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  1. Chef is a Ko-Matoran who dedicated his existence to cooking the fauna and plant-life of Spherus Magna after the Re-Formation. No one is really sure why, considering the Matoran don't really eat things, but he's really passionate about it. Other Matoran have tried to understand his art, but eventually ended failing at both getting the concept and executing it right. They usually just get yelled at and go home with nothing but questions about the grumpy guy. Chef carries a sharpening stick around as well as at least always one electro-blade, which he likes to sharpen whenever he has time. He wears a black powerless Ruru. On top of his regular Matoran pieces, Chef added-up an extra bit of armor to cover him a little more, especially when cooking. Unlike most Ko-Matoran, Chef absolutely dislikes cold environments, saying he hates everything that is frozen. He prefers to wander around the planet to try and create more food-related creations. "It's burnt! You burnt the bloody thing!" -Chef to Macku The build of this Matoran is fairly simple, with very basic articulations and limbs. The top is obviously based on the 2003 Matoran Sets. The bottom is custom but still very basic. The color scheme is White for the most, with touches of Black, to emulate Gordon Ramsay's general look in a kitchen: White jacket, black pants, and with an extra piece of armor on the front to replace the apron. More pictures of this little guy here: (I'm not familiar with Bzpower's gallery thing so uhhh here have this funny link) https://twitter.com/Nahunicle/status/1122493173375410176
  2. History This project sat on the back burner for years ever since Hero Factory: Savage Planet. When I got the heads of Chi Panthar and Chi Fangar in my first Bricklink order, I puttered around with a white sabertooth and a black panther. It didn’t really go anywhere until this year. ‘Black Panther’ really inspired me. The black/purple in the movie was really striking and made me want to try out. I played with it and this is the result. https://www.flickr.com/photos/141514055@N03/41194227054/in/album-72157668634330148/ The Build The second generation Bionicle sets really essential. Uniter Onua, Master Onua and the Protector and Creature of Earth supplied the trans-purple parts. Two Hero Factory Stringer sets provided the torso armor used for the shoulders and another torso piece for the rear haunches. The biggest challenge was connecting the front half with the back. I wish I could say I had some instant flash of master builder brilliance, but the truth is with only so many ways to connect them I merely went through most of them. Trial and error is the secret to my success. https://www.flickr.com/photos/141514055@N03/41194223414/in/album-72157668634330148/ The Story Inspired by ‘Black Panther’, this is Bast the Panther god. (Not to be confused with Bast the Egyptian cat goddess) Bast spends his days sleeping and his nights stalking prey in the spirit realm. Occasionally, the past kings join him in the hunt taking the form of panthers. Full Album
  3. You can make the entire Toa Mata team in all black, save for Lewa's axe and Pohatu's feet. What's a good way to paint those in black? Spray paint?
  4. This is Meltixx T.M. (Meltdown+Waspixx turtle mode) (description in gallery)sorry for low quality
  5. Hi there, this is a MOC I've done yesterday since I noticed some Slizer Set pieces hanging around my room. His name is Jimpsy, a collector robot that used to rip other parts away to his personal collection. Before that he used to be a doctor/AI assistant, but his concerns turned him against their instituition and now he lives in his own junkyard.
  6. I typically have pretty epic and memorable dreams. For the first time, I had a dream about BZPower. (I guess I'm spending too much time here...) It starts out with me working on my comedy, but Dual Matrix PM'ed me a Bionicle-related poem that was TERRIBLE. For some reason, I couldn't help myself and posted it on my comedy. You have no idea how terrible this poem was. AND HOW LONG IT WAS, TOO. And I didn't read it before posting it. Then while there I checked Black Six's status thing and noticed that he was going to the street next to me to get some lemonade (hey, it was a dream). So I walked over. Now I must say at this point that I live in a rather nice city (a small city that is more like a town). But the street next to us has been visited by the police several times in the past. Some not nice people live there. So I rush over with a friend of mine (By the way, Chro, it was the guy that you lent *cough cough* gave a dollar to). Black Six is sitting there in a Lamborghini. I say hi and ask him to come over. We stand around talking for a while, then I want to show him my Bionicle collection, so I bring him inside. My parents talk to him for a while, then I ask him about college. He says "Phew, I'm done with that." Then he started telling us that while in college, he beat up/killed someone and had to go to prison. Yeah, prison. So Black Six is an ex-con. Remember, this was just a dream. Thoughts? Any dreams you have had about BZPower? IS Black Six an ex-con?
  7. Well, I've had this on brickself for a while and thought I'd post it. It is my idea of using HF bones for a Av-Matoran body except this uses more HF pieces. Enjoy! http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/141654.jpg http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/141703.jpg http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/141708.jpg http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/141715.jpg http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/141723.jpg http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/141730.jpg http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/141816.jpg http://www.brickshelf.com/gallery/SKAKDI/LEGO/BIONICLE/BIONICLEMOCS/Tavaki/142037.jpg
  8. She looks up, sees a man, and stands up against the nightstand nervously. Man: No! Don't be frightened! I noticed you in the crowd. Kara: Oh yeah! Is that suppose to make me less scared. Man: Sorry! I meant I noticed your limp. Are you injured? Kara: Oh! Um! My dad and I were in an accident just down the road. I sprained my ankle. Man: Oh! Is he alright? Kara: Yeah! I used someone's cell and alerted the authorities in the next town. I'll see him in the morning. He goes over and sits on the bed. Man: Here! He places his hand beside him on the bed. She looks at his hand. Man: Don't worry! I just wanted to check your ankle. Kara: Oh! Um! Ok! She goes over, sits next to him, and gives him her leg. He pulls back her pant leg and looks at her ankle. Man: I'm Luke by the way. Kara: Kara! Luke: Kara. That's a nice name. Ooh! Yeah! It's sprained. You should probably stay in bed. I could let you know when the party is over and you can take the bus back with the others. Kara: I don't know. I don't think the person that stays here would much appreciate it. Luke: I think he'd be fine with that. Kara: And what makes you so sure? Are you friends with the guy? Luke: Yeah, but I kind of have to be. I mean I'm stuck with myself. I can't just leave me. Kara: Oh! So this is your room. Whoa! Luke: What's wrong with my room? Kara: No. Your room's fine! It's awesome, but I don't understand why you would want to live in a cave. Luke: Well, when I was young, I found out I was allergic to the sun. Kara: Oh, that's terrible. I'm sorry! I didn't mean... Luke: Oh it's alright. It's not as bad as you think. I get to live in a cave. Who else gets to live in a cave and throw parties in a cave? Kara: No one I know. So, that kind of makes you like a bat then, doesn't it? Though, I'm sure it can get pretty cold at night. Luke: Well, I guess it does. I'd say this makes me more like a vampire, but I wouldn't say I like to drink blood. Kara: Well, a vampire wouldn't want to bite me, that's for sure. Luke: And why is that? Kara: Well you see I was born with a birthmark that's shaped like a cross, and as everyone knows, vampires don't like crosses. They're the same as a kryptonite crystal to Superman. Luke: May I see it? Kara: Sure. She pulls her hair back and he takes a close look at her birthmark and then he touches it, but she moves away. Luke: I'm sorry, but that is an amazing mark. I've waited so long to see it. Kara: Huh! What are you talking about? Luke: I'll show you! He looks down and then looks up with baby blue eyes and two long fangs protruding from his mouth. Kara sees this and faints. She begins to fall backwards towards the nightstand until he places one hand behind her head and one behind her back for support. He then lays her head on the pillows, pulls back the covers, and puts her legs underneath the covers, before turning to leave the room. When out of his room, he signals to Jay and Kasey to follow him. They smile and follow him to the stage. He grabs the microphone and the dj sees him and stops playing. The crowd stops dancing and looks at them. Luke: Are you all having fun? The crowd cheers. Luke: Good! We want to thank you all for coming, but now the party is over and it is time for you all to give us some of your life blood, but don't worry, you won't remember a thing. The crowd becomes puzzled as Luke and others in the room bow their heads. Luke and the other ones on stage look up with their baby blue eyes and fangs and they all smile, except Luke. Persons in the crowd then look at those near them who bowed their heads as well. They then raise their heads and the crowd becomes frightened. Luke signals for the others to go. The crowd screams and begins to run towards the exit. Two female vampires are the first to the exit who hypnotize two men in the crowd and then bite in the throat. Kasey and Jay then spring from the stage on two unsuspecting victims. Luke stays on the stage and watches. At the exit, people begin to frantically push on the boulder to get it out of the way with no success, screaming loudly. They then turn and you see all the already hypnotized victims and the vampires walking towards them. The victims are still scared even though there are more of them then there are vampires. A strong man, still with a beer in his hand, hits the bottle against the cave wall and begins to walk towards them. Jay walks towards him as the others smile. They get within three feet of each other and the man begins to swing the broken glass shard at Jay, but misses. He tries again, but fails a second time. He gets mad and begins swinging left and right at Jay and keeps missing because of his superfast reflexes. He stops and tries once more and nicks him in the face. Jay just smiles though, as the cut disappears slowly from his face after he puts a drop of his blood from the cut on his face onto his fingertip and licks it. The man's face becomes worried and then Jay reaches forward and grabs the shirt of the man's chest. The bottle drops from the man's hand and then he too drops to the ground and you then see Jay’s hypnotizing eyes. A girl screams and then everyone else begins to scream and run again. You see some fight back, including a girl who punches a male vampire in the face. He falls back and comes back up. Her face becomes shocked because she did not feel that the blow from her punch would have such an effect, but then he comes back up from the fall and she becomes scared again. Man: I like you. I think I’ll let you remember tonight. She screams and he slowly comes after her. She continues backing up until she hits the wall and feels the tapestry with her right hand to the secret room and sees she can enter it. He then, seeing she has nowhere else to go, jumps after her. She screams and goes into the secret room running. She wakes Kara up, who screams as she sees the man grab the girl's arm, and then look at Kara and say... Man: Oooh! Seconds! The girl then tries to get away from his grip and so he pushes her up against the cave wall. As he does this, Kara jumps out of the bed and runs to the tapestry. He sees her, quickly hypnotizes the girl who slides down against the wall, and then goes after Kara. He reaches her and turns her up against the wall. He then tries to bite the side of her neck with the black cross, which in turn acts like acid on his mouth, so he lets her go and tries to stop the pain. While he does, he faces towards the exit and Luke punches him, which forces him to fly backwards in the air. Kara hurries then and runs out and the hurt vampire gets up with an angry face until he sees that it is Luke. He calms downs to a cool and then you can see the acid burn on his mouth disappear slowly. Luke: Stay away from her. She's mine! Man: I'm sorry Luke. I didn't know she was yours! You never join us. Luke: Well you do now and I'm not 'joining you.' She's special. He then turns and goes back out. You see many people lying unconscious on table and the ground and some locked up in shackles hidden below the stage with frightened looks on their faces. Luke: Kara, there is no need to fear me. I do not wish to hurt you. We do not kill. You see her hiding behind part of the boulder blocking the entrance into the cave, scared, but peering out ever so often to see the location of all the vampires. Luke continues to walk closer to her position. Luke: You are a very special person Kara. You have a gift that is like a cure to this curse that we are forced to live. This is why I can't let you go yet. Many vampires become surprised and stare between Kara and Luke. Kasey begins towards the boulder to get her, but Luke grabs her arm, so she backs away. Luke: Before you can leave, though, a ritual will be performed in one week’s time when the moon is full. We must first assemble and when the deed is done, you may go free, but until then, you must stay here. I promise no one will harm you. He reaches the boulder where she is hiding. Luke: There is no use fighting me. You will always lose. He then pulls her out from behind the boulder. She continues breathing heavily as he pulls on her arm. You can see signs of pain from her limp and the "aahs" as she is pulled back into the room. Kara: Please let me go and all those other people too. Luke: I'm sorry, but I can't let you go yet. The others will be sent home tomorrow. Ty! Lee! Two male vampires come into the room. Luke: It's time! He goes over to the nightstand and pulls out a small, old book. He opens it and pulls out some paper that he hands to Ty and Lee. Luke: Now go, so they have time to prepare. They leave and he turns to see her still hiding on the other side of the bed. Luke: Now it's time to see if you are really the prophecy. Kara: What do you mean? Luke: I need a taste. Kara: What? No! Stay away from me. She begins to turn and run to the other half of the room, but his quick speed and high fly jump abilities allow him to get in front of her. She turns again to run and trips onto the bed. She scrambles to get to the other side but he beats her and knocks her nicely back onto the bed and gets on top of her. She uses her hands to try and get him off but he grabs her wrists and holds her on the bed. She still struggles but he holds her hands above her head and pulls back her hair. Luke: Just relax. It won’t hurt but a second. I'm sorry for this. Kara: No. No. Nooo. He bites into her neck and she becomes weak and dazed. You see blood drip from his mouth and the holes on her neck down to the bed. He then lifts up and licks his blood smeared mouth. She still lies there, breathing heavily, as he gets off his bed and heads towards the wall. He pulls a cord which opens an area above his bed where there are sun-intensity lights. He then walks over to the lit area where Kara lay and places his hand in the light. He sees no damage came to his hand so he gets on the bed and lets the lights fill his body completely. Luke: The light of the sun. I've waited hundreds of years to feel its warmth and tomorrow I shall feel it and see its face again. He turns to see that Kara’s blood loss has caused her to fall asleep. You then see her blood covering her shirt, neck, and face. You see Luke later coming out of the room connected to his room. He picks her up off the bed and carries her into the other room, which is a bathroom with an old fashioned, western movie style bathtub. He places her into the tub and you see the blood come from her body and clothes into the water. She then wakes up later to find that her clothes and her are clean. She looks around and sees Luke standing near the bathroom door. Luke: I cleaned your wound and dressed it. Kara: And redressed me. Luke: Yeah! Sorry! But there was no way to get the blood out of your clothes. Kara: Sorry! You looked at my body. Luke: You shouldn't feel embarrassed; you have a beautiful body. Kara: Um. Hhhm! Luke: You have a special gift. Your blood can change our species forever. To be able to walk in the sunlight is a miracle and to see the sunrise and sunset is a blessing that we the undead have been denied for hundreds of years. Your father is lucky to have such a beautiful and gifted daughter. He then walks over to her and sits next to her on the bed. She flinches slightly and makes a cross with her fingers, but nothing happens. Luke: That doesn't actually work. I promise you're safe. She puts her hands down. Luke: You are lucky to be able to experience a world that is both dark and light; both beautiful and terrible. All we see is the dark and terrible. You don't know what it's like to never know the joys of the world and to be held captive to the blood filled hunger that resides in us; one that is never fulfilled. One that starves for more and more until the creature inside us no longer waits for the once human host. You then see her father in a wheelchair at a hospital and a couple of policeman. Officer: We still have not heard from your daughter. She is not the only one. You said she was on a bus with a group of people going to a party. Joe: Yeah! That's what she told me. Officer: All the persons that were on that bus are also missing. You see a guy in the background with a long coat listening to their conversation. Joe: Are there any leads? Officer: We know from one of the kids whose parents didn't let their child go, that the party was somewhere in the desert. We have many officers combing the desert looking for any signs of the buses or the people that were on them. Now we are going to need for you to describe what she looks like to us. He pulls out a notepad to take his description of his daughter. Joe: She is 5 foot 9 with long curly brown hair and hazel eyes. She is wearing blue jeans, sneakers, and a black shirt. Oh, and she has a birthmark of a cross on her neck. Please find my daughter. After my wife died... She is all I have left of her. After mentioning his daughter's birthmark, the man in the background looks even more curious about the story Joe is telling. Officer: Don't worry sir. We won't give up until all those people are found. This isn’t the first time this has happened. They always come back after a day or so, but it’s with no memory of what happened or where they were. The man in the background then turns and walks away after speaking into a walkie talkie. Man: Finally. We found her. They have her though. Girl's voice: Good! Now find their hideout and report back once you have her. Man: I'm going now.
  9. I wrote this about 5 or 6 years ago and decided I would share it with you. It's pretty long, so it'll take several days to share it all with you. I accept all critique. Thank you! Black Cross Open with four doctors running from the hospital doors at night to an ambulance arriving with its sirens on. The doors of the bus open and two paramedics and a man emerge as they bring a pregnant woman, covered in blood, out. The man grabs her hand when she reaches the ground and the woman is rushed in.Doctor: What happened?Paramedic: She was bit.Doctor: By what?Man: A man!Doctor: A man!Man: We were at home watching the TV when my wife's water broke. When we were on our way to the hospital, the car died. Since we were only two blocks away, I asked my wife if she thought she could make it, but her contractions were getting closer so we went to the nearest house. I sat her on the porch swing and went in with their permission, but when I came back out, I saw a man biting her neck. She was unable to move and when I went to try and help her, another man jumped out after me, but I knocked him to the ground, so he ran off. The other man followed and then the ambulance showed up.Doctor: No man could make holes like these.They enter an empty room where the wife is situated on the bed and another doctor prepares to deliver her baby as others try to control the bleeding and a crash cart is brought in.Another doctor: Alright ma'am! I need you to push.Woman: I can't.Man: Yes you can Caroline. The baby and you are going to be fine.Caroline: But it hurts so much Joe.Joe: I know baby, but you'll see. Isn't it worth all the pain and tears to bring our child into this world and raise her together, as a family?Caroline: Alright! I'll do it for our daughter.Doctor: Alright then! Push Caroline! Push!She begins to push and scream until the baby comes out and they all smile. The screen then begins to beep after the doctor hands the mother the baby girl and the father holds her little hand. The doctor hands the baby to the father and moves him out of the way with help from the nurses.Joe: Caroline?She drops her hand and Joe moves closer to get a better look at the situation and to consult with the doctor as the baby begins to cry.Joe: Is she alright?Doctor: Please remove him from the room.Joe: Wait! No!A nurse escorts him out of the room, he looks in to see the doctors surrounding his wife, and then you see them a few hours later sitting outside the same room. A nurse confronts him about his wife. You see him begin to cover his face with one hand and the nurse then walks away. He then speaks to his newly born daughter.Joe: I'm sorry baby! It looks like we've both lost someone special tonight, but I'll take care of you. You'll never lose me. I'll always be there for you. You'll never have to worry my sweet Kara.He then puts her near his neck, on his shoulders, and you see a birthmark of a black cross on her neck. You see a close-up of it and then you see her nineteen years later with the same birthmark in a car with headphones on. You see her listening to her headphones and moving her head to the rhythm of her music. Her father notices this in his rearview mirror.Joe: Kara!She hears him and takes her headphones off. You can partly hear the music.Kara: What?Joe: We haven't talked since we left the campus grounds. So, how was school? Did you enjoy your classes?Kara: It was alright. Classes are good. Easy.Joe: Good! Good!Kara: Now can I listen to my music?Joe: No Kara! I haven't seen you since the fall, let alone received a single phone call or an update of how you were doing.Kara: I told you! I did fine! Ok? Now if you don't mind, I just want to relax and listen to my music.Joe: Kara, give me the iPod.Kara: No!Joe: Kara!Kara: No!Joe: Give me the iPod Kara!Joe turns around and tries to take the iPod.Kara: No! Let go! Stop! No! Dad! Look out!Joe turns around to see a deer in the road and he turns the wheel hard and fast enough that the car turns upside down with Kara and Joe yelling inside the car. When it stops turning Kara crawls out and then tries to find her father on a gimp leg.Kara: Dad! Dad! Can you hear me?She goes around to the other side and tries to open the door and rips it off and holds it for a second.Kara: Whoa! Not again!She then throws it out of the way and gets down on the ground.Kara: Dad? Oh, please!She looks in and sees him with his face against the air bag.Kara: Dad?He slowly opens his eyes and weakly speaks.Joe: Kara! Are you alright?Kara: Yeah! I think I sprained my ankle, but I'll be fine! Are you sure you're alright?Joe: Yeah! Lucky for me the air bag deployed and I was wearing my seatbelt, but my leg hurts a little.Kara: I'm so sorry dad. This is all my fault.Joe: No, it's not! I should have been paying attention to the road and just let you relax.Kara: But that's what I meant dad. If I wasn’t so upset about being dumped, this never would have happened.Joe: You have a boyfriend.Kara: Had, until he thought a semi-long distance relationship wouldn't work, but it’s probably because I told him you were a police officer.Joe: Yeah, that seems to work really well.Kara: Dad!They both laugh, but when she turns her head towards the end of the car, she sees it is leaking.Kara: Oh no!Joe: What? What is it?Kara: The car's leaking.Joe: Don't worry. Stay calm. We're fine as long as there are no sparks or flames.Kara: Dad, we're in the middle of a desert in Arizona, one of the hottest states in the United States.Joe: Right! Right! Oh! There was a sign about a mile back there. It said the next town is about four miles from here. It will be dark soon so I think I'll be fine until you get back.Kara: No! I won't leave you!Joe: Don't worry Kara! I'll be fine! Just reach into the glove box and get me my gun.Kara: Ok!She goes back to the other side and opens the glove box. She pulls out his gun and notices his water bottle and grabs it too and goes back to the other side.Kara: Here you go Dad!Joe: What's this?Kara: Well we're in the desert. I'm sure you're going to get thirsty. Oh, and here. Kara reaches into her pocket and pulls out a pack of gum and hands it to him.Joe: Gum?Kara: Yeah! It keeps the saliva going.Joe: Oh, thanks! Alright Kara! I need you to help me down when I unfasten my seatbelt so I can get out.Kara: I can't do that. You'll get hurt even more. We don't even know what's wrong in the first place.Joe: Yes you can! It’ll be alright! I think I just fractured my ankle. I can still move my legs and feet.Kara: Ok dad!He reaches for the belt and gets his finger ready to push.Joe: Ready?Kara: Yes! Now!He pushes it and she holds his shoulder and head as he slowly pushes himself out of the seat to the ground. His leg is bleeding and parts of his clothes are torn and bloody as well from minor cuts. She pulls him out of the car and helps lean him up against the side.Joe: Alright, now go!Kara: It’s alright dad! You’re right! It is probably just a sprain. I can shoulder you the four miles.Joe: Don't worry so much. I can handle myself. Besides, I know you'll come back with help.She stares at him for a moment and looks around to see if a car was hopefully coming, but then bends back down beside him.Kara: I love you dad!Joe: I love you too Kara!Kara: I promise to come back with help.She gets up and begins to hobble down the road.Joe: Good luck Kara!She stops at his words and then continues. You see her a ways down the road with no sign of the accident. She is more tired now because of hot sun and injured leg. She sees the sun beginning to set and behind her in a distance from the road, you see a close-up of a cave. Next you see her at night time exhausted and hobbling real slow like. She then sees four bright lights coming from a school-sized bus. They stop next to her and a man and woman come out of the bus.Woman: Are you alright miss?Kara: No! My dad and I were in an accident. I need to get help.Man: Well, I have a phone on the bus. You can come with us and we can take you into town in the morning.Kara: Oh thank you!Woman: Alright! Come on! I'm Kasey and this is Jay.Kara: It's nice to meet you. I really appreciate this.Kasey: Don't mention it.They let her on the bus first and then they follow after giving smirky looks to each other. After she’s on, she sees that everyone looked like they were going to a rock concert and was acting like it too. She finds an open seat in the back and sits down.Jay: Alright everyone. Let's get this show back on the road.Everyone begins to scream, "Whoa!" You then see the bus move and a ways back down the road she came from, you see her on the bus on a cell phone.Kara: Yes! Thank you! Tell him not to worry about me or my leg and I'll see him in the morning.She pauses.Kara: No! I don’t want to stop these people that picked me up from their plans. Thank you though. I’ll be there tomorrow.She gets off the phone and hands it to Jay.Kara: Aaah!Jay: So everything's set then!Kara: They're coming now. Thank you guys so much. I don't know how to thank you.Kasey: No need to thank us. Just enjoy yourself tonight.Kara: I'll try, but I don't think I'll be able to, not with this leg or knowing that my father is probably worrying about me. Maybe I should go wait with him.Kasey: Don't worry! It'll be fine! Besides we’re already here.Kara: Really?She peers out the window. You then see them leave the road and drive towards the cave. They all leave the bus with Kara exiting last. The bus then drives off behind the cave. You hear music come from the cave and she follows everyone else into the cave. When inside, you see the final persons go in and two men pull on strings that are attached to a boulder to block the exit. She hobbles farther in to the cave and sees everyone dancing with a group playing on the stage. She continues through the small crowd and as she does, you see a man with two women dancing around him and watching her every movement. She gets to the other side of the crowd and notices that there is a long tapestry against the wall that is moving. As she moves towards it you see the same man behind her. She pulls back the tapestry and goes in. she finds a dark room, which appears to be someone's bedroom. She shuts her eyes and rubs her face, signifying her exhaustion when she sees the huge bed. She walks over to it and sits on it and then brings her legs to her chest, and then lifting up her pant leg to see how swollen and red it is.Man: Are you ok? The story continues in Black Cross Part 2...I couldn't remember how to add directly to here, but I got it on the Part 2 one.
  10. This epic details the adventures of Takanuva and Shadow Takanuva on Spherus Magna. Black indicates Shadow Takanuva's perspective, White indicates Takanuva's perspective. I will try not to let it die this time and have at least the next chapter finished by the time I post another chapter, just in case I have no time to write. So, without further ado, let the journey begin!
  11. Another MOC... I wanted to make a Titan so much. So I tried. And it turned out as a winged Demon. I would have used Mutran's mask but I don't have it, so I tried a similar-looking face. Its name, Siath, comes from "sciathàn", the Irish word for "wing".MOCpages linkC&C welcomed.
  12. Flickr | Brickshelf Just your regular soldier of Heck. I've had this scaly beast in the works for a while now. A few months and some questionably-illegitimate piece connections later, and it's finished. This isn't specifically related to the actual Nidhogg of Norse mythology, only named after it due to similarity in character. Not much else to say I guess. Mocs speak for themselves. Lemme know what you think. C: Could swear the limit was 500KBs. Whatever, I got a smaller version. :B Edit: Yeah, the limit on the rest of BZP is 500 kB, that's true. BBC's kinda special though and does actually have a tighter restriction on image dimensions and file size. Check out the fourth paragraph here. And thanks for fixing it! -Wind- That's stupid but okay. :U
  13. This is POKOROK. I got his name from Po-Koro and then I added a K at the end. And yes he looks waaaaaaaaaaaaaaaaaaay to much like Dekar. He is also part of my upcoming CUUSOO project. He is made up of 38 pieces......I think.http://www.brickshel...0622-141839.jpghttp://www.brickshel...0622-141844.jpghttp://www.brickshel...0622-141851.jpghttp://www.brickshel...0622-141856.jpghttp://www.brickshel...0622-141913.jpghttp://www.brickshel...0622-141930.jpghttp://www.brickshel...0622-141953.jpghttp://www.brickshel...0622-142002.jpghttp://www.brickshel...0622-142009.jpgGallery: http://www.brickshelf.com/cgi-bin/gallery.cgi?f=506104 (When Public)
  14. This is definitely one of my better MoCs. It was pretty much created because I wanted to make use of the trans-neon green Miru. He was going to be a Toa at first, but kinda ended up as some sort of huge killer robot thing. Anyway, on to the actual pictures.FaceCool poseFrontBackUpper torsoLower torsoUpper armLower armUpper legsLower legsFeetSize comparison with Toa of AirEpic fight scene pictures http://www.bzpower.com/board/public/style_emoticons/default/tounge2.gif (no Toa were harmed in the creation or photography of this MoC)The fight begins...Swoosh!Bam!Pow!Slice!Brickshelf GalleryPoorly thought out backstory-ish thing:My idea for this guy is that he was once a Toa, but was damaged beyond repair in a fight with another Toa and had his brain transplanted into a suit of robotic armor. Sort of like a Kanohi-wearing General Grievous. He now spends his time employed as a Dark Hunter, hunting down Toa at every chance he gets.I'm really happy with how this guy turned out. I think his torso could maybe be improved a little, but the rest of him is pretty much perfect in my opinion. I especially like how his legs turned out. I think the most impressive thing about him is that every single one of his pieces are either black or trans-neon green.Comments and constructive criticism are really greatly appreciated! I'm practically begging for them because my topics keep dying after 2 or 3 replies. And even if you don't reply, be ready to see my BBC#63 entry soon.
  15. This is Slimy. He's a snail. 1•2•3•4 Comments and rotten tomatoes appreciated.
  16. (as always, clicking the preview pic leads to the real art) This took forever. -.-' But now it's done. I know there must be a ton of drawing mistakes...Done with Staedtler pens (0.1, 0.3, 0.5 and 0.7) and a black Faber-Castell pencil (polychromos)Comments/Criticism appreciated.
  17. GalleryOr rather, revamp the trigger. Turned out nicely with compatibility with Hero Factory 2.0.
  18. UPDATED.All right, time for the third MOC from the downtime (keep in mind that I'm not posting them in the order that I built them). Here's my Toa of Time: ^as usual, click for gallery (when public)^ And some more pictures!BackLeftRightAction pose of some sortUPDATE: Picture of new back buildComments and/or criticism are, as always, much appreciated -
  19. So I was messing around with a couple peices, and after a bit of work I came up with this. http://www.brickshel...cs/img_0469.jpg http://www.brickshel...cs/img_0470.jpg http://www.brickshel...cs/img_0471.jpg What do you think of the white/black/red colour scheem? Also, the mechanism holding the Matoran in can be easily exchanged, so most custom Matoran can fit with minor adjustements. Thanks! -TK
  20. Hey there BZPower, TakuaTheAvrahk here,and it's good to be back! I made these a while ago, but I couldn't post them here then. So here they are! More:http://www.mocpages.com/moc.php/268618 More:http://www.mocpages.com/moc.php/268619 More:http://www.mocpages.com/moc.php/268961
  21. And here's number five out of my six downtime MOCs: a much more Lion-esque use of Rocka 3.0's parts: ^Click his fearsome teeth or claws for the gallery (once he's ready to let you pass)^ And here's a few more pictures:Running/JumpingDifferent angle for the standing posePOUNCE!Bad-quality scary poseAny comments and/or criticisms are great (look out, though: he might not like it if you say bad things about him!)And please, look at some of my other MOCs! (linked to in my signature)-
  22. Hey BZP Just got to posting pics of this dude, took me awhile. http://www.brickshelf.com/gallery/ToaKanas/Newmocs/img_0486.jpg I could add more, if people want. Thanks!
  23. How are ya, BZP? As my "Happy the forums are back" special, I post one of my favorite Moc's to date: EDIT: My pic got deleted somehow, he is a new copy: http://www.brickshelf.com/gallery/ToaKanas/BZP/267340_175572535848833_100001882644578_413977_3920330_n.jpg Thanks for commenting!
  24. I don't have a good flat surface or a good background. (I had to pull paper out of my printer to use.) And my camera is no good. But... These are my best 2 MoCs, and the only ones I consider worthy of being posted. So, without further ado, I present: KailuMatoran Lying DownLungingFront AngleBackDetails [No name yet] FrontMenacingIdleStaff DetailBackFeet BackBack DetailHead DetailHead Angle CnC welcomed and appreciated! If the pictures are too big, I can deeplink them.
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