So, I've put quite a bit of thought into this review, but it's only partially complete at the moment. I think that it's most helpful to give you the first part (of two or three) now: It concerns mechanics, style, and so on. This post talks almost exclusively about problems, but don't think that I don't like your Epic. Of course I do! Why else would I have written so much on it?My comments are here, along with the full text of the Epic. This document contains a few helpful tips that I ripped from a fan-fiction thread on an MLP image board. Everything SHOULD be SFBZP.In addition to those comments, I have a few general suggestions regarding voice and style:Passive voice: It should be cut down on. (Without hypocrisy: Cut down on it.) Yeah, I know passive voice is not necessarily a bad thing, but more than half the time, it is. And your Epic absolutely oozes passive voice at perhaps one example per paragraph on average. Passive voice has a purpose, but you don't seem to know it. Passive voice is, at its heart, pretentious.Gerunds: Don't use so many of them. See the document with assorted tips for an explanation of why they are bad.Dashes: See the the tip document.Negatives: Active writing prefers the positive over the negative. Instead of "he didn't like indecision," say "indecision made him squirm in apprehension" or "he detested indecision."Sentences: Make them shorter. It could just be my experience writing journalistic articles talking, but your sentences are clunky. Too often, they try to state three separate ideas and end up making them all unclear. A journalist's sentences are typically fifteen words long; yours should be longer but never over three lines long (and they too often are).Said bookisms: "Stop using said bookisms!" I shrieked without explaining their nature. You inquired what they were in a quizzical manner. "A said bookism," I went on to explicate helpfully, "is a verbose offence to good prose in which the author tries to avoid using the word 'said'. The term also refers to the use of adverbial phrases added on to dialogue tags.""Why is that an issue?" you inquired, confused and almost offended by constant recommendations."Well, it keeps the dialogue from standing on its own and often repeats what the dialogue should tell us," I said, stating that said bookism can repeat what the dialogue should tell us without the help of such a phrase. "You must make your dialogue clear without adding comments on the nature of the dialogue," I recommended with concern for your style of writing. "The only words that you really need are 'said,' 'shouted,' and 'asked' unless the situation really calls for something else."Non-committal statements: Perhaps, maybe, unless, rather, slightly, seem(s) to, kind of. This is a short list of the type of words that you should remove entirely from your writing unless uncertainty is absolutely vital. Your purpose is to supply us with the reality of your creation. Thus, saying "depending on your point of view" is basically the same as saying "I don't know what to think." It's the mark of an ineffectual writer.Failure to end: The vast majority of your statements--especially in narration--should end. They should not trail off or stop mid-word. This is acceptable once or twice per chapter, but don't make a habit of it.Anglo-Saxon: Do not use too many lengthy, latinate words ESPECIALLY when good old Germanic ones will work. Anglo-Saxon is vigorous: All the fun curse words derive from it. Furthermore, pay close attention to both literal denotation and the connotation of the words that you use. Too often, I feel like you write with a thesaurus next to you. Remember: Elevated language serves only the author--not the story. It's like going to twelve significant figures after multiplication of two numbers with only three; it says, "I have fancy words and can be so very precise with them." Be accurate--not precise. Always avoid pretentiousness.Similarly, never use jargon. A term like "brain waves" belongs in your doctoral thesis on neurology, not a fantasy story.Books: Read The Elements of Style by Strunk and White. Try also How NOT to Write a Novel.~ BioGioEDIT: This is a bit off-topic, but "*Thy Orisons" is ungrammatical. It should be "Thine Orisons," as "thy" and "my" work as "a" does before a word beginning in a vowel (or H).