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  1. UNfallen - Prologue Was it worth it? Incense smoke wafted lazily through the air, transporting and otherworldly. Rain fell, grey and unrelenting. Only a thin pane of floor to ceiling glass defined the outside from the inside, but the cold of the storm permeated so forcefully as to leave mildew tracks across the frame. The glass shuddered in the gale. Beyond, a thin rim of frozen ice stood as a bastion against roiling waves glittering with starlight, half hidden in the forbidding mists of opportunity. A thin and dark line obscured by the weather hinted at a greater world enveloped in the inky darkness of departing time. That far shore lingered without definition, only promise, and from it beckoned a haunting golden light. He stood in solemn contemplation of the worlds beyond, his back rigid and restrained despite the exhaustion of his eternal toils. He breathed the incense, and filled his synthetic lungs with the burnt history of civilizations. His cold heartlight beat slowly, contemptuously. A silver disk of protodermis rested in his hands. Its polished surface reflected the room behind, but not him. A perfect circle, the disk represented so much more than purpose or possibility. He held the future, but a future at the cost of itself. Was it worth it? He blinked, and remembered standing across the waters on the island shrouded in mist. Memories returned, palpably real. In the space of an instant he stood one foot in the present and his other in the past. The machine rested before him in its disrepair; a once circular structure echoed the shape of the disk in his hands, now tortured by misuse and neglect, still active despite all attempted destruction. Components were torn away to reveal a hollow interior of softly pulsing muscle and sinew soldered to wires and metal struts in grisly excess. The rain fell around him, soaking his white robes to a dark grey in the shadow of the machine’s golden light. It needed many pieces to be whole, and over countless cycles of oblivion he gathered them, coveting them like starlight in a jar. He held the disk before him, filling the open space of the machine with it in his view as if plugging a drain. Was it worth it?
  2. Hey everyone, trying to sell off some stuff to pay down my tuition. I've mostly got G1 Bionicle sets, with canister if they came with it, and some sealed system sets. I've also got some miscellaneous stuff, including a few videogames, a Transformer, and a few trading cards. Hoping to sell quickly, so open to offers on pretty much anything. All the items: https://docs.google.com/spreadsheets/d/1dLxPMSGWSUMmXaAqdt-zgN9vm4TSEh8zFxVS3edI5WE/edit?usp=sharing
  3. Hi, this is the Bionicle GX2 project. You might remember seeing something similar a year or so back, but it was dropped from development. This is a revival of the idea. My goal is to make a BIONICLE line (theoretically, not a pitch) that follows form AND function and has nostalgia pandering but a new story. The beats will be similar, but I aim for it to be something new fans, old fans, and children would enjoy. A demographic of 8 to 12 is my aim, hopefully sets like this will hit that mark. Keep in mind that none of this is a final product, everything is rough. Things that are a final decision, although controversial, include the printed masks, which I know are a point of contention. All of these things are available on my Ko-Fi through various Tier memberships, if you're interested in getting a more in-depth look, you can become a member at https://ko-fi.com/lemonlepid/tiers Also I'm on twitter! https://twitter.com/LemonyLepid Let's start with Matoran. These are not all the Matoran and some of these parts are a definite work-in-progress. The arms would be made of rubber, to allow item flinging, and have a hand clip for basic minifig tools. The feet are set above stud height, with the connection point being at the heel. This allows for posing on baseplates to be possible. They are scaled to be comparable to regular minifigs, and hopefully they're just as charming. Like I said before, these aren't final. None of this is. Let's move on to the Turaga, who are still kinda mid-development as of this post. These Turaga are less set representative and more set inspired. They have a custom cloth cape piece and utilize a hip part from the Toa, which we'll get to. Unfortunately I couldn't fit a function in these, but they're elders, they won't need to move much. These masks probably won't get attachments like the base 6, but I could change my mind. More discussion about those attachments soon. As you can see the Toa, Turaga, and Matoran scale properly at a base, but some Turaga are shorter than others! Then there are the Toa, who unfortunately have a pretty dated render at the moment and are still being finalized, such as the secondary color of the masks being the opposite of the mask. That's scrapped. The important thing is the Toa themselves. Each Toa has a proper gearbox, and function like the originals. Arms without a gear use (currently) a LotR Ring piece in black on a friction pin to brace the part, but that will probably change. They tower over Matoran, as they definitely should, and feature an abundance of pose-ability. There are several parts I want to revisit, but here they are! The mask attachments would all come in a single spru with the proper mask color, making all 7 attachments technically a single part. They clip or connect to accessory holes on the sides of the transparent mask visor piece. For this last section I'd like to once again ask that you'd check out both my Ko-Fi and my Twitter. If you join my Ko-Fi there is a discord you can join and ask me anything you want about the project, along with access parts and models at certain tiers, so please give that a look. With that I'd like to turn your attention to the Rahi. These Rahi are not only functional, but only a fraction of the size of the originals (except maybe the Rama). They are only one part of a full set, and you'll hear about my plans for each one as we go along. The sets themselves, in full, will feature two Matoran and a golden mask, along with one Rahi (or maybe two in the Tarakava's case) with two infected masks that give the Rahi buffs. The story beat is that the Matoran have to find these golden masks to use as a beacon to summon the Toa, who will protect them from the Rahi that threaten their daily life of peace. Using these masks will drain them of their power, which when the Toa return, they have to recharge the masks somehow (currently unclear if I'd do a collect-a-thon or some sort of other mcguffin like stones or whatever) so they can defeat the hostile forces that threaten the island. The Tarakava has a punching function, and would feature two lizards in a set with a Ga-Koro boat with a couple of Matoran, searching for the Golden Kaukau. It features two infected Kakama and it causes the beasts to move with wicked speed in and out of the water. The Nui Jaga has the classic stinging tail, and would feature in a set of a Volcanic arena, two Matoran attempting to battle the giant threat on Lava boards. Behind the monster is the Golden Hau, but it wears infected Pakari on its large claws, giving it wicked strength. The Nui Rama has a trigger function that flaps its wings. The set would be a battle in the sky, with two Matoran on a Gukko mount. They're chasing the large insect into it's hive, where the Golden Miru remains. The two Kaukau give the creature adaptive abilities, making it almost unstoppable even in the rain or underwater. Although rendered together here, the Kane Ra and Muaka would be different sets. The Kane Ra has a head bashing function to charge into action. The set would be in the canyons, the behemoth not budging from the cave it guards. Luckily two Matoran came prepared with a beast of their own, a battle dune buggy. Once the get passed that bull, the Golden Kakama would be free. But the monster wears the infected Akaku, giving it heightened perception! The Muaka has a chomping function that works similarly to the Kane Ra. The set would be in the drifts, where a couple Matoran have been watching from an observation deck. After they set out on their expedition for the Golden Akaku , they are attacked! The Muaka bears two infected Hau, giving it a powerful energy shield! The Manas has a bashing function operated my a single lever in the rear. The set would come with two matoran riding Ussel crabs with digging equipment. They find the lair of the dreaded Manas, guarding a golden Pakari. The two infected Miru amidst its fangs give it the ability to levitate. I guess. Please let me know what you think of my project, and follow me on Twitter and support my Ko-Fi if you want to keep up to date with it!
  4. Hi, guys! When you watched a movie in 2014 called The Lego Movie, do you remember seeing a Bionicle picture of the Toa Mata from G1 for a split second? I like that Bionicle is featured in the movie. When I read Bionicle's Wikipedia page about it, it says that this scene "angered Bionicle fans". See the link for yourself (Go to the In Popular Culture section): https://en.wikipedia.org/wiki/Bionicle So, I have this question based on your opinion: How do you feel about the cameo? Did it anger you?
  5. I decided to create what a great phantoka/nuva set pohatu could have really been. This includes recolored parts in bricklink Studio 2.0
  6. Hi, Since a lot of people are interested, I'm going to show you my process to create articulation in this classic lego piece. DISCLAIMER: do this at your own risk. What you will need ... - 1x sword-arm piece (duh) - 1x exo-force robot arm - 1x flextube (or cut rode) 1/4 of a black pin length - a pair of model kit nippers - instant glue - sanding tool The process Cut the forearm from the round part layers by layers. Take your time as it is not easy. Clean the excess and sand it away. Note that the two spikes are on the back of the arm. Cut the center axle then glue the flextube in the center. Note that the 90° angle inside the forearm will be essential. You need a 90° angle. Test the length to be sure to have the maximum articulation possible. Glue the two pieces (be sure to centre the exo-force arm). And you're done! Enjoy !
  7. Never show your back to the enemy. Built for GOURD PARTY, a competition with some friends. I temporarily joined in to give them a little trouble during their round. Quick 2-day build. Got the general idea of what I wanted to do, although ran out of time to embellish more. I probably will revisit this eventually and clean up a lot of it. Twitter Post (has some early WIP pics in the comments). Instagram Post
  8. Hy guys! This Is my personal construction...the Great Spirit Robot Mata Nui (head) What do you think? VID_20690519_063749_605.mp4 VID_518520612_103357_512.mp4
  9. I wanted toa bring Onua Mistika to life based on a drawing made by the owner of the brickshelf account MuffinToa. It's based on his folder Project Nuva. I will not claim all the glory for it. Thanks for the inspiration if you see this. I used Lego program called Studio 2.0. The options are severely limited but i did my best. Onua Nuva/Mistika Inspiration Image: https://brickshelf.com/cgi-bin/gallery.cgi?i=3221337 EDIT: Brand new render images added FRONT BACK
  10. "Times are dark, and evil rules..." 20 years ago, six canisters washed ashore the island of Mata Nui, changing the lives of many fans around the world. In the time before time, from the unreleased Cybots to the Slizers/Throwbots and then to Roboriders, these Technic themes would be the foundation in which Bionicle was built upon and improved vastly. Unleashed into the world, Bionicle continues to inspires the lives of many people to this day and promotes nothing but creativity and positivity. Main: In-case you haven't checked them out, BZPower just presented two special messages to the Bionicle community, two messages from Christian Faber and Greg Farshtey. Christian Faber's Message: https://youtu.be/lVgYQdyokic "See you on a golden beach somewhere and keep MOCing and being creative". Greg Farshtey's Message: https://youtu.be/6dhR0Az4j3g "As long as somebody is thinking about it, as long as somebody loves it, it's never actually gone". 20 years of a toyline that changed my life forever and continues to inspire me to this day, from its creative storytelling to its visuals, concepts, and messages. Thank you Bionicle, everybody that worked on it, and to this amazing community that keeps the heart beating. 20 Years of Bionicle Unity. Duty. Destiny. (Both images created by Christian Faber via Faber Files)
  11. My artwork on Istagram How long has he been lost? Months ago? Years? Yesterday? Time seemed to have stopped. His new home is in such dark mountain depths that he is always not sure about the time of day. And he cannot just abandon his great find, fearing never to find it again. Victim of his own curiosity. A real metal star that has fallen from the sky beckons with its mystery. It’s alien, but somehow vaguely familiar. The new home defined his new way of life. Since time has stoped, there is nothing better than to watch the sky and Record. The сircle on the ground helps to observe the formation of new story. Let the Bioventure begin. The creation of this instagram account was inspired by the fantastic work of Christian Faber. I’d like to experiment with Biological Chronicle’s ideas and concepts, trying to make the next step in its biolution and biovival.
  12. Made this music video about 3 years ago, but thought I'd post it to BZP for my first real topic here on the site. I really liked the unreleased song by Paul Hardcastle called 'Bionicle Age', and I wanted to sync the video to the beats of the song. Also tried stringing together a narrative for the various segments of the song: a calm before the storm, villians attacking, heroes descending etc. Been thinking about remaking the vid using LordFindogask734's 4K upscales, but don't know if I will. Something cool that recently happened was Paul Hardcastle actually commenting on it-- didn't expect that at all. I'd be interested to hear what y'all think of it!
  13. Spent half an hour fishing broken joints from my Bionicle drawers, took some photos. Here is the whole pile of broken joints. May they rest in pieces. Most of them just had small, unexciting cracks, so I picked out all the horribly disfigured parts and took some glamour shots. The obligatory 2007 lime green comparison. I was actually surprised to have so many still in tact, but I've probably never MOCed with those pieces since they're so fragile. To be honest though, I think this is the most fragile piece in all of Bionicle: I could only find one that didn't have any cracks. The dark red 2008 hands also put up a weak fight: This was probably the most interesting ruined joint. Anyway, it's nice to have those cleaned out, although I'm sure there are still some left for me to find. Observation: Aside from the 2007 lime greens, there was only one - one, amongst hundreds - cracked 2001-style hand piece. It was a dark blue piece from Gadunkadunk. I really wish they never replaced that mold.
  14. I don't really have any rules for this thread. What makes your bionicle collection unique? Is it a rare part you have, or perhaps specific memories with the sets you own? Or maybe you have mocs that no one else does? Why are you glad you have your collection and not someone else's I've been officially collecting Bionicle since 2007, and I've spent a good amount of time rounding out my '01 rahi collection. One thing that I have that not many other collections do are mnog-only rahi like Mahi and Brakas. I also have a custom resin vahi crafted for me by ZiosCustomLego on Etsy. What do you all have that's unique?
  15. takanuva akamai Wairuha
  16. A little while back, I released a document that went over story ideas for the first three years of Bionicle that were dropped, retconned or went unused as the theme developed, particularly those of story bible writer Alastair Swinnerton. I greatly appreciate all the feedback and comments that were made after the first release (including that BZP news feature!), which have inspired me to work with @Peri and @Mister N to uncover even more info and develop some theories about the plot elements and concepts discussed in the original doc. I've also expanded and rewritten existing sections for clarity and completeness. So without further ado, here is Version 2 of Original Bionicle Ideas: https://docs.google.com/document/d/1NvpUPA8aOulNvSMq4kpX82bDbugJ2mbOL6cVfMXPNoc/edit?usp=sharing The original iteration of the document is still up for posterity's sake. I don't anticipate doing another update of this magnitude, so all future revisions and updates will be made to Version 2.
  17. What's your opinion on knockoffs? I'm talking about those nearly perfect duplicates you can find on sites like Wish, AliExpress, DHgate, and TaoBao. What do you think about them? I personally am not that big of a fan of them, but since G2 is so expensive, you pretty much have to buy them if you don't want to turn your wallet into a nuclear wasteland. Example below
  18. After participation in a few TTV Canonization Contests (Helryx; Artakha) decided to improve my colorization skills, cause it's still new for me. Actually original line art was made back in 2018. Special for my mate Krakuva from Rusbionicle.
  19. Just a short fan animation of Lesovikk's dream. Enjoy! (Motion Capture is so fun!) Software: Stud.io, Blender, VR Mocap Studio, Steam VR Equipment: 7 Vive Trackers, 2 Index Controllers
  20. Here is my take on the G2 Vahi, Mask of Time. I based it off the official artwork of the mask, but with some tweaks to get it to match the G1 Vahi a little better. The mask grants the wearer visions of the future and the ability to tap into the power of time. It was designed to be worn along with the official lower-half Kanohi of Time on a 2001 head. PLEASE NOTE: This mask is only designed to work with 2001 Mata Bionicle heads. It will rest loosely atop the head until you put on the lower-half Kanohi of Time to keep it snugly in place. My custom Vahi is available here on Shapeways. Also check out: Inorganic Kanohi Suletu Inorganic Kanohi Calix
  21. That's a random thought that came to my mind today. It would be cool of that was the case
  22. The next mask on my list is Flintsmith's Trans-Purple Kaukau. Once I get my hands on this mask, I am content in calling my collection complete. Can anyone point me in the right direction to find one?
  23. This was the beginning... Exactly twenty years ago, the legend of BIONICLE officially began for me with the arrival of a small box at my doorstep. In that box were two LEGO sets that would change my life. One was Tahu and the other was Turaga Vakama, but in the early afternoon of March 25th, 2001, those were pretty much just random names to me. But by that evening, they would represent characters almost as real as I was. I won't go into the review of the builds, but as I assembled each of the two Fire characters, I sensed something more important was at work than in my previous LEGO set assemblies. The hints were in the pictures glimpsed on the canister and on the instruction pages themselves, but the full effect was only realized when I held the completed Toa in my hands. No more slick CGI; Tahu was tough, shiny, fierce, and seemingly alive. His eyes caught the sunlight in my room just right, and I almost swore they pulsed in brightness, a kind of biomechanical blink. Outside, the effect was even more pronounced. I tried to show this in amazement to my dad, but he dismissed my enthusiasm, already weary of yet another LEGO toy in his son's life. Parents just don't get it. Back inside, I dove headlong into the knowledge locked away in the mini CD-ROM. Just as Tahu as an entity clicked together in my hands, his background and the story of Mata Nui started to click together in my mind. I was glimpsing another world, a world extremely different from my own. Nevertheless, it was a world I could imagine, a world I could experience more of through Tahu and Vakama, and eventually, the other Toa and Turaga as well. That night, I drew the cover image attached to this blog, a portrait of the reassembled Tahu on a crest of sand on the beach. I knew he did the reassembly on his own, but I too had a hand in that. It was a connection between worlds real and imaginary. Even though I was twelve years old and on the tail end of a stuffy and unpleasant sixth grade year, this was a last gasp of the magical in my life, a spark of wonder as adolescence loomed and all these changes threatened to overwrite who I thought I was. Well, twenty years ago today, that didn't happen thanks to Tahu and Turaga Vakama. That isn't to say there weren't massive changes; obstacles and victories alike that would have repercussions for the lives of both my friends and I. I can't speak entirely for them, but I at least was not ever undertaking the odyssey of Growing Up alone. Whatever I faced, I did it alongside the legend of the BIONICLE. And the darkness couldn't stand before us!
  24. What it says here. Happy 15th anniversary to Bionicle’s 2006 storyline! It’s where six of our Matoran friends, Jaller, Hahli, Kongu, Hewkii, Nuparu, and Hewkii, became new Toa called the Toa Inika, and they went to fight against a team of six evil lizard monsters that are counterparts to Toa called the Piraka. The Piraka are from a species called Skakdi, and they were once members of the Dark Hunters until they went rogue. The Piraka are Zaktan, the mysterious air-using leader who can turn into tiny insects called Protodites; Hakann, the egoistic fire-using guy who can shoot mental blasts; Vezok, the water-using spy who can absorb and copy powers; Avak, the stone-using engineer with the big cheeks who can make prisons that can counter his enemies’ abilities; Reidak, the strong earth-using hunter who can adapt to things; and Thok, the ice-using guy who can make inanimate objects to life and use them as weapons. The storyline happened because the Toa have to find a Legendary Kanohi with a mind of its own called the Kanohi Ignika, aka the Mask of Life, to heal the Great Spirit Mata Nui to prevent him from dying, otherwise their world will be collapsed. The mask is located in the island of Voya Nui, where the Piraka are here to steal it. They used Makuta Teridax’s essence called Antidermis to enslave all but six of the island’s Matoran residents. The Piraka teamed up with a rogue guardian of the Mask named Brutaka. The Toa Nuva couldn’t defeat these guys. Things get worse when a seventh but rogue Piraka named Vezon, who is actually a part of Vezok and is crazy, like the Joker from DC Comics and Gollum from The Lord of the Rings, got the mask and has an enlarged Rahi spider called a Fenrakk as his steed. The Toa got help from another guardian and Brutaka’s ex-friend named Axonn, who is Bionicle’s own Hulk from Marvel. The Toa freed the people and faced many battles, including one with Umbra, who is a guardian of the mask who has light powers. When the Toa reach to Vezon and fight him, Fenrakk was turned by the mask into the mighty Kardas Dragon. However, the Toa defeated all of the Piraka and the dragon and Matoro got the mask because it chose him to be its bearer, but the dragon hurt Matoro, and this caused the mask to fly into the ocean, which caused the events of the 2007 storyline, with the Barraki and Mahri Nui, to happen. The storyline has five chapter books, five comic books, a video game called Bionicle Heroes, which is one of the best things that Bionicle has, and a bunch of online games, including the Voya Nui Online Game. Sadly, there is no direct-to-video movie for this for some reason (why?). However, the 2006 storyline is one of my favorite storylines because of the content that it has. This year also was the last year to have a combo Titan set, which is Vezon and Kardas, for some reason (why? Because of the budget?). But, I love the sets. The spines, glowing red eyes, and glowing teeth of the Piraka are cool. So are the squishy masks and light-up swords of the Toa Inika. We also got some promotional videos, like “Yo, yo, Piraka”, which is a rap song with the Piraka, and The All-American Rejects’ song with the Toa Inika called “Move Along”. These songs are awesome. How do you feel about the storyline? What’s your favorite moment and set? I love the fights, and I love Reidak, Nuparu, Axonn, Brutaka, and the Vezon sets the most. The video game is quite awesome for how complete it is compared to Bionicle: The Game in 2003 because nothing gets uneven. The game may have glitches and it’s a bit repetitive and tedious, but it’s a very good game, and it should be remastered to have better graphics, set accuracies, dialogue with voices, and get rid of the glitches. I love that the game references to Bionicle’s past years before 2006, despite Bionicle not having its 5th anniversary celebrated for some reason. We got a lot of fan favorites in that year, and this is the first year where we got sets that have bendable arms and legs and can have human-based body structures at the same time (we always see people with stiff limbs, Toa Metru’s shoulders being in a V-shaped position, and uneven arms from the past years before 2006). I also love that the Toa have their own evil lizard-based counterparts to fight, despite the monsters having limited elemental powers that require using certain weapons or others. Fond memories, and I wish we can have that again if everything goes well in Lego Ideas’ voting campaign with Bionicle as a choice this year. That year was also the only year to have a Great Being in a set, who is happened to be in in disguise of a Matoran named Velika. That year was the second year to have play sets, where we have mini-figures that are made of many pieces rather than one or two (2005 was weird). This year also is the first year to have canister villains with individual personalities rather than swarm enemies. We got some combo models, and one of them, Irnakk, was sold as a set that has the exclusive golden Thok spine and Technic tubes. It’s a pity that Jaller, Kongu, and Matoro don’t have a combiner. If they did, I would imagine it would be a bulky-looking Toa, like Jovan. Plus, how come Irnakk got a set box rather than having the other three-canister set combiners get them, too. This year is basically the last G1 year to have new designs before the other years used much of the same pieces.
  25. -Fan animation of the Toa Inika's encounter with the mysterious hero. I think most should know who it is from the thumbnail. Story reference is from Bionicle Legends 5: Inferno from page 22-25. More info about the animation can be learn from the YT description or if anyone sticks to the end credits. In a nutshell: Done in Blender 2.8, a free open source software for 3D modeling and 3D animation.
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