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The Hero and the Antihero


Ta-metru_defender

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Essays, Not Rants: 028: The Hero and the Antihero

 

The Avengers came out on BluRay (and DVD, but I’m a BluRay person) on Tuesday. Naturally, I have it. Now, stop your groaning: this isn’t another post just about how good that movie is. Well, okay, it kinda is, but not only. Trust me.

 

See, Iron Man and Captain America embody two distinct archetypes. Cap’s the hero, Iron Man’s the antihero. But neither Steve Rogers nor Tony Stark fall into the abyss of dull stereotypes.

 

Typically, these stereotypes are just the archetype in fancy clothes. Rather than getting an actual character we’re treated to the hero who believes that he must do good because it is good and good is what he does (because it’s good). The villain is an evil man who does evil because he enjoys the evility of evil. These aren’t characters. These are lousy plot devices dressed up as characters.

 

Compare Steve Rogers in the Marvel Cinematic Universe. He’s introduced in his movie as a genuinely good guy. He wants to become a soldier not to go on a Nazi killing-spree but rather because he doesn’t like bullies. He’s earnest, he’s good. In The Avengers he’s still that really nice guy. When he meets Bruce Banner he dismisses the monstrosity of the Hulk due to Banner’s intelligence. They want him, not the monster, and so Steve treats him as the scientist.

 

It’d be easy for Cap to become dull and uninteresting or, worse yet, corny. But he doesn’t because he’s got a character to him. He’s interesting, he has his ideals that go beyond good for the sake of good.

 

Tony Stark serves as his foil. The hero who’s not all that heroic isn’t exactly rare these days (a hero hero [like Cap] is hard to find instead). Tony wins us over due to his charm and, again, the fact that he has depth. When presented with the truth about his weapons he decides it’s time to fight back. He fights his own demons to keep up the hero thing.

 

He’s not glib and sarcastic just because it’s ‘cool’. Like Steve Rogers, he has a background to it all. Tony Stark is a man who bears the traits typical of the antihero, rather than being an antihero with a personality painted on.

 

So we have these two fully realized archetypes. Now what?

 

Now comes the fun part! What happens when the hero and the antihero collide? When idealism and cynicism meet, what do we have?

 

Tony and Steve butt heads in The Avengers. Whether it’s Tony messing with Bruce, Steve’s militaristic attitude to losing a soldier or anything in between, they seldom see quite eye to eye. It’s the interplay and clash between the two outlooks (and archetypes) that we find so interesting. A good deal of both characters’ arcs is spent on them reconciling their differences to work as a team (along with the rest of the Avengers). The payoff is, of course, getting to watch Captain America and Iron Man work together. And it means so much more because of the characters and the interplay of archetypes.

 

The thing about archetypes is they’re universal. Star Wars gives us Luke and Han. Luke’s the wide eyed idealist of a farm boy who yearns to save the world. Han’s the cynical smuggler who’s been across the galaxy a few times over. When presented with saving the princess Luke leaps to the call. Han opts to stay out of trouble until the prospect of payment emerges. Again: hero and antihero.

 

Luke and Han’s different views and personalities lend a humanizing aspect to the fantastic adventures. It’s not overt and not the focus, but it adds and help defines both characters. We have characters built on archetypes interacting and driving the story. Furthermore, over the trilogy both characters develop: Han gets his dose of heroism and Luke his darkness.

 

Sometimes both archetypes can be embodied in one character. Take Nathan Drake from Uncharted. Sure, he wisecracks, makes fun of everything, and happily insult his ex-partner-in-crime. But he’s also the guy who’ll risk his neck to save his friends and face a madman to save the world (berating himself the whole time). Within Drake we have an antihero with the core of a hero. It’s the internal tension between two archetypes that gives us a lot the character and heart in the stories.

 

Archetypes. Yay. Like most every trope/tool in literature/fiction, they can be used fantastically or wind up being sheer [crud]. Don’t think that sticking a hero, antihero, optimistic bruiser, angry stoic, atoner, and ace will elevate the piece. It’s about fleshing them out, making them interact, and, most importantly, making them interesting.

 

Normally, anyway.

 

 

Also: buy my book In Transit! There are characters who embody archetypes in it too! And they’re interesting too!

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:kaukau: Tony doesn't necessarily win me ove. I'm okay with Tony:I accept his character. He provides a form of entertainment, but I do not consider myself "won". I'm the idealist. I'm the man who wears Superman shirts under my button-up clothes every day and roots for Captain America to look cooler than Iron Man when they share the same movie. Nevertheless, I see his necessity, as in most hero teams the two most consistent archetypes are the Hero and the Lancer, even outside of traditional five-man bands. I appreciate him as a foil for Steve, and Steve as a foil for him. Hopefully they will help each other to grow.

 

Meanwhile, on another of my little thoughts about comics lately has been the redefinition of the word "hero". You see Tony Stark as an anti-hero. I do, too. Yet, what was once thought by most people to be an antihero is now what most people call a hero, and now people tend to think of antiheroes to be of the neutral allignment. That's not necessarily how I see things. I see Iron Man as an antihero, and frankly I could say the same for Batman. I think of Captain America, Spiderman, and Superman to be heroes. Nowadays, within the world of comic books people have come to take on a more Greek definition of a hero: to fit the title, one simply has to be a gifted champion and use their gifts to defeat villains. I see Batman as a champion in a fight against corruption, and Iron Man as a champion for taking out figures who gain access to dangerous technologies, but I still label them as antiheroes instead of superheroes.

 

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Kraggh, the entire concept of the antihero is a hero who isn't all "Truth, Justice, and the American Way," often being a hero who is willing to use tactics formerly seen as villainous, underhanded, unhonorable, or dishonest, or as someone who exists as a hero and villain simultaneously. A superhero, on the other hand, is a hero with powers beyond the norm, like Superman, like Spiderman, like Iron Man, like Batman, like the Michelin Man, unlike Greymond Mann.

 

Some heroes aren't superheros. Jim Gordon, for example. Some antiheroes aren't superheroes, like the Punisher. But to say an antihero like Deadpool, or Wolverine, or Batman isn't a superhero is a flagrant error.

 

To imply that a superhero cannot also be an antihero is to imply that a cube cannot also be orange.

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Another thing: Greek heroes aren't really the same heroes we call heroes today. Odysseus pillaged and plunder and killed and so on mostly for the lulz. I'm using hero here as Xaeraz defined it (and yeah, superhero ≠ hero).

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Just remember Ballom, you brought this on yourself:

 

When we first meet Captain America we're introduced to him as a man seventy years out of time. We see he's a soldier and we see that he sacrificed himself. Furthermore, through his talks with Nick we find out he's feeling disconnected with the world and where it's gone. He's saddened by what winning WWII cost the world.

 

Later, when he's talking with Coulson, he asks if his costume (and by that what he stood for and who he is) is old fashioned. He doesn't belong. He feels that others don't think he belongs.

 

Upon arriving on the Helicarrier, he greets Natasha as m'am (she just says hey). This reinforces our idea as him as a bit old-fashioned but also he's a gentleman. This is further reinforced by him shielding her later in the movie when the first Leviathan explodes.

 

In that same scene, his dialogue with Bruce is critical. He sees him as a scientist first, monster unimportant. This tell us, again, that he seeks the best in people. He's not manipulative, he's earnest and will try to help.

 

When speaking to Loki in Germany, we see his idealism again. Defending the old man and all that.

 

But he's not all ideals and fluff. On the helicarrier, again, during the round table discussion he exclaims that he understands Fury's reference to The Wizard of Oz. What does this tell us? He's eager to fit in, to belong again.

 

Another scene when we really come to know him is when he's arguing with Tony and the others. Steve believes in self-sacrifice, Tony self-servitude. Furthermore we find that Steve is idealistic, but not stupid.

 

After Loki escapes, Steve and Tony have another argument. This one drives home the fact that Steve is a soldier, he's a man of war. That is how he deals with losing Coulson.

 

Finally, during the complex, it's Cap who thinks to make sure nothing happens to the civilians. Again, he's not just concerned with winning the battle, but with minimizing casualties too.

 

And that's just within The Avengers. Need I go into his solo movie too?

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Some of what you mentioned is more of a backstory than actual character traits, such as his being out of place. Other than that, I guess my statement was worded badly. Yes, he does have character, but a self-sacrificing idealistic soldier interesting in saving lives is something that's common and boring. I suppose what I objected to was more your statement that he's interesting than that he has character.

 

Also, his characterization in his movie was pretty much the same as in The Avengers, as far as I remember.

 

~B~

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Granted, but it's the self-sacrificing-idealistic-soldier in the context of others who are not that makes him stand out. That and he's not stupid. Which, yeah, is crucial. Basically he's a fleshed out self-sacrificing-idealistic-soldier, which was my point of the original post. =P

 

It was the same, yes. I bring it up because there are more character moments and we see a few more glimpses into him (eg: his response to Bucky's death is an attempt to drown his sorrows. So he's good, but not straight edge, haha).

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