Vezon shall Return

Awww... Thanks man. I couldn't tell if what color his eyes were in the pictures of the sets, so I'll keep that in mind if I ever draw him again. Oh and hammerspace is the best kind of space. Solid Brush... is that the technique when you draw in a cardboard box.... Hmmmm... Snake? Hahaha... I'm just kidding. I'll consider it. Thanks. Well, the Ignika does have the power to change size unofficially.... and shape... and color... It's like alive or something, or a Pokeman that evolves for reasons unknown. (Actually, I mostly just got really lazy near the end.) (Yes... I like to respond to every comment... because it's fun I guess?)

It was easy... for you draw this head... then you erase the minor details and then you get this head... thingy. Nah just kidding, thanks man (or woman?) But serious no comment on the awkward expression on Gali's face? No? Hahaha... Ok... Hahaha...

I gave him more feminine features because Matoro reminds me of Zero from megaman zero, and he's pretty feminine looking, but most people still like him. The first drawing of him as Marhi had a similar design to Kirito's avatar in the second season. Finally someone who know's about SAO! lol Oh and I like making one of the eyes to glow overly dramatic, you know.... just for fun. Technically his chest does kind of look like that.. just kidding... it's really his hips and legs that look feminine, uh because reasons I mentioned above and again the eye,,, for fun? And why go for regular sword if you can use ice powers to make a fantasy buster sword? Stealing ideas is what the internet it for, so go for it.

Hahahaha... I don't know... Because some people just want to watch the world burn.

Ok, so I wanted to draw two female characters... What? I so happen to like the female form. Just in case you were wondering, yes Gali is blocking... and yes her expression just means she doesn't like insects. I mean, who does right? So creepy... spider-ly hands.... Hahaha... *Oh and do look up Gorast's mask power, it might add some better context to what's going on in this picture. (Note... I totally did go back and changed a few things... Hahaha... I realized that the original version of this picture was a bit too detail for the younger views of this site, so I toned it down a bit.)

Second Try... only with Matoro's Inika form. Again I was lazy when it comes to shading it.... but I did use poses from a pictures of Kirito GGO, so this one is much more dynamic looking than my first try. Criticism or compliments, feel free to be as brutally honest as you wish, because a shadow of truth never killed anyone...

Behold! Matoro Mahri I wanted to try out my wacom pad, and I think I got the hang of using the drawing pad. It's not bad for a first try at it. However, I don't know why he ended up looking similar to kirito in sword art online season 2, you know kind of feminine... but heck, it's not my fault his set design has feminine features. Anyway, I got lazy by not adding shading like I normally would, but I might do that later. This took about 1 hour and a half to complete. I'm still new at using my wacom pad and the Manga Studio Debut 4.0 program it came with. So practice makes perfect... I guess? Criticism or compliments, feel free to be as brutally honest as you wish, because a shadow of truth never killed anyone... (Oh and here's a link to a voice audition for Matoro, which inspired me to draw him in the first place.)

I don't make these decisions (well, I have some input), but that's actually pretty awesome. I keep hearing (whenever I've heard Vezon things) Joker sound-alikes, but this was actually really interesting. Thanks for the feedback, I wanted to put a more unique voice that was similar to the Joker, but different enough that it didn't sound like a cheap Joker rip off. I am auditioning for the roles in the Chronicles series, so we will see what happens. Oh and if anyone needs a Vezon voice actor for whatever reason, send me an email.

I wouldn't mind doing Vezon, if you guys ever get to 2006, but just for fun here is a link to a video of my voice impression of Vezon. I could maybe to other voices, but currently I can't think of anything, any suggestions?

Thank you. The clip was a fun bit, but yeah... I suppose the krana could be a little bigger. I wanted to try to make them seem menacing, and yeah, the clip could have been better if I wasn't too lazy to animate more head movements... or something... but yeah I noticed how redundant it was to use the same clip twice. Oh well, I'll try harder next time. I'm planning to make the rest of it later, along with a lot of other characters this summer, However, I still have about two weeks left of school and then I could make some real progress on these projects. I'll try some more morphing animations, with the Bohrok's mouth. I intend to make them look and seem more like an Alien, (like from the Alien or AvP movies). I'm going to have a fun summer!

Well, here is a Bohrok I've made with Lightwave 3d and it took about two hours to model (the Krana took about 30 minutes of the two hours). Not bad for someone who hasn't modeled for about three months now. It just goes to show you, taking a Geometry does in fact help you solve a lot of problems one may face when modeling in 3d. Click here for short clip. (Though... for whatever reason it didn't render the way I wanted... oh well.)

IC: Diotrua, somewhere in the Drifts... I stopped at the sight of a frozen being, I put my weapons back, and stepped closer to examine who it was. I appeared to be a Ga-matoran, who had met with her fate in travelling to this dangerous place unprepared. Nil spoke, "Serves the fool right... she probably did this on purpose... just like everything you've ever done." I took Nil and thrust it into the ground out of anger. And took a few steps away with my head held low and said to Nil in an emotionless voice, "You nothing more than a heartless demon, Nil. Once you have lost your usefulness, I wish nothing more than to shall cast you aside and to leave you to eternity alone. Once I have done my business in this village of Ko-koro, I shall return her mask to village." Nil responded sadistically, "Oh how noble of you. We both know you came here in high hopes of finding your dear friend. Yet, we both know how unlikely the secrets of the stargazers will have on someone so irrelevant, it is more likely they care more about greater beings and their futures. Regardless of your pathetic... sentiment towards her. However, it has always been your obsession that cycles the power that I give you, from your very own darkened feelings within your heart." I continued to gently break away the ice without damaging her, as Nil criticized me. I eventually was able to free her mask, and I stood up looking at it. It was a dark blue noble mask of speed. It reminded me of Avuris, only she wore a silver one. How hopeless this looked to me, as a reminder that the possibility of find Avuris has become less and less probable throughout the many years of searching strange lands. I could not turn away, my will is not ready to accept such things now, not all of what I've been through. There must be something that could help me in my quest. I then stepped over to Nil and pulled it from the ice, and planted it back on my shoulders. I took a few steps forward, and then looked back and heard the wind howl around a lifeless being half frozen in the snow, caught up in an unforgiving world. I then spoke, "The is much darkness in this land, stronger than I've ever felt before... I may find something more than just secrets of the past... May my will be strong. Nil I move on, even if I have to go to the ends of the universe... you are nothing and one day you shall return to the void and you will never be satisfied." OOC: Diotrua moves to the to the bridge that leads to Ko-koro.

IC: Diotrua, at the Drifts. I walk forth through the snow, the wind roaring around my body, in my hands held two swords, both bear stories from long ago. My mind filled with memories of running, seeing strange lands and learning terrible secrets. Yet I've learned so little of my enemy, and of my lost friend, Avuris. Of course it is all I live for; suffer for. I refuse to let go of the past. I know my strength, it is more than most may think. Irrelevant is the fact of being merely a matoran, for is it not through the power of will that merits the gift of endurance, or is it through endurance that will tested? Regardless of what is true, my journey feels as if it had just begun, this new place I know little about. Although, this island is rumored to be pledged by the demon heads of the Makuta. Legends say the Makuta has three heads, a mockery of the Matoran virtues: Unity, Duty, and Destiny. I find these virtues meaningless to me, for I was once a slave to the Makuta, in a place I knew little about, but I did manage to escape such a meaningless life. I don't believe it was Unity, Duty, or Destiny that allowed that, but My will that broke the chain of miserable fate that bounded me. I choose my own Duty, my own quest, and that is to learn what happened to Avuris. The only Unity I demand is to be united with my friend. Oh how I desire to see her... I must not lose the memory of her, nor shall I give up hope in someday finding her. I don't believe that the destiny of another has the power to fight against my eventual meeting with Avuris. I form my own destiny. May it be that I live to see my end, and that it be made true to my longing. If I must I shall be forced to steer the winds of destiny in my favor. I shall not bound by a will of a faceless spirit. Nil broke my thoughts, "I feel your emotions of sorrow grow heavy on your shoulders, is it the cold wind that cries emptiness that hardens your obsession of your dear beloved one? Or has this accursed weather, through the spirit of ice, remind you of the truth you fail to see?" I broke out in anger, "You who has no point of existence, serve me as your master! The cold reminds me of how much I despise the lack of encouragement, my weapon has towards its master, or the fact it can senses feelings, but fails to understand anything. Nil how ignorant and pathetic you still are." Nil responded, "I prefer to bear ignorance then arrogance, but in your case, your soul is abundant of both traits of character. And pathetic is when one is obsessed in completing a tasked that is impossible to fulfill. Your whole sense of duty is pathetic." "For once, in your miserable existence be silent! We draw near...." I said, as I drew closer to the mysterious being ahead of me, it looked like only a few bios away...

IC Diotrua In the Drifts of this strange land of ice and snow, my cloak blew violently behind me. On my back was the ancient sword I claimed so long ago, a sentient weapon of ill intentions. My blade moaned, as it spoke through telepathy to me, "Cold and pitiful wasteland you've led us into. So boring this place is, with no screams of agony, only the lifeless cries of wind like the woes of unpleasant spirits." I was not amused by the blade of havoc, which calls itself "Nil". It is fitting that Nil’s grim tone of voice rarely has much input other than endless complaints, being that its name literally means “nothing” in the old tongue. I responded to Nil’s remarks harshly, "Silence, Nil, why should you even be complaining, you can't even feel this bitter cold! Besides, my objective is to find Avuris, not entertain you with the sins of cruelty. Now be silent! I think I see someone up ahead.” My sight is obscure by the falling snow, but it was obvious, someone, or something, was in coming toward my way. I looked over to Nil, which dwarfed my regular blade next it and said to it, "Nil, are you ready?" Nil responded, "If you mean to endure your fruitless endeavor, then woe is to me, the one who must part take in your endless journey. So be it…” I looked over my shoulder at my great sword, Nil, in my right hand and activated him and then I drew my regular sword with my left hand, “Huh… like you have a choice, so let me see what lies in this desert of snow….” With that I began to venture slowly and cautiously toward the unknown being in the distance.

Name: Diotrua (Dee-oh-troo-ah) [Dio derives from a variation of the ancient language simply meaning“He” and trua is a slight distorted form of the word “True” in the common dialect. So his name literally means “He is True”.] (This character has been approved by Friar Tuck) Gender: Male Element: Plasma Species: Matoran Alignment: Priamarly Good, but his sword Nil is a passive evil and does to a small extent influences him through their many conversations to do evil. Appearance: Despite being a Matoran of Plasma (who are usually orange and white), some of Diotrua’s Armor is made of bits of Protosteel and appears in shades of “Protodermic” green and light purple-grey. He wears a brown cloak and a helmet that hides his inorganic Kanohi Calix, the mask of Fate, which is black in color. He is the size of an average Matoran, only slightly taller. His great sword Nil is gray that sparks of purple energy absorbed from negative emotions. Nil also has a secret form that is purely organic form which the color is dark red and sparks black lighting, but only works under vital circumstances and can only stay in that form temporarily. Here is a picture of Diotrua with Nil, (regular protosteel form). Biography: Diotrua was once a slave to the Brotherhood of Makuta , but during the chaos caused by the Toa Hahaga raid he stole a prototype armor, a sword, and a helmet. Soon afterward stealing the prototype armor, He found a dead Makuta who was defending an ancient damaged sword. Diotura took the Makuta’s great Kanohi Calix, the mask of Fate to hide his identity. He then took the ancient blade. The ancient sword at first glance, was a pitted and damaged blade. However, when Diotrua touched the blade, it awakened out of its state of sleep and restored it’s steel form. It was then discovered that once it was reawakened it revealed itself to be sentient and powerful. The sword of turmoil had taken the name “Nil” (Neel), which means “nothing” in the old tongue and for some reason is bound to serve only Diotrua, until "he is no longer amusing to it", or so it claims. After escaping, Diotrua vowed to rescue his friend, a Matoran of Lightning, named Avuris, that was taken from him for unknown reasons a week before Diotrua escaped the Brotherhood of Makuta. Diotrua only allies with someone if they might be of some help him in finding Avuris, otherwise his only partner is Nil. Personality: Diotrua is cold and sarcastic. The only thing that keeps him from turning toward evil or to the shadows is the thought of is friend Avuris, she is the only good thing left in his heart and his will for her is his greatest strength. Diotrua is a somewhat of a wisecrack that uses wit and insults to distract his enemies or he manipulates his opponent into falsely believing they have the upper hand until it is too late to correct such error. His great sword Nil, the blade of havoc, has a narcissistic and sadistic personality with a tendency to complain a lot, and always enjoys the sight of beings in pain. Nil has often urged or tempts Diotrua to kill or spread pain to others as much as possible. While other times he taughts his master saying things to discourage him to give up hope of finding his friend, which usually ends up in constant arguing between them. Tools/Weapons: He wears prototype armor, a great Kanohi Calix, the mask of Fate. He also wields a sword that is not easily broken, and a great sword named Nil, the blade of conflict. Powers: Due to his armor, Diotrua has some additional protection than a regular matoran. Diotrua’s great sword Nil is a “magic” blade made out of protosteel. Nil, when activated, enhances it’s bearer’s strength and infuses it with negative and destructive energy, but only enough so the bear is able to use it effectively. The sword’s blade sparks energy that was converted from negative emotions, such as fear, anger, pain, distress, etc.. Nil also possesses a special ability that only it can activate by its own. Nil’s ability is to transform into its “True-form” which is an organic blade, but usually only under vital circumstances. The sword’s special effect absorbs all negative emotions emitted from nearby beings and converts it into life-force energy to heal or repair: it’s master, his armor or Nil himself, or make itself more powerful. However, it can only last for roughly 15 minutes (or longer, depending on how much energy was absorbed). However, once it is used it can't be used for an entire 24 hour period. During this transformation, the will of the blade, Nil, controls the it’s master, but it can’t force it’s master to kill if it’s master strongly wills against it. In addition, an after effect of using this (only when used to heal the master), the master is filled with all the negative emotions that were absorbed and converted into the energy and only if the master has the will to let that emotion go it will remain. Weakness(es): His prototype armor that adds only some protection. For instance, kinetic force to his bones or inner organs can still harm him if he got attacked in such a way. He is not the strongest swimmer and is capable of drowning. Also, when he activates his great sword Nil, the hand that is holding it (usually the right) burns and glows with plasma (because that is his element, but this ), which causes a stinging pain in the nerves of his hand while Nil is active (Normal steel state), but doesn’t cause any actual damage his hand or his armor, it only heats it up.

I don't know... Hahaha.. More or less. Thank you.

It's been a while... Uh, here's a short demo reel of random things that I'd made last year and etc, right here.

Oh my bad, I didn't explain his backstory. 1. He's actually from a failed attempt at an epic, that I'll probably revise and change the story, not an RPG. The great sword is sentient and semi-evil. Also, I never played the RPG, I don't know the rules or how to join... and I don't know where to begin. However, I might join... (I just did... I think... still negotiating on the character.) 2. He is wearing a prototype armor that he stole, so that is why it is "protodermic" green. He wears a great inorganic Kanohi Calix. (Though it is hidden under his helmet and cloak.) I did it manually with paint, so I didn't really use any transparency, all you do is get up close to the image with pencil and then fill it in with brighter colors. The picture in all took about 3 hours (though not all in one sitting). Final editing with word took about 15 min.

Well, I simply "draw" the image in "paint" and the image has to be at least 4x the size then desired, so the lines blurred when copied and pasted into "Word". Then go to "corrections" and blur it down one level. If it still looks too blurred, you can paste it into word and then unselect the paste and then copy it again from paint and paste it into word and sharpen the image. (In the last step relarge the image to 5 or 6 [get to it by right clicking] and when you are ready use the "Snipping Tool" to copying it to Paint (don't just click copy and paste... trust me) and crop the edges if desired, the end. Since I'm too cheap to buy a real art program, this method works quite well and only takes a few minutes after completely done drawing it.

Hey everyone, it's been a while. Here's a two month old picture of an Epic Character (that didn't kind of just died,,, Hahaha... Oh well....) I made with paint and then filtered it with Microsoft Word. Anyway, I've been meaning to upload it, but sort of forgot to. It's loosely based off my previous 3d work: Takua, Hali, and Matoro, but there are a few noticeable differences. I wish I had time to continue my work with my 3d characters, but I'm going to have to wait until summer when I am less busy. (I am planning to do animations and model other characters.) (I just posted a RPG Profile of Diotrua , go check it out and comment it here, the link is right here. Oh, and here's a Demo Reel.)

Chapter 3: Lost History I woke up… again. The last thing I remembered was something notched me out in the middle of some argument between some princess and my sister. I stood up from a bed of leaves and looked around to find myself inside a hidden cave behind a waterfall. My head hurt and felt a little dizzy not sure what happened. I shouted out, “Hello is anyone here? Hello, please respond!” I then heard someone yawning behind me and I turn around and saw Ajhi lying on the other side of the pile leaves getting up. I blushed and stepped back. Instantly I noticed she had changed like me as well. Only, her eyes were a beautiful emerald and she had short cherry blond hair. Her skin was fair and her face young and gentle. She wore small bits of armor that loosely resembled her original armor. She looked up at me with a curious face and asked me, “What just happened? Where are we? Why do I feel so strange?” I shook my head and responded, “I don’t know I was knocked and last I remember was you were saying something to me and then all was blank. But look at yourself you have changed like I have.” Ajhi reddened and looked down and then quickly covered self with her arms as much as possible and screamed. “Ahhhh!!! What happened to me? Most of my armor is gone and all of this skin and flesh…? I feel so exposed! STOP LOOKING AT ME!” I quickly looked away and covered my eyes with my hands and said, “I’m sorry! I didn’t mean to stare at you. What happened, how did we get here?” Ahji, then started to speak out, “It had to be that witch! Send her to Karzahni! How dare so do this to me! This is so embarrassing! When I get my hands on her I’m going to kill her! I don’t care about the Toa Code any more, she is dead when I get to her!” Then we heard a familiar laughter behind them both, and there stood Xezia right next to Ahji. Ahji was startled by this and stumbled up and then fell on me. I opened my eyes and saw Ahji looking down at me blushing for a second. Ahji then slapped me and stood up still trying to cover herself. I shook my head and then shouted, “What did you do that for?” Xezia laughed at what just happened, and she spoke, “Well, well, well… looks like you two finally woke up. Since I had no choice, it may seem your sister must come with us after all. After all, she did break my little gem that removed the bionics from your flesh and replace it with the flesh that was lacking. When she foolishly crushed it in her hands, due to her out of control anger she released the energy and it resulted in her passing out and it removed her bionics. It turned her into an organic like you. Oh yeah and she also hit your precise head because you were too busy looking into my eyes.” Then Ahji barked out, “I was trying to make him snap out of your evil hypnotic powers, you bloody witch, it’s not my fault his current form you turned him into is weaker, maybe removing and replacing all bionics is as pointless as your fairy tales and ideas! I demand you to turn us both back!” Xezia smirked and responded, “I would if I could but you already destroyed the gem that could. I’m afraid you’re both stuck like this… unless we seek out my father and have you back, but Galatius shall remain in this form. Then Ahji can leave and let me and Galatuis continue my own plan. Isn’t that right Galatius?” Xezia looked at me, I responded, “What are you talking about? You’re insane, we never discussed anything… so far you haven’t explained to what your so-called-plan is? Now that you accidentally turned Ahji into an organic, why do you want to turn her back and why do you need me?” Xezia answered, “Well, I need you to help me gain access to an ancient device made by one of my… relatives… it is in a secret island that is currently occupied by the Dark Hunters. I need someone to come with me, if it doesn’t work was going to turn you back, I swear… but now that my gem is destroyed, by your brutal sister, I am forced to take her with me, to at least my father’s Palace. Only there she can be turned back. Though, she might like it being beautiful for once, with none of that hideous metal face you Toa tend to have.” Ahji could not contain herself and then burst out crying, “What is wrong with me, why is this form making me feel so emotional and weak! You evil witch! Send you to Karzahni!” She then continued to curse all sorts of blasphemes. I then rushed to her and placed my hands on her soft shoulders to calm her down and said to her, “It is okay, look I know I didn’t expect or wanted this, you didn’t expect this, and everything is going to fine. We are going to find a way out of this we just have to trust this princess, I don’t she really means any harm, and she just wants our help. Ahji pushed me away, her eyes full of tears and shouted at me, “It is not okay! Why do keep siding with that witch! She turned you… eh… us into ‘this’,” when she emphasized ‘this’ she pointed at her gentle face that wore a slightly changed mask of speed that looked and felt organic as well. When she realized it was organic she pulled her mask off and screamed, “It alive somehow!” I didn’t notice it until now, but my mask was organic as well and felt alive. Xezia laughed as she usually did and said, “You two are rather slow learners, your masks turn organic as well, and similar to the masks of old when they were created organic so the user didn’t have to learn mental discipline to use them. However, they took too much energy and time to create them so forged masks became more practical. There are few organic masks left in this universe unfortunately. You should be proud, organic masks bear potential that under the… ‘right conditions’ and bring into being a new Matoran. However, there is no longer does this old system of breeding among the Matoran exist. The creating of organic masks to create new Matoran has devolved into artificial creation of Matoran, which is being built rather than breed through the old rite of marriage of the two genders, and now little emotions of love is left in the programming of Matoran. Theoretically, Toa as well once possessed to ability to bear children, much like their subspecies Matoran, only their Matoran children would grow up to be a naturally greater in strength and potential to be destined to become Toa as well. That is why some of the first Toa were created wore organic masks, but not all were created like this, many were made like the Toa are today, built or evolved from built Matoran destined to be upgraded. Little does anyone know of the origins of these ‘organic masks’, for many of them remains dormant and appear like any other masks, or what they can become into being. Removing freedom and erasing their memories of ever living in such a world. Their heritage was meant to be passed on to through their children to be Toa, but now certain Matoran just need to be upgraded by certain energy sources, like a Toa Stone. However, the ancient ruler, Artakha then changed his mind at some point and decided to make and rebuild all of the organics by so-called-enhancing them with bionics to be like the first Matoran, the Av-matoran, which reverted back to what it is like today, almost completely artificial and built like robots with engineered DNA mixed with different parent qualities of personality. All gender in Matoran remained less important. No longer did Matoran were concerned with relationships, deeper sense of love, and the old lost rite of marriage, just so they could focus more on their primary purpose, ‘to work as efficient as possible’… how cruel. This short period of history was forgotten and practically erased from Matoran history. I don’t know why decided Artakha reversed it and called this short hundreds of years a ‘failed and inefficient experiment’, at least according to his records that I stole. In it he wrote about how he turned all of these more organic Toa and Matoran back into being built and not created through the lost rite of marriage and love, but left little bits of these feels which were rarely explored and were shunned or banned if one were to go too far in expressing these feelings.” After hearing all of this, I was shocked to learn all this, and then I responded, “That is all very interesting… and perhaps overwhelming, but you still failed to explain to us you actions of changing our forms to organic? Are you trying to undermine Arkinke’s authority of how the Matoran race is to be sustained and to turn everything back somehow? What is your motivation with me? Who are you really and how do you know of such lost knowledge?” Xezia smiled, “You shall find out soon enough, I feel that I have said too much, but regardless you two must come with me to seek my father’s palace. There I shall explain my plan to you as soon as I fix the problem your sister has caused.” With that she began to walk toward the water fall to exit and turned, “Come on now, stop looking at me and lets go.” I looked to my sister her still trying to hide herself and with her eyes still wet with tears. To be continued…

I don't really know how to convert blender objects to work in lightwave other then converting it into a .Obj, but usually it removes all textures, which is fine in this case because I would have to change it anyway, but I still need people to be able to build the "world" I guess. If that is true then this is starting to look good, but I still need to find time to see if my experiment will work, if it does I will announce it and probably release a short full animation. However, I am in school and there are still finals I have to overcome, so it might be a while until I have my time back to do such a thing. In the mean while, I shall try to get a short collection of 360 demo reels and a few morph animations up soon, though it's nothing quite impressive yet. However, it will give a general idea.

Thanks, everyone. Honestly, I think I put the most detail in his mask probably because I'm getting a lot better at modeling and I like the akaku (or whatever it's called). By the way, once I'm finished with the Toa Mata, I'll make slight changes to the masks to fit them (doesn’t worry I'll almost completely change the mask of strength, but I still want Takua to have a unique look.) I'm also working on the hau next, so expect to see Jaller and Makuta sometime in the future. (Though…Teridox is going to be... interesting... at least the way I am planning to design him.)Anyway, I am a little excited because I just came up with a brilliant idea, during “Epic” class, that might make building skeletons for my creations a lot faster and easier… I might be able to do it faster than I originally thought. I’ll keep you guys update if I find that it does in fact work.However, if anyone can find me information if it is possible for Blender users to convert their models to this format: “.obj” If so I might be able to recruit people to model scenery and unanimated items for me, and there is no need to color the object either, since I’ll just use the cartoon graphics to color them.Yes... then I’ll be able to focus on animation and modeling characters. I can see the possibility of a series. However, this is a stretch, but it may be possible. I like this plan. Mahahahahaha!

Perhaps... First, I'll survive finals... then plot to create a series... Mahahahahahah!!! *Evil laugh*I think I like this plan...

I guess... but then again it was semi based-off Megaman Zero...