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But What Is A Strong Female Protagonist?


Ta-metru_defender

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Essays, Not Rants! 149: But What Is A Strong Female Protagonist?

 

I write a lot about strong female characters here, heck, it was my first post. It’s still something I really care about, seeing how often it pops up in my blog posts here. I’ve got a small list of characters I bring up often: Black Widow, Captain Marvel, Chloe Frazer, Katniss Everdeen, Zoë Washburne, etc.

 

Thing is, it’s easy to conflate the idea of a strong female characters with that of a woman who kicks butt. When we compare Katniss from The Hunger Games to Bella Swan from Twilight the former is clearly the stronger character. When asked why the easy answer is that she does stuff, herein taking charge and fighting. So does Captain Marvel. And Arya Stark.

 

We see this particularly in areas which already have a history of relegating women to the back burner, like video games or the action adventure genre. Damsels meant to be saved by strong men, the voice of reason, or to be relegated to being a person of support. Thus being promoted to action hero seems like quite the step up.

 

So comes the masculinization of women, where women are placed in male roles and can do everything a man can. The new question that comes with this is whether they’re losing depth because they’re becoming less of a woman. After all, they’re pushing for violence, a ‘masculine’ way of problem solving, instead of finding non-violent means of conflict-resolution, like manipulation. But assuming a strong female character must be good in combat is a flawed idea. Women – people – don’t have to go around kicking butt to be a strong character.

 

Take Zoë and Inara from Firefly, both arguably strong female characters. The former, Serenity’s tough-as-nails first mate, is awesome in the more masculine way. Inara, however, wielding diplomacy, is as strong without being masculinized. She’s strong on her own terms, kicking proverbial butt without having to carry a weapon.

 

So which portrayal is more feministic? Both masculinizing women and confining them to feminine traits run contrary to feminism since it genders a set of actions and traits. Is Zoë stronger since she’s nearly indistinguishable from a man? Or is it Inara, who fights in a more ‘feminine’ sphere.

 

So now what? Women are, surprise, people; people are, also surprise, different. And people do different things. To say that a man can succeed as a character in both action and drama genres but a woman only truly succeeds if she’s placed in a drama is a terrifyingly narrow view. If we want to advance the role of women in fiction, we can’t limit them to certain roles. We need women doing everything.

 

This is one of the reasons I love Game of Thrones. There’s a great deal of variety to the roles women play, and a lot of them are wonderfully well written. Ygritte the Wildling archer and Margaery the politicking queen-to-be are very different women and both great characters. Yet neither would work in the other’s roles; they’re strong on their own terms and in their own ways. You can’t discredit Margaery because she’s worming her way to the top of the political sphere because she’s not running around with a sword, likewise with Ygritte for being an archer rather than a politician. This show, known for the HBO-iness of its content, displays a great deal of nuance and variety with its women. Sure, some are problematic and shallow, but there remains the potential for a woman to be strong, no matter her position.

 

To return to the comparison of Zoë and Inara in Firefly, we need to accept both as strong women because choosing one over the other would confine the ways in which a female character could be strong. Kaylee, the mechanic, though she’s neither forceful nor a fighter, can hold her own and adds necessary element to the crew. Even River, who more often than not seems to fulfill the role of damsel, is fully realized and not just a shadowy archetype.

 

There is a danger in making all female characters masculine, but the same could be said of making all female characters the same kind of anything; we need women portrayed in every field. Soldiers, spies, engineers, doctors, and so on. A truly inclusive media should be just that: inclusive.

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There's a whole lot of nuance in this matter that gets missed during heated discussions.

 

Having strong female characters isn't going to help if they're all just one kind of "strong." Your point about inclusivity speaks to that well.

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Are you familiar with the webcomic Girl Genius? As you may expect from the name, it has a strong female protagonist, and a bunch of other strong female main characters in many various roles, which is one of the many reasons why it's so enjoyable to read.

 

~B~

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I think a lot of the problem is just that there isn't enough of them. Since there's so many male charecters, you are likely to find something for everyone, even if we assume that the vast majority are cookie cutter printout stereotypes.

 

I think the problem seems to be that our society seems to have gotten thee idea that males don't like female characters. 

 

And it shows that we at least believe that, regardless of whether it's true or not. (I don't even know where to look for stats on that.)

 

I mean, look at LoK. Even though every source I've seen said young boys thought Korra was awesome, there was still almost no marketing and the show got treated terribly. I don't actually know the reasons for that, but the lack of marketing smells suspiciously like that.

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I once had it explained to me that an issue was female characters in storytelling were more so used for internal conflict while males in storytelling were used for external conflict.

 

I don't keep up with everything, but I find it kinda difficult to think of a female character that only deals with external conflict. And it's not to say that there isn't one, or that all female characters need to do just that, but I admit it doesn't exactly seem balanced.

 

Last I checked Sauron didn't have a personal or emotional complex that was represented as internal strife (unless I totally missed it). And I've seen a bunch of male characters over the years that have dealt with emotional ordeals. Female characters are starting to get more prominent in the media from what I have seen, but the spectrum does seem more limiting than that of male characters in my opinion.

 

I agree with your point. Variety is always good for representation.

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Personally I never really liked the term "strong x character" because it sort of implies that physical strength makes a character good. I prefer "well written x character" instead, and we need well written characters in everything be they male, female, alien, what have you. But maybe that's a different discussion.

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Are you familiar with the webcomic Girl Genius?

...

 

~B~

Heard of, never read. Though I'm really enjoying Captain Marvel, Black Widow, and Sex Criminals as far as strong women characters are concerned.

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I mean, look at LoK. Even though every source I've seen said young boys thought Korra was awesome, there was still almost no marketing and the show got treated terribly. I don't actually know the reasons for that, but the lack of marketing smells suspiciously like that.

Crud, can't believe I forgot to mention Korra. Dear god, Korra's awesome, and not just 'cuz of  her character but her portrayal and even the way she's drawn and sahjfkjdhgaslj

 

I once had it explained to me that an issue was female characters in storytelling were more so used for internal conflict while males in storytelling were used for external conflict.

...

This post grew out of reading up on someone who'll be speaking at NYU's Game Center (where I work), and who I don't always agree with but feel's an important voice. I got the gist that for a female character to be successful, she had to do so 'feminine'ly, which I disagree with (and probably missed some of the nuance of the position due to reading it secondhand). Way I see it, both can be used for both.

 

Heck, Raleigh in Pacific Rim is super manly, but also fulfills the 'feminine' role of encourager/supporter for Mako and Pentecost. He's also the arbiter at times between people. That's really different for a very action-y movie.

 

Personally I never really liked the term "strong x character" because it sort of implies that physical strength makes a character good. I prefer "well written x character" instead, and we need well written characters in everything be they male, female, alien, what have you. But maybe that's a different discussion.

I've been using them interchangeably, but you do raise a good point. Because a well-written character can be weak (ie: Wormtongue). I think that speaks a lot to Sumiki and Shockwave said about needing more and a bigger variety so when a woman's in a position of weakness the response isn't "here we go again" but rather "okay, it works for this."

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