • blogs_blog_1883
  • blogs_blog_1884
  • blogs_blog_1885
  • blogs_blog_1886
  • blogs_blog_1887
  • blogs_blog_1888
  • blogs_blog_1889
  • blogs_blog_1890
  • Inverted Moon
  • blogs_blog_1892
  • blogs_blog_1893
  • blogs_blog_1894
  • blogs_blog_1895
  • blogs_blog_1896
  • blogs_blog_1897
  • blogs_blog_1898
  • blogs_blog_1899
  • blogs_blog_1900
  • Home of Titans
  • Detachment
  • The Archives
  • blogs_blog_1904
  • blogs_blog_1905
  • it's summer and we're running out of ice
  • blogs_blog_1907
  • blogs_blog_1908
  • blogs_blog_1909
  • blogs_blog_1910
  • blogs_blog_1911
  • Kathisma Library
  • Bean Does Stuff
  • A Wild Blog Appeared!
  • whispers from the pit

Product Groups

  • Premier Membership
  • BioniLUG
  • BrickFair Events
    • BrickFair Party Campaign (In-Person)
    • BrickFair Party Campaign (Online)
  • Parts Drafts
  • Merchandise

Categories

  • BZPower Giveaways

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Twitter


Instagram


Facebook


Discord


YouTube


Flickr


Skype


Website URL


LEGO.com Account


AIM


Location


Interests


Previous Username

  1. are there any particular sets, books, or other gubbins that make you feel awash with nostalgia? Just curious.
  2. So, I've been working on these all month! You might have heard of the Inktober art challenge: the aim is to do an ink drawing for every day of October, and a list of prompts is provided for inspiration. In addition to that, I like to pick an overall theme to work within, so I'm not just shooting off wherever for ideas. This year was my second time participating; and, looking at the prompt list in advance, all I was really thinking of was Bionicle ideas for a few of the prompts. This may have come down to me being SUPER-inspired by NickonAquaManga's The Toa Bionicle retelling, which I'd just finished reading (which you should totally check out if you haven't seen it, I can't speak highly enough of it!) and having a ton of Bionicle inspiration that needed an outlet! But in any case, I had in mind Bionicle for my monthly theme, particularly 2001 - 2003, from which most of my relevant inspiration comes, and... I ran with it. So here we have days 1 - 31 of Inktober 2020, Bionicle-themed! I posted more detailed explanations for most of these on DeviantArt, where I was uploading them daily; to explain to my non-Bionicle-savy watchers what was going on, and also just musing around what I picked and why. But to an initiated Bionicle fan, most of these are more self-explanatory, so I'm just going to summarise here, unless there's something that I feel really needs an explanation (like the unashamedly silly one for day 29!). EDIT: The images seem to have broken after a few years, so I'm just gonna replace them with links to the pictures instead. Day 1 - A Ga-Matoran fishes for her living. Day 2 - After Tahnok-Kal steals his Nuva symbol, the most Tahu can summon are wisps of smoke. Day 3 - Onua and Pohatu, the two bulkiest Toa. Day 4 - Kopeke finds an old piece of Metru Nui technology, a radio, that got left behind when the Turaga dismantled the airships. Day 5 - Interesting. The power is in me. The sword is but the focus. Day 6 - To Onepu's dismay, a Kinloka rodent has broken into an Onu-Koronan storehouse. Day 7 - What's more fancy than a golden mask, in Bionicle terms? Gali unlocks hers at her Suva. Day 8 - Matoro (and Takua) find themselves up a little too close and personal with a Muaka's mouthful of teeth. Day 9 - Tamaru in the battle of Kini-Nui, throwing a disk to repel Rahi attackers. Day 10 - "No dictator, no invader, can hold an imprisoned population by force of arms forever. There is no greater power in the universe than the need for freedom. Against that power, governments and tyrants and armies cannot stand. [Makuta] learned this lesson once. We will teach it to [him] again. Though it take a thousand years, we will be free. (Quote source: Babylon 5 2x20, The Long, Twilight Struggle) Jala rallies the Ta-Koro guard with a speech of hope, during the 1000 years of the Makuta Wars. (And one of my favourite quotes from that show, honestly!) Day 11 - “Remember that time I was hanging upside down in a swamp hole, just above some hungry mud crawlers,” said Nuparu. “You know, the ones with the acidic tongues and the breath that smells like Tarakava that’s been out in the sun too long?” “Sure, what about it?” answered Kongu. Nuparu sighed. “Those were the good old days, huh?” I don't know about anyone else, but that sounds like a particularly disgusting situation to be in, to me. And yes, that is a little Kongu up there being all like "Nuparu, how in the HECK?!" (Also I made up what mud crawlers look like, because according to BS01 that was literally their only mention in the storyline and they don't even have a full page on the site, much less an image!) Day 12 - On Takua's first trip to Ko-Wahi, he was probably not prepared for how slippery the icy terrain was underfoot. Day 13 - Pohatu and Hafu pause, for a moment, to appreciate the dunes of Po-Wahi in all their harsh majesty. Day 14 - The freshly-transformed Toa Nuva inspect their new armour for the first time. Day 15 - "Ta-Koro used to reach all the way to the coast; the Charred Jungle used to be a green, peaceful place, but in the fury of our battles it was burnt." Kapura mans a small outpost near the border of Ta-Wahi, across the charred forest from the main city. Day 16 - *You are an obstacle. You do not belong. You will be removed.* "Beware, monster... this "obstacle" has a sting!" Tahu fires the Exo-Toa's electro-rocket. Day 17 - "Water!" "Wind!" "Together, we can summon the might of the storm!" Day 18 - Having caught a Tarakava in her rahi trap, Kotu cautiously takes a few steps forward, hoping to prise off its infected mask. Day 19 - When the Chronicler's company reach the ravine with the broken bridge, Takua naturally turns to his team for suggestions. Most of them helpfully point towards Tamaru's agility and skill with ropes to get across; Taipu, however, has possibly the most invaluable contribution to the discussion: "When I stand at the edge and look down, it makes me dizzy." Day 20 - Diving deep to the bottom of Naho bay, Gali discovers a thriving growth of coral on the sea floor... unbeknownst to her, covering one of Metru Nui's sun-holes. Day 21 - "It is said the Bohrok sleep an eternal sleep, waiting to hatch. Once awakened, the swarms are unstoppable... a force so powerful, they can reduce mountains to rubble, and turn life-giving rivers dry as the desert sands." Day 22 - Because I had literally NO CONTEXT for the term chef in Bionicle, I improvised and took this in a less serious direction... and also took a chance to include the OTP, since it was remiss of me to not have planned them in anywhere else. Huki and Maku, on a date at a Matoran restaurant, are served by the chef herself! Day 23 - "The krana controls your body, Lewa, but not your will. If it is so strong that it can make you harm a friend... then go ahead -- I will not defend myself. But I know you, Lewa. I have fought beside you... and I know you are stronger than this parasite. You are a Toa -- prove yourself worthy of the name!" "Yes... Toa... my people... my friends...! I will not harm Onua, creature... I WILL NOT!" Day 24 - Onua, at home in his element. Day 25 - Sometimes, your best buddy is a giant crab and you ride around on her back when travelling the island. And there's nothing wrong with that. Day 26 - Hahli hides from the Rahkshi during the fall of Ta-Koro. Day 27 - "Who can walk silent in the Wood? Taku-cry and Fikou-chirp, windhorn and trunkdrum, all around is the ceaseless junglesong, dawn, highsun, and night! To unite their voice with this music is the duty of all Le-Matoran." Plus Taipu, the band's biggest non-Le-Koronan fan, dancing along in the foreground there! Day 28 - When he gets some rare downtime during his quest for the Kanohi, I imagine Lewa likes to take advantage of his mask of Levitation to float high above the jungles of Le-Wahi, just kicking back in the air and watching over his realm. Day 29 - "What. Are. Those." "Oh, I dunno. I thought they looked kinda dashing." "I've got twenty-four hours to get rid of this BOZO. Or the entire scheme I've been setting up for 1000 years goes up in smoke. And you. Are wearing. HIS. MERCHANDISE?!" Okay, this one takes a bit of explaining, because it's unashamedly silly and I don't apologise. But the shoes prompt... Bionicle characters don't WEAR shoes, so I was stumped at first. But then I thought of the Rahkshi and Toa Nuva sneakers that had been produced in 2003 to promote the brand. And then I remembered this scene from Disney’s Hercules. And THEN, I discovered that there had been a Takanuva version of the sneakers, in addition to the Tahu/Gali/Lewa ones I remembered… and that was just too perfect an opportunity for me to pass up. Day 30 - "Chronicler, heed us! We step now through the gates of doom." The Toa prepare to enter the ominous heart of Mangaia to confront the master of destruction himself. (And yes, I cheated and photoshopped the background, because I didn't have a red pen for the glow from the entrance, and the scene just didn't capture that ominous feel without the colour!) Day 31 - Captive in the Nui-Rama hive, a pair of Le-Matoran attempt a desperate crawl for freedom. However, with a lightning bug watching their progress, it's unlikely they'll get very far... I am... not altogether sure how I managed, in thirty-one drawings from the Mata Nui arc, to not focus on the Turaga beyond a background appearance on day 1. I just didn't think of them, I guess; my focus was just on whatever seemed to work for any given prompt... as well as making sure that each of the 'main fifteen' Matoran characters, the ones with bios on Bionicle.com in 2002/2003, got featured at least once. And, um. Yes. My style was not very finalised during this. As you can tell, I kind of went back and forth on how expressive I made the masks, and, well... Matoran and Toa have hair. Which... yes, is weird. I'm not honestly sure why, quite, the idea came about, only that it crept into my style years back, when I was doodling Bionicle characters all the time as a teen, and I kinda liked it so - when I wasn't going for complete set-realism - I kept it around. It makes these otherwise very alien beings just a little more human-like, I feel, and that's something I like when I depict them. As you can tell, I went back to MNOG, the comics and (occassionally) the movies for reference; but I tried very hard not to copy directly, instead taking elements and changing around camera angles, poses, etc. to make them more 'my own work'. There are, I must admit, some of these that I like the result of A LOT better than others... but I hope you enjoy seeing the biggest output of Bionicle work that I've produced in many years!
  3. I was driving to visit my mom this past weekend and over the course of the two hours on the highway, I tuned into SiriusXM's "Pop2K" station. I was pleasantly surprised to hear that they were doing a countdown of the top 30 songs for this week in 2001. As I listened, I was instantly transported back to August 2001, just as my seventh grade school year was starting. Just like the Toa, I was about to enter a strange, new world filled with challenges and potential new friends. Music has always been an essential part of BIONICLE, from the ambient, techno-tribal sounds of the island of Mata Nui to the pop rock infused chords of the "Ignition" Saga. But even outside of BIONICLE media, other music played a strong role in my associations with the time periods in which BIONICLE was extant. No other time period is perhaps so poignant now, looking back, than in August 2001. Remember, at this point, BIONICLE was in wide release. In the USA, store shelves were filled with Toa canisters, Turaga boxes, mask packs, and assorted Rahi sets. In a few weeks, the McDonald's Tohunga give-away with Happy Meals was to begin. And of course, the BIONICLE storyline was in high gear with new updates in the MNOG and the recent July comic, "Deep Into Darkness". Back to the music, the summer of 2001 was revelatory for me. I grew up in a household where my parents had so far dominated the musical tastes of the family. At home, we either listened to classical music on the radio or, when just my mom was home, Spanish music which I understood little of at the time. On road trips to visit grandmother or longer vacation adventures, my dad would play the oldies' station (hits of the 50s, 60s, and 70s) or, when we had a car with a CD player, his own collection of Beatles' songs. That was pretty much all I knew music to be. Current pop music was relegated to furtive, almost risque, encounters through friends at school. An illicit listen to "M.en In Black" by Will Smith on the bus ride home from school. A friend bringing the new "Astro Lounge" CD to class on Friday for free time. I was never allowed to hear such music on my own at home or with family. There was a weird separation there, enforced by my parents. However, it couldn't last long. By the summer of 2001, I was twelve years old and adolescence was upon me. Instead of the usual mom-administered enrichment activities, my intention to learn HTML coding for the "Build Your Own BIONICLE Website" contest proved to my parents I had undertaken a worthy, educational project of my own, and I was mostly left to my own devices that summer for the first time. Indeed, most of that time was spent reading the HTML textbook and trying out new things with my developing "Tales of the Turaga" website. However, I allowed myself ample free time, particularly in the evenings, to indulge in my other hobby, drawing. I'm not sure when I decided to start listening to music while I drew. Perhaps I did it to softly drown out the noise of my parents watching something boring (but loud) in the living room. It seemed easier to draw when I didn't have TV distractions. But music, especially songs, seemed to bolster my abilities. In my room, I had a small AM/FM radio with cassette player that I started tuning to some of the radio stations besides the oldies'. Although some of the stuff I heard was unremarkable to my ears, other songs stuck out. Songs that reminded of what I heard on my sister's "NOW 5" and "NOW 6" CDs (she, somehow, was allowed to explore music more broadly, and even had a bigger radio, WITH a CD player!) that I knew I enjoyed. Invariably, these songs accompanied some of my first BIONICLE drawings, and when I think about BIONICLE or look back at those crude depictions, I remember the songs I heard back then. Here are some if you want to make a playlist to travel back in time to when BIONICLE was brand new (no Vahi required!). Eve 6 - Here's to the Night Train - Drops of Jupiter Lifehouse - Hanging by a Moment Mary J. Blige - Family Affair Incubus - Drive Michelle Branch - Everywhere Staind - It's Been Awhile Janet Jackson - Someone to Call My Lover Uncle Kracker - Follow Me Sugar Ray - When It's Over Obviously, that's not an all-inclusive list. Mixed in were songs that actually came out the year before (like Matchbox 20's "Mad Season", which is still a favorite of mine), but I don't remember everything I heard, and it is likely I conflate some songs that I actually heard once school started but not during the summer nights that preceded it. Regardless, the music I was discovering and BIONICLE "officially" beginning in the USA all went into a benevolent maelstrom that also included the premiere of "Samurai Jack", the announcement of "Attack of the Clones", the first LEGO Legend re-release (10000 Guarded Inn!), and my first taste of true independence (walking alone to and from school). By this week in August 2001, all signs pointed to a momentous school year ahead. Indeed, as September 2001 proved, it would be momentous, but for the whole nation, and not in a good way. But again, like the Toa isolated on the island of Mata Nui, thinking it was their whole world, me and my friends were united in facing the challenges of seventh grade, and that was plenty momentous enough! Attached: "Lewa", pencil on copy paper, August 8th, 2001.
  4. I brought a Gali mata from ebay in 2019 and it came with a canister, a bonus mask and a chewed back gear. can somebody tell me the name of the back gear on gali and somebody wants a canister and a translucent blue noble kanohi ruru? i will post it on ebay anyways. IMPORTANT INFORMATION i am underage so i may use some of my parents personal information on ebay i am brazilain so how much does a 2001 toa canister with a translucent blue noble kanohi ruru worts in BRL$?
  5. I am going to post a gali mata 2001 canister with a blue translucent noble kanohi ruru on ebay soon any person interesed may reply to this thread and we can make something out of it. this item can be found in João Pessoa,Paraíba,Brazil. so this can be found on ebay in BRL$
  6. Hey y'all! I recently realized that I've poked and prodded at Lego BIONICLE (GBA) (aka Quest for the Toa, aka Tales of the Tohunga) a lot, and as such I probably know a thing or two about it that most Bionicle fans don't. Nothing earth-shaking or with deep canonical implications, but things I find interesting nonetheless. Many of these "minor discoveries" don't really merit their own forum thread, so I've created a blog where I'll start posting about them. I hope that it'll be interesting whether you've played the game or not, in the same way Supper Mario Broth is interesting. Give it a look and let me know what you think! Post 0: Introduction and FAQ
  7. Hi, I have recently come across a particular Bionicle poster originally released in 2001. Most of the people on here will have seen it before or perhaps even own it but my question is: How was it obtained? Did it come with a comic? Did it come packaged in a set from 2001 like some of the other posters? I would really like to know. I did notice SuddenlyOranges (Creator of Reviving Bionicle) has a copy framed in his house so i'm guessing it's not super-rare but I could be wrong. I am aware there is an alternate version with a blue Krana-Xa buried in the ground instead of the Miru, as well as a Turaga version featuring the 6 Turaga instead of the Toa but for this 2001 Toa Mata variant, I am not sure of the origin. If someone could let me know it would be greatly appreciated. Thanks,
  8. Hey everyone, I'm looking for a bunch of instructions that I hope shouldn't be too hard to come by: 8539 Manas—just the instructions for the yellow crab with #4162043 8540 Turaga Vakama (#4159407), 8542 Turaga Onewa (#4159409) and 8543 Turaga Nokama (#4159410)—would rather buy these as a bundle 8811 Toa Lhikan & Kikanalo—with #4267275 I already have all of them but they all have various problems so I'm looking to replace them with better kept copies. I'd rather buy within Europe. Thanks.
  9. Hi, guys! I am not sure if you remember a certain Bionicle video game called Bionicle: The Game in 2003, so I would say it’s been 15 years. 3 months, and a day since the game was released on September 1, 2003. If anyone remembers the game from their childhood, let’s celebrate. To celebrate, let me tell you what the game is: The game is the first Bionicle game to have console versions, like PlayStation 2 (I played the game with that version). It is based on Bionicle’s 2001-2003 storylines and and the direct-to-video movie called Bionicle: Mask of Light in 2003. It is about the Toa Mata/Toa Nuva and Takanuva fighting Makuta and his forces to save the island of Mata Nui from them. The console versions are mainly about the 2002 and 2003 storylines. There are eight levels, each is where you play as one of the Toa in its Wahi: 1. Tahu Mata - Tahu fights four Kohrak, a breed of the Bohrok. It’s also where Takua found a mysterious Kanohi mask. 2. Kopaka Mata - Kopaka slides though snowy mountains to find and fight a Gahlok and a Tahnok before they reach Ko-Koro to attack it. 3. Gali Nuva - after the Toa Mata got turned into the Toa Nuva by the Krana that they collected, Gali fights against the Bohrok-Kal, who threaten the Ga-Matoran. After that, Takua warns Gali about the Rahkshi. 4. Pohatu Nuva - Gali warms Pohatu about the Rahkshi, as Pohatu goes to warn Onua about it. Pohatu goes in a mining cart and travels into the Onu-Wahi to find Onua. 5. Onua Nuva - Onua goes to find and fight a Rahkshi called a Lerahk. 6. Lewa Nuva - Gali warns Lewa about the Rahkshi, as Lewa goes to find and fight another Rahkshi called a Panrahk. 7. Tahu Nuva - Tahu surfs on lava to race against another Rahkshi called a Kurahk, who has the mask that Takua was talking about called the Mask of Light. After defeating Kurahk, the Mask goes on Takua’s face and turns into into the legendary Toa of Light called Takanuva (called Takua Nuva in the game) before he disappears. 8. Takua Nuva - Takanuva challenges Makuta to a fight to end Makuta’s threat once and for once. After Takanuva defeated Makuta, he combined with Makuta to become Takutanuva, who opened a door to a new place. Along the way, when you can shoot energy to your enemies, which are the Infected Rahi. Kopaka and Tahu Nuva only do surfing in their levels while the others travel on foot. Gali and Onua do a special move called a Nuva Blast, which can act like a bomb that can destroy everything in its path in the area, but it takes up a lot of energy. Gali can swim and Lewa can fly. You also have to rescue Matoran and collect Lightstones. In the handheld versions, you get to play as all six Toa Mata and six Toa Nuva. The Toa Mata fight against the Bohrok, and then the Toa Nuva fight against the Rahkshi. The Toa Nuva never fought the Bohrok-Kal. Anyway, let me review the console versions of the game. I like that the game made characters look more like a human, like the movie, but the graphics are kind of horrible. I like the movie’s better. Plus, I understand that each Toa has two fingers in each hands, like the Tahu Mata, Lewa Mata, and Pohatu Mata sets in 2001, but they look weird with them when you compare them to the movie, where characters have five fingers in each hand. The level design is fine, but I wish Kopaka Mata and Tahu Nuva could do some travelling. It’s interesting we get to explore the island of Mata Nui, which is divided into six regions. Plus, I wish Kopaka Nuva, Gali Mata, Pohatu Mata, Onua Mata, and Lewa Mata are playable (there is a commercial where you can play as Lewa Mata, but that wasn’t shown in the game, sadly). I also wish some of the levels could have been longer. As for the story, it is rushed. It has the storylines combined, so the Toa wouldn’t catch a break. It is radically different from the canon story, as there are some different things that don’t make sense, like Krana turning the Toa Mata into the Toa Nuva, Gali defeating all six of the Bohrok-Kal, the Panrahk left behind a Krana, and Takanuva putting his mask of Makuta’s face to combine with him into Takutanuva. However, I do like that Takanuva fights Makuta by blasting him and fighting his minions rather doing a Kohlii match with him. Sadly, you never see all of the Turaga, for that you only see three of them, all six Matoran types, and all six Rahkshi. The 2001 storyline is not shown, either. You never fight all of the Bohrok or the Rahkshi, nor do you fight the Bohrok-Kal in the handheld versions. I wish the game could have been longer if these ideas had happened. I heard that Lego didn’t have time to do these things. Overall, the game is a little fun, but it is not the best Lego or Bionicle game that I ever played. Wished it has more stuff and could have been longer. Nothing’s perfect much. In fact, I heard it got negative reviews. Plus, there was originally a sequel for the game, which is based on the 2004 storyline and another movie called Bionicle 2: Legends of Metru Nui, but it got cancelled. We haven’t known that until several years ago in this decade. It was surprising when that happened. I loved Bionicle Heroes in 2006 better than Bionicle: The Game because it is longer and has more stuff, something that can last many hours. The 2003 game, though, only lasts an hour. Not much and too short. That’s all because Heroes is made by Traveller’s Tales, and they make the best Lego games there are. Lego should’ve have took some more time improving the 2003 game. However, we get to see how would characters that never appeared in the movie look like if they had. Plus, the Nuva Blast influenced Greg Farshtey to make a new part of the G1 story, where Toa in general can do a powerful and explosive attack, which is similar to the Nuva Blast. So, what’s your favorite part of the game? For me, well, I like the Gali, Onua, and the Takanuva levels the best. How would you celebrate the game’s 15th anniversary? For me, well, I would replay the game. Happy 15th anniversary to the game, even if it is cruddy.
  10. Hey, everyone. I'm looking for early (launch) releases of the Toa Mata posters that may or may not have been available only in Europe. My own collection is in pretty horrible condition. The front of each poster should only show the one Toa it came with in contrast to later releases that featured slides of all six Toa at the bottom (click here; compare Lewa, Pohatu, Kopaka, Onua and Gali to Tahu), while the back of each poster should feature this image (with subtle differences) of early 2001 sets, rather than the Turaga and Rahi (as per late 2001) or Bohrok (as per early 2002). Creases and wear are acceptable but I'm not a particular fan of tears. Let me know what you have either way! I'm offering cash.
  11. The original BIONICLEmusic.com page had a feature to play and mix six looped musical fragments—one per each Toa. Since I can't get the archived page to run, does anyone at all happen to have these fragments saved? I've only heard them once in 2001 with a dial-up connection and would absolutely kill to hear them again. I'm pretty sure BMP doesn't have them available but I could be wrong.
  12. Recently I've been trawling through the books, comics and biosector to try and piece together 2001's story. There were a few things however that I'm curious about that I can't really find answers for. - The turaga made the toa stones that Takua gathers to summon the toa, why did they never use them in the first place? Was there any point in waiting a thousand years for this? - In MNOG, Jaller sends takua to Ko-Koro to find the missing scouts from the Ta-koro Guard but I don't seem to remember if they were ever found or mentioned again. Takua seems to get sidetracked. - We all know what Makuta's endgame was, so what was the point in harassing the matoran for a thousand years and why did he never try releasing the Bohrok or Rahkshi before the Toa arrived? - The Makoki Stones are only ever mentioned as being things the Toa just so happened to pick up whilst searching for masks, was it ever elaborated on where they found them and if they were ever told to do so? - I'm confused whether the Turaga hid the kanohi around the island or if Artakha hid them. - Did the Toa actually collect Great Kanohi versions of the Turaga's masks? The only source that seems to suggest this is MNOG but we know that some aspects of this were non-canon. - Was there any good reason for the Turaga not telling anybody about Metru-Nui are anything about the Matoran Universe? Did they just see no point?
  13. Takua gone Fishing - MOC Even though this moc looks pretty small...it took me ages to make. I tried not to keep the design simple and not to over complicate the set. The fish that you see in the moc is a Ruki fish from the Mata Nui Online Game and is an exact replica (including the colour scheme). I also kept Takuas original colours from the 2001 McDonald promo set. I also decided to include Takuas backpack from the MNOG you can view it on my Flikr page! Hope you like this moc, and I would love to hear from you! - Dan. PS: This moc will be off to BrickFair New Jersey! HD version - https://www.flickr.com/photos/126356317@N03/14615285560/in/photostream/lightbox/ HD version - https://www.flickr.com/photos/126356317@N03/14821829663/in/photostream/lightbox/ HD version - https://www.flickr.com/photos/126356317@N03/14799626964/in/photostream/lightbox/ HD vesrion - https://www.flickr.com/photos/126356317@N03/14615335260/in/photostream/lightbox/ HD version - https://www.flickr.com/photos/126356317@N03/14615341779/ All the images: https://www.flickr.com/photos/126356317@N03/
  14. I wrote a story similar to the official Mata Nui Online Game walkthrough. This one is for the GameBoy Advance game, "Quest for the Toa". It's not as good but hopefully it's OK. As Quest for the Toa is a more action-oriented game than MNOG I've taken certain liberties with the story. Obviously this does not include every detail of fighting every creature and jumping every gap that Takua finds. Additionally, I've a few other changes, especially in the last half. Most notably, I gave the Le-Matoran and Matau a little treespeak. It's very minor compared to what is in MNOG. I also made Nuju speak in his clicks and whistles, so Matoro needs to translate for him. Ta-Koro has the most drastic changes - Vakama asks Takua to enter the lava surfing competition to prove himself instead of asking him to cure the water supply (which was immediately forgotten about in the game and has no proper conclusion - the player can beat the game without ever getting the antidote). This was done to line up with Vakama telling Takua that he gave him the lavaboard in MNOG. I also made Takua find Vakama's mask, which doesn't happen in the game - this is, again, done to make the story line up with MNOG. There are various other changes too numerous to list, but I tried to keep as much of the in-game dialogue intact as possible. If people notice mistakes, errors, or even things they think can be ironed out, please let me know so I can correct them. Quest for the Toa "In a time before time, the island of Mata Nui was a tropical paradise. Then a shadow fell across the island-- A shadow known as Makuta. In the dark years that followed, the islanders put their faith in a legend... ...a legend that forsaw the arrival of six mighty heroes: the Toa. For only the Toa will have the strength and courage to bring peace and light back to the world. As Mata Nui awaits the arrival of the Toa, a lone islander unknowingly begins a quest... ...a quest that will change Mata Nui forever." Chapter 1 "Good morning, Takua!" a villager greets me. "I've heard that Turaga Whenua wants to see you. Head up this beach and talk to everyone you see. You'll eventually come to the cave entrance to our underground village, where you'll find Whenua!" I run up along the beach, past the water and between some shrubbery, and jump over a rock in my path. I reach the ocean, leaping across the shallow water onto a sandbar that leads to the other side of the bay. I see a blue Ga-Matoran in the distance. As I approach she shouts "You're quite the athlete -- I saw how well you jumped over those obstacles!" I keep running, and soon I find another river I must cross. This one is too far for me to leap, but fortunately there is a Hoi Turtle swimming by. I leap onto its back and over to the other side. As I head inland, I spot a black Matoran with a purple mask - probably an Onu-Matoran, from the colour. "Whenua is waiting for you, little one. He has a matter of great importance to discuss with you. Enter the cave ahead to visit Onu-Koro, our underground village. Good luck!" But why would Whenua want to speak to me? I head onward into the cave. A guard yells out "Halt! Who goes there!" Another guard mimics him. "Yeah -- who goes there!" The first guard replies "I already said that!" The second guard asks "Said what?" "Who goes there!" "Why are you asking me?" As the two guards confuse each other, I walk past to find Whenua. I head into the village of Onu-Koro. The village is a huge series of underground caverns that meet in a central area near the entrance I have come from. The villagers have built their homes out of huge, hollowed-out stones. As I approach one of the dwellings, a villager approaches me. "Our village is in desperate need of your help! We fear that the Vatuka Beast has Whenua and he is being held captive in the passageways to the East! You will need Vakama's Firestaff to see your way in the dark tunnels. It can be found in the village." I walk over bridge crossing a shallow stream and find see the firestaff propped up beside one of the larger homes. I'm not sure what it's doing here in the middle of Onu-Koro, but I know I will need it to rescue Whenua. I take it with me before heading further East. I enter a passageway into the cavern. The cavern is cold and dark. I pull out Vakama’s Firestaff and carry it with me. The staff has an orb on the end that generates flame at my will, and I use the staff to light up the cavern and keep me warm. As I walk through the cavern I see a number of small Fikou spiders charging at me. I use the power of the Firestaff to send a pulse of light through the cavern, blinding the creatures temporarily. While they are stunned, I fling some of the Madu Fruit I carry with me at them. The fruit knocks the masks off the spiders. Without their masks, they will no longer hunt Matoran. I press on further into the cave. Soon, I see a pile of stones. As I approach, the stones begin to move. They form into a large beast made of rocks. The stone beast flails its arms around aggressively! Surely this is the Vatuka Beast that captured Whenua. The beast calls upon smaller rock monsters, half my size, to attack me. Once again, I use the Firestaff to generate a sudden burst of light. The small creatures are stunned and unable to see, but the large one continues to press its attack. The huge beast swings its heavy arms down upon me, but I dodge out of the way and hurl my fruit at it. It roars in pain, I continue to lob fruit after fruit at it until it is defeated. The beast collapses, now just a pile of regular, lifeless boulders. I look around. The small beasts that chased me are now just regular stones. I look up, and I see Whenua, trapped in a cage hanging from the ceiling. There are also two heavy buttons, far too heavy for myself to press down. I use two boulders to help press the buttons down. Whenua's cage descends from the ceiling, and I open the cage door to set him free. "Thank you for rescuing me! You're quite the adventurer. We had better get back to Onu-Koro! There is much that I must tell you. Follow me!" I follow Whenua back to Onu-Koro, and he tells me his tale. "It is a time of great danger, Takua. The island of Mata Nui is under siege by the evil Makuta! Dangerous beasts wearing the infected masks of Makuta roam the land. Each of the six villages on Mata Nui are in danger! I have heard that some of my fellow Turaga are missing... and their tools, like Vakama's Firestaff, have been scattered about the island. Makuta has also stolen the sacred Toa Stones that used to tell the legends! You must seek out the Toa Onua Stone in the passageways north of here. If the Toa Stones are not recovered, the Legend of Mata Nui cannot be told." Whenua then hands me an object - a Volo Lutu Launcher. It’s a device that fires a Volo Lutu. The Volo Lutu is a small object that can stick to rocks and other objects. When activated, the launcher is attracted to the Volo Lutu. With this, I’ll be able to pull myself over large chasms to otherwise unreachable places. I head off to the caves in the North. I soon come to a deep pool, with no bridge to cross. But I pull out my Volo Lutu Launcher, and fire it at a stone jutting out on the opposite side. The launcher fires the Volo Lutu, and it sticks to the stone. I flick a switch on the launcher, and it is now being magnetically pulled to the Volo Lutu! I’m quickly pulled across to the other side of the pool. I retrieve the Volo Lutu and continue on. I continue through the narrow cave, and find the lost Toa Stone! I take it back to Onu-Koro. When I get there, Whenua thanks me for retrieving the stone. I decide to head on to the other villages. As I approach the exit of the caves, a Matoran stops me. "You have done well, Takua. To continue you must first race me, Onepu, the greatest of all the Ussal Crab racers! Collect all eight buried crystals to win." I suppose Onepu must be really eager for a race, so I accept his offer. We each climb onto our Ussal Crabs. Onepu announces that we are ready to go, and the race is on! The Ussal crabs scurry through caves and dig through the dirt to find the eight crystals. Onepu is faster than I am, and knows the caves better, so I stay close to him. His crab does most of the digging. Soon he finds the location of the first crystals and we each take one. We continue through the caves, Onepu collecting the crystals just before I do. Once we each have seven, I take note of the direction he is going and urge my crab on. Onepu’s crab is now worn out from all the digging, while mine is still fresh. I pull ahead and grab the last crystal! Onepu is impressed with my handling of the Ussal crab. True to his word, he now lets me exit Onu-Koro. Chapter 2 I walk out of the caves of Onu-Koro, and see the bright light of the sun bearing down upon me. The grass here grows plentifully, and the trees grow tall. A find a deep river blocking my path, but use my Volo Lutu Launcher to launch myself over a piece of coral to the other side. I leap across another river, and find near the beaches outside Ga-Koro. A blue villager blocks the bridge to the village. "Welcome to Ga-Koro! You may have access to our village by participating in our boat race. You'll race against me. I'm really fast!" The villagers are preparing for the boat race. The villager I spoke to earlier leads me to the boat I will be rowing in. Three more of the blue Ga-Matoran pile into my boat. I look to my right, and see the three other boats we will be racing again. The villager who spoke to me earlier waves at me - she is in the boat directly next to mine. All the boats are a similar design, holding four passengers, but painted in different colours - ours is predominantly red. A Matoran shouts “GO!”, and our leader shouts commands at us. We begin rowing, slowly picking up speed, and head out into the bay. Our leader skillfully guides us around the rocks and sandbars, and seems to have an excellent eye for the currents that will help us toward our goal. We are soon far ahead of the other racers, and over the finish line. My teammates cheer together in victory. We row back toward the village. Ga-Koro floats on the water, made up of many large lilypads tied together by bridges. Slightly smaller lilypads serve as the main material for their homes. When we reach the lilypads, we tie the boat ashore and I walk toward the center of the village. I approach one of the villagers, and she tells me "Greetings, fellow islander. Our Turaga, Nokama, is missing! We think that she has been captured by the Makika that lives in a cave across the harbor. Will you help us rescue Nokama?" Of course, I answer in the affirmative. She points me toward the harbor, where the Makika nests. I head out of the village toward the harbor. I make my way up past the reef, until I find a cave. I slowly enter. Deep inside the cave, I see a huge, long-armed Makika Toad. Behind it, I spot Nokama, tied up and struggling to get free. The Makika notices me, and hops over toward me! I run backwards, towards a boulder I have spotted. I lift the heavy boulder up over my head. As the Makika comes in to try and grab me, I throw the boulder at it. The boulder lands on its head, and the Makika is too stunned to move. I take the opportunity to scramble over to Nokama, and carry her out of the cave. When we return to Ga-Koro, Nokama tells me "Thank you for rescuing me, little one. The island of Mata Nui needs your help! As I have learned, some of the sacred Toa Stones are still missing. Our own Toa Gali Stone was taken by a creature that lives in the cliffs across the harbor." I head out of the village, toward the cliffs that tower alongside the harbor. A huge river divides the land, but once again I use my Volo Luta launcher to fly through the air to the other side. As I explore the cliffs, I soon find a giant grasshopper guarding the second Toa Stone. Before the grasshopper notices me, I throw a series of my Madu Fruit at it. The grasshopper falls over on it’s back, and I grab the Toa Stone. When I return to Ga-Koro, Nokama thanks me again. I leave the village, to walk around the bay and onward to Po-Koro. Chapter 3 I leave Ga-Koro, heading toward the stone canyons of Po-Koro. As I tread through the canyons, I head down a path to the East, and stumble upon a drill - I believe this belongs to Whenua. I take the drill with me. The canyons are a long maze, but I find a Po-Matoran who tells me "You can use the drill to dig under some enemies and knock them over or to dig under walls like this one." Taking his advice, I use the drill to dig under the ground. The drill is surprisingly powerful and can dig tunnels very quickly, and soon I have made a shortcut by digging under the canyon wall. I step out into sandy plains, and spot the Stone Gate of Po-Koro in the distance. I begin walking toward the gate. When I arrive, I'm stopped by a guard. "Stop! Who are you!" His companion chimes in. "What do you want!" "Why are you here!" Demands the first. "How do we know you aren't an ally of Makuta?" "What's the password?" "There isn't a password" "That's right. Ok, you can pass." "I already live here!" The second guard has clearly confused himself. I walk in to Po-Koro. It's a well-protected village, built up against one of the walls of the canyon. The homes are all built out of stone. As I wander through the town, I stumble upon a hammer. I pick it up - it looks like the one that belongs to Onewa, the Turaga of this village. However, after searching I cannot find him anywhere. The villagers do not seem to know where he is either, but tell me of a canyon that he may have visited. I leave the village toward the canyon, and find a bridge that takes me higher onto the natural stone walls. I find Onewa's Hammer useful to break through some boulders that block my way. I take some of the shattered remains of the boulder with me - I will surely find the rocks more powerful than the Madu Fruit I have been using to defend myself with. While searching through the winding path, I think I spot a cage in the distance. It looks like Onewa is trapped in the cage! As I approach the cage, a number of insects burrow up from under the ground and charge at me. I try to escape, but I cannot dodge them all. They begin biting at my feet, and I run back, shaking them off. Once I have retreated a short distance, the insects stop following me and burrow back beneath the earth. I slowly walk up to the cage again. As I approach, a single insect burrows up and rushes toward me, but I throw a rock at it. The insect is knocked out. I repeat the tactic, taking slow steps until an insect burrows up to stop me, and hitting it with a rock. After about a dozen times, all the insects are defeated. I walk up to Onewa's cage. It's surrounded on each side by small, metal towers, and I cannot free him with the towers in the way. I cannot move them by hand, no matter how hard I try. I search for another way to free Onewa. I notice there is a pattern etched into ground, and a few small mounds where it looks like the sand has been dug up. I try to dig up these mounds using Whenua's drill, and find a small switch in each one. When I flick the switches, the metal towers sink down into the earth. I open the cage, and Onewa tells me "It was so hot in that cage! Let's go back to the village, it's much cooler there." I follow Onewa back to Po-Koro. "You're the best, Takua!" says Onewa. "The desert just won't be the same when you're gone." I ask about the Toa Stone, and he says he believes a giant scorpion that lives in the desert may have stolen it. I leave town once more, toward the nest of the giant scorpion. Along the way, I find a discarded Bamboo disk - the preferred weapon of Matoran guards. These disks hit hard and return when thrown. Soon I am at the nest, and have spotted the Giant Scorpion. I see the Toa Stone in it’s claw. The Scorpion is huge - as tall as I am, it’s stinger towers over me. It notices me and quickly moves in to attack. I throw my new Bamboo disk at it, but even a direct hit hardly fazes it. I try to dodge as it thrusts its stinger at me, but it’s too fast and it grazes my arm. It thrusts it’s stinger at me again, this time I pivot and manage to dodge. The beast continues to press the attack, cornering me against a stone wall. It attacks with its stinger again, this time I dodge and the stinger gets stuck in the stone. I know even my bamboo disk will not faze it, so I dig into the ground with Whenua's drill, underneath the fierce rahi. When I am sure I am underneath it, I ram my drill up into it's belly. The beast is wounded - it's belly is clearly it's weak point! But it comes at me again. Again, I dive into the tunnel I have already made, and attack with the drill from underneath. This time, the blow is fatal. The beast cries out in pain, and collapses. Now, I can easily retrieve the stone from its grasp, and head back to the village. When I return, Onewa thanks me once again. As I head to the gate to leave the village, one of the Po-Matoran stops me. He says "I am the village Koli champion! Let's play!" It's been awhile since I have played Koli, and I'm eager to test my skills - but surely it is Huki, not this strange Matoran, who is the village champion? Regardless, we head to the field, where the Po-Matoran finds two more players. In Koli, there are four players and four goals. The players must kick balls into their opponent's goals to score a point for themselves, and deduct a point from the player the goal belongs to. When the game starts, I quickly run to my goal, and kick the balls near my goal away. The other players are fast, but they follow the balls to the other quadrants of the field. I run toward the other goals, and score a number of points. I then return to defend my own goal from any balls that have come near my quadrant of the field. When all the balls on the field have entered the goals, I have the most points of all. I bid the other players farewell, and leave the village to head toward Le-Koro. Chapter 4 After some travelling, I find myself amongst the enormous trees of Le-Wahi. I meet a Le-Matoran, who informs me "Every time I try to play with the others, I get knocked off the ledge! There must be some way to get my own Kewa Bird!" I am unsure what he means, but I spot a set of stairs leading up one of the trees, and climb up. The stairs lead to a hollowed out section of the tree. Suddenly, a bird carrying a Matoran rider flies in and knocks me out of the tree! I fall down onto the hard ground. I pick myself back up and climb the stairs again, this time ducking behind a stone obelisk when the rider flies by. He comes in to land, and I prepare my volo lutu launcher. I fire the volu lutu at the bird, and launch myself at the rider! I kick the Matoran off the bird, and climb on top. Taking the reigns, I direct the bird out of the tree and into the air. Three other Matoran riding birds are out here, flying among the trees. They seem to be playing a game where they throw fruit at each other. I fly towards them to join in, throwing my own fruit. Before my target sees me, I have hit him right in the back of the head! Now he has noticed there is a new player, and he directs his bird towards me. He pelts his fruit at me, but my bird dives, making me difficult to hit. The aerial battle rages on, with the four of us diving, banking and throwing fruit at high speeds. The other riders are clearly more adept at handling their birds, but their aim and throwing distance does not compare to mine. Whenever one comes in to attack, I hit him first. Soon, I am declared the victor, and we all fly back to Le-Koro. Le Koro is a village built into the tree-tops, with wooden platforms built onto the trees and bridges between platforms everywhere. The villagers live in houses made of numerous tree branches. One of the villagers approaches me and says "Your skill at wind-riding the Kewa Bird is impressive! I must ask for your help. Matau, the Turaga of our village, has been kidnapped. Only Matau ever-knows the secrets of the Toa Lewa Stone! You must rescue him if you can..." He gives me the directions to the place he thinks Matau has been taken. I climb down the bridges to the surface in search of Matau. When I approach, I see a huge bird’s nest in a tree! Even far away, I can hear the squawking of birds. As I approach the tree, a giant blur of red flies from the nest toward me! I run away, but huge talons pick me up and carry me back to the nest. I look up, and see that my captor is a wild Kewa Bird. I struggle to escape, but I can’t break free of it’s grip. It drops me into its nest where it’s hungry chicks await. I look around. Matau, wrapped up in a vine, is in the nest with me - I wonder if he is a snack for later? One chick hops over - it’s as tall as I am - and pecks at me. I scramble away and use my Volo Lutu launcher to fly out of the nest, onto the branch of a nearby tree. I climb to the ground, and try and think of a way to rescue the Turaga. I see a large stone nearby. I hold it above my head, and walk back toward the nest. This time, the Kewa grabs the stone instead of me. When it returns to the nest, it drops the boulder in. I repeat the process a few more times with different boulders I find. Once the bird has taken five boulders as “food”, I listen hard - I can no longer hear the squawking of the baby chicks. I approach the tree without a boulder, and let the eagle carry me back to its nest. It drops me in. I can now see that the babies have all been crushed by the stones the eagle has taken. I help to untie Matau, and he tells me "Oh, Takua -- you saved me! Time to quick-return to the village." When we return to Le-Koro, Matau says "Once again you have proven that a small stature does not prevent great deeds! As a reward for rescuing me, here is Matau's Kau Kau Staff. With it you can clear trees from your path. Use it wisely! Only the late-knowing use the Kau Kau Staff without good purpose. Once you find the Toa Lewa Stone, you must go to the ice lands to the northeast. I've heard that a strange tree deep-wood may provide the answer to the location of the Toa Lewa Stone. Seek-find wisely, and may Lewa look out for you!" I gladly take Matau's staff. I head down to the surface to search for this strange tree. As I head away from the village, I notice something on the ground. It looks like Turaga Nuju's Ice Pick! I take it with me. I continue searching Le-Wahi, until I stumble upon an unusual gear. I take it with me. Shortly after, I find the tree Matau told me about. It has a huge mask carved into its trunk, and four branches which have had the top half cut off, with a protrusion coming up off each branch. I find another gear on the ground nearby. The gears seem to fit the carved branches of the tree, but I need two more. I hunt around the area, and find another gear tucked under a fallen leaf. I spend some more time searching for the last one. Eventually I come to a ravine. It looks as if the last gear is on the other side. Seeing no way across, I use the Kau Kau staff to cut down a nearby tree, and use it as a bridge to cross the ravine. I walk across, grab the gear, and head back to the carved tree. I place the last two gears on it’s branches. The carving on the trunk slides downwards to reveal the hidden Toa Stone! I take it back to Matau. Matau thanks me for finding his village’s Toa Stone. I leave Le-Koro, toward the icy peak of Mount Ihu. Chapter 5 After trekking through the snowy plains of Mount Ihu, I approach Ko-Koro. The village sits between two glaciers. Outside the gate, I spot a Ko-Matoran. He tells me "I'm always in the mood for a good snowball fight! Get ready!" He leads me to an icy field where two more Ko-Matoran are waiting. Soon, the snowball fight begins, and I am sliding around, pelting snowballs at the other three. They are good, but I dodge almost every snowball they throw at me. At the end of the fight, I can barely tell where their white bodies end and the snow begins! I am barely touched by snow at all, and am declared the victor. I head through the gate into the village. There are two guards stationed here. The first guard says blocks my path, saying "Go back, or you'll be frozen in ice!" His comrade replies, "No, you'll be buried in snow." "Frozen in ice is better." Argues the first. "I like buried in snow!" "Let's compromise: go back or you'll be really-really cold!" I walk past the guards and enter the village. The villagers have hollowed out sections of the glaciers to make some of their homes. More dwellings are littered around the snowy plains, built out of ice. As I walk through the village, a Matoran runs up to me and says "You've arrived just in time! Turaga Nuju has been kidnapped by a horde of evil beasts! My friend Matoro has been injured! The best trackers of our village have been unable to reach Nuju. You must rescue Nuju!" He tells me where the trackers believe Nuju has been taken. I head out of the village in search of Nuju. Shortly after, I find a herd of Mahi goats blocking my path! Whenever I get close, they begin growling and charge at me. There are many of the beasts, and I am not fast enough to run past them. The goats have made their territory at the base of a small cliff covered in snow. I throw an explosive Madu Cabolo fruit at the cliff, and the explosion causes an avalanche, burying the creatures in snow. While they are stuck trying to escape, I run past. Shortly I find Nuju. He appears unscathed. I walk up to him, and he speaks to me. Nuju only speaks in whistles and clicks, and I do not understand him. Regardless, he returns with me to his village. When we enter the village, Nuju leads me to a Ko-Matoran I recognise as Matoro. Nuju speaks to me in his strange language, and Matoro translates for me. "Now that you have proven your ability, I must ask you for your aid. The sacred Toa Kopaka Stone has been stolen from Kini-Nui. It must be found and returned so the Legend of Mata Nui can be told." Matoro tells me where Nuju believes the Toa Stone has been taken. Once again, I leave the village. I reach the cliff where I was told the Toa Stone would be. I don’t see the Toa Stone, but there is an arrangement of three regular stones. I think I see movement under one. I take Onewa’s Hammer and swing it at the stone. The stone shatters, and underneath I see an angry Ice Hikaki! This is a dragon-lizard that can hurl shards of ice from it’s mouth. Clearly it’s mad that it's home has been destroyed. It immediately starts spitting ice at me. I run away, trying to make myself a hard target, and throw my disk at it. It's stunned for just a moment, but almost before I catch my disk, it attacks again. I dodge, duck and weave its ice attacks, while taking every chance I get to throw my disk at it. The Hikaki hits me with more than a few painful shards of ice, but after I hit it with my disk for a fourth time, the dragon-lizard has had enough. It runs off into the snowy fields. I inspect it's nest - it has left behind the fifth Toa Stone! I take it back to Ko-Koro. When I return to Ko-Koro, Matoro thanks me on behalf on Nuju. I am ready to leave this icy mountain, and head toward Ta-Koro - my old home. Chapter 6 Ta-Koro is built into the Lake of Fire, a huge pool of lava that sits in the Mangai Volcano. I cross the stone bridge that leads to the village, but when I reach the gate of Ta Koro, the two guards stationed outside start shouting at me. "There he is! Let's get him!" "We can't let him get away!" says the second. "Stop where you are!" the first shouts. "Ok!" replies the second. "Not you, silly!" I walk through the gate while they bicker. Ta-Koro is a huge fortress that sits on a stone island in the middle of the Lake of Fire. I see Turaga Vakama outside one of the buildings. I am not eager to speak to him after so long, but I need help to find the last Toa Stone. I walk up to him, and he tells me "I've heard about you, Takua. You're just a villager! You've come very far for one so small. I've heard about how skilled you are, but I am not convinced. Are you strong enough to recover the lost Toa Tahu Stone? I don't think you're up to the task! But I am willing to give you a chance." He hands me a lavaboard, and tells me that I must enter a lava surfing competition before he will help me find the last Toa Stone. I head over to the Trem Krom Break where the Ignalu Lava Surfing competition will take place. Four of us line up, ready to surf down the lava flows. The referee shouts “Go!” and we jump on our boards, surfing down the river of fire. I stay to the fastest flows of lava, and quickly take the lead. I reach the finish first, and return to Ta-Koro to tell Vakama of my victory. But when I return to where Vakama was earlier, I cannot see him. In his place, I see one of the Ta-Matoran guards. He tells me "It's about time! Where have you been? Vakama has been taken by a band of hot-headed Fire Maha! Only you can save Vakama, as I must stay here and guard the village." The guard tells me where he thinks Vakama has been taken. I head out of the village in search of Vakama. As I trek through the plains, I stumble upon what looks like his mask. I take it with me, knowing I must be on the right path. I continue through the warm, rocky mountainside. Soon, I see a cage. When I approach, I can see that Vakama is locked in it. He yells to me "Help me! Those Maha over there have the key to this cage. You must knock them all out to get the key!" There are four Maha. I walk up to them, but when I get close they all flee! I chase after them across the mountainside, hurling my disk at them. Soon, I have knocked them all out, and find the key on one of them. I return to Vakama’s cage and unlock the door. I return both his mask and firestaff to him, and we head back to Ta-Koro together. When we return, Vakama says "Well, I guess you've passed the test, but I think you were lucky! There is little time remaining to find the Toa Tahu Stone! You must find it quickly before it is lost in the depths of the Mangai Volcano forever. Now get going!" Before I leave, the guard I spoke to earlier tells me "Good luck, Takua. The path ahead is a dangerous one! Now go! And may Tahu protect you..." I leave the village and head up the mountain to where I will find the last stone. It’s in a cave that crosses with rivers of magma. After trekking through the cave, I see the last stone in the distance, on the other side of a river of magma. I leap onto my lavaboard to get across. Once I am on the other side, I take the final Toa Stone. But after I take the stone, the ground beneath me gives way. As I’m falling, I pull out my lavaboard and manage to land on it - I am lucky I did so, as I have landed in a chamber full of magma. The lava flow pulls me along, and I begin surfing down through the magma-filled chamber. I quickly build up speed. I see a light at the end of the cavern - I’m approaching the exit!. As I get closer, I can see the lava ahead of me is falling down a cliff. When I reach the end of the cavern, I go flying through the air. I am unhurt when I land. I believe I am near Kini Nui. I see the six Turaga together. I walk up to them. Onewa greets me. "Thanks for dropping by, Takua!" Nokama tells me "You are our hero, little one... you have recovered the Toa Stones!” Vakama says "Hmph! I guess you did. Not bad for an amatuer... Whenua says "Now that the Toa Stones have been returned, we can once more tell the Legend of Mata Nui, and prepare the way for the arrival of the Toa." Matau smiles and says "Good work! Now please return the Toa Stones to their proper places in the temple." I return each of their staffs to them, and head up to the temple. I place the stones on the Amaja-Nui. They begin emitting bright, colourful lights. There is a huge explosion, and I am flung, high into the air. The light around me is a powerful collection of colours. I begin falling, the beach of Mata Nui gets bigger and bigger. I land hard in the sand.
  15. Hey, everyone. I'm looking to obtain four of the original 2001 instruction posters of the Tohunga/Matoran that came in McDonald's Happy Meals. The ones I'm looking for are Onepu's, Huki's, Maku's and Matoro's. I'd basically like to have a full set of Tohunga, including posters, but I'm not sure if ordering four mint condition polybags from the US is worth it, considering I intend to open them. Right now I have two opened Jala and Kongu sets (both McDonald's releases); I still keep their polybags and posters. It'd be nice to have a poster and polybag per Tohunga, but the polybags are low priority. I'm only interested in US releases of polybags and posters, not later releases.
  16. DISCLAIMER: The following is a non-profit fan-based parody (but you knew that) BIONICLE is owned by the LEGO Group. Some ELEMENTS will be changed. This is not meant to be an accurate portrayal. We will take no attempt to MASK the fact we are disregarding official canon. Please support the official release. (BUY MOAR LEGO) Prologue: “Gathered friends, listen again to our legend of the BIONICLE.” “We’re not exactly friends Vakama, I just work with you. Temporarily.” “What do you mean by that Onewa?” “Whenua, don't ask the idiot questions. Anyway, in the time before time, the Great Spirit descended from the heavens. Carrying we, the ones called the Matoran to this paradise." “Carrying us.” “What?” “Carrying US, is the correct expression.” “Who’s telling the story here Nokama?” “Twit-too-woo. Twit-too-woo.” “Great, does anyone understand what Nuju is saying?” “Yes he said: Vakama I love you marry me." “CHIRP?!” “Oh ha ha very funny ho ho very droll. We were separate, and without purpose. So the Great Spirit illuminated us with the three virtues: Unity, Duty and Destiny.” “That sounds more and more corny every time you say it.” “ZZZ… Corn? Where?” “Matau, have you been asleep the whole time?” “Depends, a long is a hole?” “As long as a piece of string, my intellectually challenged friend.” “Matau, with every breathing moment you make me regret my decision NOT to kill you. Anyhoo-“ “Anyhow.” “SHUT UP! Anyhoo-and I will say it anyway I like-we embraced these gifts, and in gratitude we named our island home Mata Nui, after the Great Spirit himself. But our happiness was not to last. For Mata Nui’s brother, the Makuta, was jealous of these honours and betrayed him. Casting a spell over Mata Nui who fell into a deep slumber. The Makuta was free to unleash his shadows. And unleash them he did.” “DUN-DUN-DUN!” “MATAU!” WELCOME TO MATA NUI
  17. When you look back on the years of Bionicle (both generation 1 and 2), Both series had wonderful set designs and concepts, but there is absolutely no denying that the newer models had better articulation. In our final year, 2016, we got to see something that was previously exclusive only to the largest of Titan sets: waist articulation. Looking back even further to the classic/golden years of Bionicle (2001-2003), we had even less articulation! Necks and knees were introduced in the very last wave of canister sets in 2003, and we didn't get to see the standardization of elbows until 2004 and onward. I've seen dozens of people pouring their hearts and souls into 3D printing masks (specifically the 2016 Mask of Ultimate Power), but I've been shocked to see that nobody has thought to try some other things with 3D printing at their disposal. The classic Bionicle sets are some of the most beloved sets in all our hearts, I have no doubt, namely the 2001 Toa sets. But these very first sets were limited to mere ankle, hip, and shoulder movement, only some of them even had wrists! Ah. The classic Bionicle arm/leg piece. Something I'm sure many of you recognize. Maybe you even get a little bit of a nostalgic tingle in you when you see it. But despite this, it hasn't aged well in comparison to some of the more advanced CCBS limb articulation designs, has it? Looking at this piece's design, you can see the greebling to make it appear as though it can be articulated in the center, with pistons and an opening in the middle as though it was meant to bend. In fact, as you can see in the first picture of Tahu above, much of the box art and promotional design showed sets with these pieces bent in these exact ways! What if it could bend though? Surely with the technology of 3D printing at our disposal, it's possible? This piece is only the first I would love to see modernized. Is it possible? A few ideas jump to mind, namely taking the piece and separating it in the middle, and placing something like one of these on each half, allowing them to connect and bend. I believe the standard leg/arm would be the simplest to design, but there are plenty of other classic parts that would do marvelously with additional articulation, such as these The biggest challenge, however, would be in finally bringing the 2001 sets up to date with the 2016 ones entirely, by giving them waist articulation in this piece. Have you ever wondered if this was possible? Do any ideas that I haven't mentioned jump to mind? Please post and help me make this idea a reality!
  18. I recently purchased what appears to be a North American release of Onua Mata (#8532) in mint condition. Upon comparing the shape of the canister to its European counterpart, I couldn't help but notice that the NA release appears to have an extra ridge of sorts at the base that makes it stand about 2 mm taller than the other canister. A quick search on eBay revealed that no other NA editions of any Toa Mata seem to have that peculiar ridge and right now I'm thinking of attempting the impossible by figuring out just how many distinct releases (or batches) of the Toa Mata there were, available all over the world. Here are some of the variables I've been able to spot so far: Extra ridge at the base of the canister, making it taller.Distinct arrangement of graphics on North American and European canisters.North American black and white mini CD packed inside, signified with a black symbol under the set name.North American full-color mini CD packed inside, signified with the same black symbol under the set name.European black and white mini CD packed inside, signified with a black symbol under the set name, identical to the NA symbol.European gold/tan mini CD packed inside, signified with the same symbol under the set name.Poster packed inside with a clear image of the one Toa on the front and various early 2001 Technic sets advertised on the back.Poster packed inside with a clear image of the one Toa on the front (identical to the one above down to the very item number) and the Turaga and Rahi sets advertised on the back.Poster packed inside with an image of the one Toa and a sequence of all the Toa Mata on the front and the Turaga and Rahi sets advertised on the back.Poster packed inside with ads of 2002 sets on the back.I don't know if there are any other variations of the posters but I do know that there are no more than four different types of CDs packed inside. Also, the instruction booklets appear to be completely identical for every release. Can you guys take a look at your Toa Mata and tell me if I'm missing something or if there seems to be some extra merchandise packed inside that I haven't yet come across? Photo credit goes to Mask of Destiny, BrickLink and various others.
  19. Now, as starters, I know that 1) these were meant to promote the sets, therefore being lore-friendly was secondary and 2) Toa derive much of their power from their Kanohi, and don't just get the powers associated with the mask. That said, I am a tad confused by the 2001 Toa Mata animations - I mean these - and the role of masks. So, Gali and Onua start off with their masks, which makes sense. Gali is underwater, so she needs her Kaukau and Onua is digging, which I assume requires a lot of strength. Then there is Lewa, who peeks out from behind a leaf with no Mask. I mean, don't Toa get all weak, groggy and fatigued with no Mask? Anyway, he then performs a jump which could only be cleared with the help of the Miru. I'm okay with this. Tahu, the Toa of Fire, who would still be burned to a crisp if literally bathing in lava, goes surfing in said substance, so I guess the Hau is warranted, but again, why isn't he wearing it at the start? Also, we know he'd be fine surfing on lava without the shielding power of the mask, and it's never mentioned that he ever fell in. But Kopaka and Pohatu are the weirdest of the lot. Kopaka is standing on a mountain, looking at the horizon - without his Akaku on. I mean, isn't that mask perfect for this vantage point? Anyway, he then puts it on, the mask of X-ray vision, and promptly stops an avalanche coming from behind. This is in no way related to the Akaku, in spite of what the video is implying. And finally Pohatu. So Toa get weak and tired without their masks? How about he takes a walk through a searing desert, which must have taken ages at that walking speed, without his mask. Why not use the Kakama? I mean, it's the mask of speed. Speed!. Anyway, he then puts it on, and kicks a rock. Nothing to do with speed. Why?! I mean, overall I like these animations because nostalgia, but they don't really make sense in terms of lore. What do you make of these?
  20. Tell me how these make you feel.
  21. Up for sale Quest for the masks boosterboxes from 2001 containing 24 sealed packs a box. Have multiple boosterboxes available selling them for 20,- euro each. You can contact me with pm or e-mail: cas_zutphen@hotmail.com
  22. A while ago I stumbled onto a peculiar eBay auction, with a used 8516 "The Boss" RoboRider set, where there appeared to be a booklet advertising the Toa Mata. There was no box included, so I just assumed the seller had mixed their sets up; it happens, right? Then today I saw another auction with the same set in much better condition, original box included, and the SAME 2001 teaser/ad booklet for BIONICLE 2001. Have a look right here. I wanted to ask if anybody knew how common this thing was? As far as I can tell, it's only been available in US packages of the set (maybe in later releases?), which is sad, because I recently bought one from the Netherlands in mint condition, hoping I'd maybe find the little booklet in there. Does anybody also have any idea if it's on BrickLink under any name? I'm having a hard time finding it, and honestly it seems pretty neat.
  23. Recently I had a nostalgic surge after replaying MNOG 2 (Mata Nui Online Game 2), and decided to recreate all 72 of the matoran in the game in their tohunga form, simultaneously. Many of the pieces, such as certain kanohi, legs, torsos, arms in certain colours are not even made by lego, and therefore complicated matters somewhat. However, I managed to spray paint all the necessary pieces eventually. Collecting 72 tohunga was a challenge in itself, given their scarceness in the market place these days... Here they are in all their glory: Visit: http://biosector01.com/wiki/index.php/Gallery:Mata_Nui_Online_Game_II:_The_Final_Chronicle to see the full list I'm referring to.
  24. Hi, so after seeing XONAR's post about a Bionicle 2001 website recreation, I decided to try recreating it myself. Seeing that I was a regular on the site, I remember a lot of details about the site that you couldn't know unless you had been on the website. I cant animate it or anything, but I can tell you the basic functions. I have been recreating the site in Microsoft Word. I would be using PhotoShop, but the only computer with it is my Dad's and its like 3 hours away from my house. I'll buy it soon though... So, I am going to attach the work that I have done, I have the Rahi/Makuta/Mata-Nui done, but thats it as of late. I am working on the Toa/Turaga/Kanohi/Software. I'll keep you posted! https://www.mediafire.com/folder/vk5xrn9pdcyff/Bionicle_Website_2001
  25. THIRD ROCK FROM THE CAVERN OF LIGHT «Alright, someone get me a status update» the foreman grumbled in between elbowing his way through confused miners, struggling to take stock of the situation. Dust and grime clouded his senses as his night vision made out the contours of the cave-in slowly coming to rest before him. Distressed miners and their Ussal steeds were already scrambling to move the rubble out of the way, but the unusual volume of debris made it clear that this would take a long time to clear out, maybe too long. “Please tell me everyone made it out” the foreman asked of a nearby miner, who shook his head with a glum expression. “No, sir, there was still one miner left at the edge of the tunnel when the cave-in came, I’m not sure he even noticed that the tunnel was collapsing” “Spirits,” the foreman exclaimed in distress as he ran closer to where the miners were shuffling away parts of the debris, “did anyone see who was left inside?” “I did,” came a cry from one, “it was Taipu, he was just swinging his pickaxe like he always does, didn’t look like he had room for anything else in his head” “Great Spirit bless him,” the foreman muttered, “if anyone could survive in there long enough for rescue, it’s him. MOVE IT, people” Taipu had at least noticed by now what was amiss. His first clue came when the lights were unexpectedly turned out, leaving only a single lightstone embedded in the roof to light the way for him as he swung his pickaxe with the same resolute motions as he always did. For Taipu was still digging, still chipping away at the rock before him, before bending down to pick up and toss loose rocks out of the way before continuing. He was trapped, but he was certain help was on the way. In the meantime, all he could do was keep digging, it’d be a real shame if all this work was going to be set back because of a lousy little cave-in. Onepu had shown him how to dig for two Matoran for a reason, right? So he pressed on, shoveling aside bigger and bigger loads of dirt and soil as the ground in front of him became looser. He didn’t think much of it, he just wanted to help get the service tunnel finished while he was here anyway. After a while, Taipu was beginning to feel the fatigue creeping into his limbs, and his movements were growing more and more sluggish. The wall of soil and dirt before him was a sea he waded through… he assumed, he’d never actually seen the water, he liked staying in the tunnels, and the world around him was growing darker by the second, so dark that he started fearing he was digging his way into The Makuta’s realm itself. “I really hope… Toa Onua… will save me” he thought to himself, with what was probably his last thoughts. He felt something give way before his shuffling hand, and he fell unconscious just as his eyes were filled by a bright light… When Taipu came to his senses, the light seemed to still be there, the roof above him was visible clear as day, and there was no lightstone in sight that provided that visibility. He looked around, and what he saw was the interior of a small hut not unlike his own or Onepu’s, but something about it looked different. Taipu soon realized what the difference was: the hut was brown. In fact, everything around him looked distressingly brown and dusty, and he could spot blue sky through the window… was he in Po-Koro? He knew that place had sand. But then, a figure appeared in the door, a completely black Matoran, with the trademark green eyes of an Onu-Matoran, he was even wearing the great Toa Onua’s Mask of Strength. A wilting growth of some kind that Taipu couldn’t identify was clenched between his teeth, and waddled slightly as the unknown Onu-Matoran stepped closer to him. “You’re awake, how ‘bout that”, the stranger mumbled as he passed Taipu by on what the miner assumed was the stranger’s own bed (now he felt embarrassed), and started rummaging around in a nearby cupboard. “I… where am I, who are you?” Taipu eventually managed to stutter, the strange Onu-Matoran’s face furrowed slightly as he brought a bowl of something warm to Taipu’s mouth. Taipu didn’t protest as he accepted the stranger’s care, the warmth spreading through his body helped him think clearer, and some of the pain he still felt in his sore limbs dulled. “Name’s Midak,” the stranger finally introduced himself, “and this is my little Ussal pen right at the main road to Onu-Koro. Not much to look at, true, but the view is irreplaceable.” Taipu managed to summon the strength to sit up, and looked at the Matoran who’d introduced himself as “Midak”, he’d heard that name before… “Now I’ve seen that mug a few times before,” Midak replied, “you’re thinking ‘wait, this is that crazy feller who lives on his own right in the sunlight’, and I’m sure you’ve heard far less dignified versions of that account, too, but yeah, that’s me.” Midak stepped back cordially to give Taipu room to get out of bed, the miner tried to struggle to his feet, but once he stood upright, he was overwhelmed with a throbbing pain in his head, and fell over backwards onto the bed again. Midak tsked, and put away the bowl before coming over to Taipu, “no, no, this won’t do at all. Whatever it was that got you stuck in the cave wall must’ve done a real number on you” “Stuck in the… what?” was all Midak managed to ask as he was reseated on the bed. “I found you sticking out of the cave wall like an unusually animate rock, was worried for a moment the Kofo-Jaga had gotten a bite out of you, the way you were just hanging there.” “I… I just remember a big light, and then nothing. I was just busy digging a service tunnel, and wanted to get some extra work done while waiting for the cave-in to be cleared away” “You kept digging a tunnel by yourself while trapped behind a rockslide?” Midak asked in genuine shock, Taipu nodded. “I just didn’t want all that time to go to waste…” he said simply “Well, you’re one dedicated Matoran, I’ll give you that,” Midak replied, “now look, you just get some rest until you’re ready to stand up straight, and I’ll make sure you get back to town in good health, alright?” Taipu nodded, and laid down on Midak’s bed to get some sleep. When he opened his eyes again, he found the hut empty and quiet, with no sign of Midak anywhere. The world around him looked clearer to him now, and his headache had receded significantly. Taipu decided to make another attempt at getting to his feet, and this time he succeeded. Taipu shook of the remaining feelings of sluggishness, and made for the hut’s entrance. He blinked several times, hard, when he peered out at the bright sky and was taken aback by the bright sunlight washing over him, nearly searing his eyes and bathing his body in uncomfortable heat. With one of his hands shadowing for his eyes, Taipu was able to make his way over to where he saw the bent over figure of Midak hunching next to a dozing Ussal Crab. Midak rose to his full height upon hearing Taipu’s steps, facing the miner with a mildly surprised look. “Didn’t expect you to crawl out of bed so soon. How are you feeling?” He asked. Taipu blinked through the bright daylight, until he managed to grunt forth “Alright, I guess, expect for the light… how can you stand it?” he asked. Midak’s face fell into bemused folds, his eyes suddenly twinkling with an unusual spark as he put a hand on Taipu’s shoulder. “You see, I like to live my life right under the ceiling the Great Spirit already gave us, and what an interesting ceiling it is.” Midak gestured across the blue vista that stretched into the horizon, and Taipu gave him the due courtesy of looking at what he was describing as Midak disappeared into his own deliberations and wasn’t paying as much attention to Taipu anymore. “It’s got character, there’s life happening up there, the clouds streaking by, the stars that easily outshine lightstones in the sky at night, but most of all, the sun is His light, it’s a reminder that he always watches over us, and when it peeks out from behind a morning cloud, I can look at it and remember that even when The Makuta’s out to get us, The Great Spirit and his Toa are gonna be there to give us a hand, just when we need it the most.” “Besides, fresh air is hard to come by in Onu-Koro, and my Ussal Crabs like them some fresh air to frolic in, ‘specially Puku here” The Ussal Crab in question chirped excitedly at Taipu, and seemed to try to reach him with its claws. Taipu quickly recoiled, withdrawing his hands, wich seemed to sadden the Ussal Crab, who gave a more somber chirp. “Aww, don’t let old Puku scare ya, girl’s just wondering how you’re doing, she was with me when I found you” Midak reassured Taipu. “Puku?” Taipu asked, “isn’t that Onepu’s old racing crab?” Midak patted one of Puku’s claws with a nostalgic smile, “sure is, took the title three times with him, if I remember rightly. She’s a bit long in the tooth now, but still mighty fast when you need a ride." Taipu’s interest in the prospect of meeting his friend’s old racing mount overcame his fear, and he offered his hands to Puku, who gave them a gentle squeeze as a kind of hello, apparently she’d observed Matoran shaking hands and taken cues from it. Taipu smiled at the gesture. “Well,” Midak said, “if you’re feeling better, best not waste any time getting you back home, someone’s got to be worried sick about you back there if they think you’re trapped in a rockslide somewhere” Taipu nodded “yeah, and it would be too bad if they wasted too much time looking for me” “Alright, then. Puku, let’s saddle up” Midak told the crab, with an enthusiastic chirp in reply. The ride back to Onu-Koro was fairly uneventful, aside from the fact that Taipu and Midak got the chance to get a little more acquainted with each other. Midak was just as intrigued by how incredibly well Taipu’s eyes were adjusted to the darkness as his own were used to bright light, even more so than most Onu-Matoran he ran into. “And there it is,” Midak could finally say, pointing at Onu-Koro in the distance, with its usual cluster of lights and candles lighting the massive cave it was placed in. Taipu’s spirits lifted considerably at the sight. At the entrance, there was quite a bit of commotion happening, when the two Matoran came within earshot, it was clear that Taipu was the source. “Alright, men, you know your mission, comb these tunnels, rock, soil and mud after that Matoran, and Great Spirit willing you’ll bring him home safe and sound” an authoritative voice ordered towards a group of Ussalry members. “Well, isn’t that a bit excessive, Onepu” Midak called behind him, “I’d wager just looking behind the third rock from the Cavern of Light would do the trick” Onepu turned around, his face in an annoyed expression, clearly intending to set straight someone who didn’t recognize the gravity of the situation, but it evaporated the second he spotted Taipu in the middle of climbing off of Taipu’s back. “Here I am” he said simply, walking up to his friend, “Midak here found me and kept me safe while I got some rest” There were a few of the Ussalrymen who’d been shooting Midak less-than-kind looks, but those changed to surprise and wonderment upon hearing Taipu’s account. “Midak, we owe you great thanks for taking care of the Koro’s most valued digger” Onepu courteously declared with a slight bow, his men followed in turn. “Aaah, don’t mention it” Midak waved it off, “Puku and me here wouldn’t dream of leaving a stranger in need to the Kofo-Jaga” Puku supplanted the statement with a confident chirp of her own, and Onepu gave the crab a warm smile. “Always such a dependable girl” he said affectionately, “and that goes double for you, Midak. Turaga Whenua will hear about this” “Much obliged, cap’n,” Midak replied with a salute, “and Taipu, take care of yourself now, eh?” “I will, plus I have Onepu to help me, I’ll be fine” Taipu replied. “So long” Midak bid goodbye, before prompting Puku to get moving with a light brush of his hand against her backside. As Puku scuttled away, and she and Midak disappeared into the dark tunnel, Taipu threw one last glance in their direction, thinking about what he’d been through. Something about the way Midak had seemed so comfortable with his unsual lifestyle had left an impression, and Taipu realized how little he’d actually seen in his life of Mata Nui’s great works. Someday in the future he’d like to go and see more of them. For now, though, it was time to get back to work, back in the tunnel, Taipu retrieved his pickaxe and started digging for two once again. THE END
×
×
  • Create New...